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14th & "0" I 70th & Van Dorn
University Square * Holmes Lake Plaza
475-9117 489-9116
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Interested in Aviation?
Pre-register for aviation courses at UNL by calling
the UNO Aviation Institute.
1-800-858-8648
(Nebraska and Iowa only)
See tomorrow's paper for more information and visit our booth in the
Nebraska Union on Wednesday and Thursday from 10-2.
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Best-selling singles of the
week:
1. “Informer,” Snow
2. “I Have Nothing,” Whitney
Houston
3. “Nuthin’ But A ‘G’ Thang,”
Dr. Die
4. “Don’t Walk Away,” Jade
5. “Ordinary World,” Duran
Duran
6. “Bed of Roses,” Bon Jovi
7. “I’m Every Woman,”
Whitney Houston
8. “Two Princes,” Spin Doctors
9. “A Whole New World,” Peabo
Bryson and Regina Belle
10. “7,” Prince & The
N.P.G.
Best-selling country west
ern singles of the week:
4. “Heartland,” George Strait
2. “It’s aLitde Too Late,’’Tanya
Tucker
3. “When My Ship Comes In,”
Clint Black'
4. “OP Country,” Mark Chest
nut
5. “Learning to Live Again,”
Garth Brooks
6. “Let That Pony Run,” Pam
Tillis
7. “HardWorkin’ Man,” Brooks
& Dunn
8. “She’s Not Cry in’ Anymore,”
Billy Ray Cyrus
9. “The Heart Won’t Lie,” Reba
McEntire and Vince Gill
10. “Passionate Kisses,” Mary
Chapin Carpenter (Source:
Cashbox magazine)
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‘Less Fat’ madegor ’90s;
‘Love’s Alright’is just OK
Courtesy of Motown Records
Courtesy of Island Records
Eddie Murphy
“Love’s Alright”
Motown
Eddie Murphy made it big by mak
ing people laugh. He is, and always
will be, “the f— you guy.”
But that hasn’t supped him from
releasing his third musical venture,
“Love’s Alright”
Musically, the new release is miles
beyond the 1985 album that turned
out “Party All the Time.” The first
release was more laughable than lis
tenable, and Murphy has matured
musically in the years since.
But Murphy’s new style — his
self-proclaimed “psychedelic psoul”
—is far from great. It’s stomachable.
The album, Murphy’s first on the
Motown label, is peppered with cameo
appearances from some real musi
cians—including Shabba Ranks, B.B.
King and Michael Jackson — and
“The Yeah Song,” a track Murphy cut
to benefit his own social-reform orga
nization, features more than 25 celeb
rities, including Garth Brooks, Heavy
D, Johnny Gill and Paul McCartney.
Regardless of why they appeared,
they lend some credibility to the al
bum.
Gone, however, is the subtle sexu
ality and humor that made Murphy's
last release — 1989’s “So Happy”—
so good. Without it, Murphy comes
across as a more serious musician.
Unfortunately, he just isn't that good.
In fact, the best performances on
the album belong to Murphy’s guest
stars.
Supposedly, Murphy plans to hit
the road with a show that combines
his stand-up and his singing. Now that
would be funny.
— Chris Hopfensperger
Chris Mars
“Seventy-Five Percent Less Fat”
Island Records
Somewhere between the music of
Sonic Youth and They Might Be Gi
ants is Chris Mars and his album,
“Seventy-Five Percent Less Fat.” It
answers a musical question: What
would happen if Nirvana sang through
Bob Dylan’s nose?
The Replacements fired their drum
mer, Mars, in 1991. Once bitten, he
has become a solo, multi-instrumen
tal artist, tooting all his horns on his
new album.
Mars has taken what was good
about the Replacements and stream
lined it for the ’90s. The Minneapolis
group’s gentle sense of humor is
present in Mars' style, but the ex
drummer mixes it with a faster pace
and wilder imagery.
If there is a chink in Mars’s armor,
it’s the same affliction of age that has
affected the Ramones, Sonic Youth
and other grizzled punks: As punk
songsters like Mars mature, they seem
prone to fret over the future and men
tal health of their young fans.
It’s hard to fault the caring atti
tudes of these rockers turned teen
counselors, but it’s also hard to feel
tough listening to a song about self
help.
“Seventy-Five Percent Less Fat”
sounds too dam pleasant to succeed
with the “sullen-only” sect of alterna
tive music; it’s relatively Angst-free.
“Fat” has no industrial-brand bit
ter hatred, nor the “my girlfriend and
the world hate me, so I hate them both,
too” martyr complex that writhes
through Nine Inch Nails and its thou
sand-fold, wretched kin.
— Patrick Hambrecht
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