Dancer’s movements altered by light
New release flunks test
By baran Duey
Staff Reporter
New York-based Dana Reitz
danced a duet this weekend. Light
was her partner.
Performed at the Johnny Carson
Theatre last Saturday, “Circumstan
tial Evidence,” Reitz’s hour-long,
musiclcss dance, played with the way
light alters the perception of move
ment.
“The same movement looks dif
ferent in a different amount of light,”
she said.
The lighting, which was devel
oped by Jennifer Tipton, changed fre
quently throughout the performance.
Moving from full to blue to low light
ing, the visual aesthetics of the perfor
mance made the experience dream
like. Reitz said the clockwork of lights
gave her the timing she needed to get
from place to place.
The amount of time and the num
ber of times she danced a certain
movement, however, is all improvi
sation, she said.
Because no music exists in this
piece to cue her, Keitz said the pri- <
mary thing she “listened” to was the
timing.
“There is no music to say where
I’m supposed to be at certain times,”
she said.
Intrigued by environment and
movement, Reitz said the connection
between her and the audience was
important to her. She said performing
was more interesting without music.
“I’m willing and interested in the
sound that goes on in the audience,”
she said.
Another aspect of the performance
that made it seem dreamlike was the
non-linear time. At one point in the
performance Reitz lays in “the grave.”
“It’s like theend is put three-fourths
of the way through,” she said.
Most of Reitz’s movements cen
tered on her arms and upper body.
These movements were demonstrated
through her fascination with gestures
and the movement of animals.
The combination of unusual as
pects in her performance, Reitz said,
was her way to clean out the things in
her past that restrained her.
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Tonight — Garcd at Red & Black
Cafe; every night through Saturday,
Johnny Questat Royal Grove; Acous
tic Night at Duffy’s; blucsman
Clarence “Gatemouth” Brown at Zoo
Blues Bar; All-Star Blues Review at
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“Tales From Home”
Ciro Hurtado
ROM Records
Peruvian guitarist Ciro
Hurtado’s new album of mellow
flamenco jazz brings to the listener
an interesting paradox. It is filled
with evocative music deeply rooted
in a soulful Latin American heri
tage. Why, then, dqes it sound so
much like something you’d hear in
an elevator at a big office building
or at a semiglitzy mega-hotel?
I don’t mean to be hard on
Hurtado. It’s just that I usually
judge this type of music by the
“elevator test.” No matter how ac
complished or professional the
playing, if itsounds like it would be
at home coming from the speakers
in a plush, corporate elevator, it’s
probably not for me.
Unfortunately, “Talcs From
-Jr __ M
Courtesy of Nancy Campbell
Dana Reitz in her dance show
“Circumstantial Evidence.”
Week jampacked with music in surrounding area
at Howard Street; Tightfit at Ranch
Bowl in Omaha.
Wednesday — UNL School of
Music’s Wind Ensemble free at
Kimball Hall; Buttermilk at Duffy’s;
Urban Roots at Zoo; Acoustic Break
down Night at Howard Street; Ice
Cube and the Lynch Mob at Ranch. '
Thursday—The blucgrass music
of Special Consensus at Zoo; Mcllin
Jelly/RattlcTrainat Edge; Wrcx plays
for the lingerie and fashion show at
Rockin’ Robin; Nebraska Brass at St.
Paul United Methodist Church; Uncle
Tupelo and Freddy Johnston at Ranch;
an acoustic house concert features*
singer/flutist/pianisl Ingrid Erickson
along with Shane Jackman, who also
plays Friday, at Artspace.
Friday — Rhythm and blues with
Bagdad Jones at Zoo; John Walker/
Rain Like the Sound of Trains at Red
& Black Cafe.
The following groups play Friday
and Saturday nights: Epso Facto
reggae at Rockin’ Robin; the Linoma
Mashers at Howard Street; Lie Awake
at Ranch; singer Tony Bennett at
Orphcum; Sandy Creek at Beatrice
Getaway Club.
Saturday — St. Louis Symphony
at Lied Center; Hanna’s Porch with
The Planet at Edge; Ethiopian reggae
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Home” sounds like that; there’s too
much Kenny G-style saxophone
and cheesy strings. Half the lime, I
expected Michael Bolton to start
wailing uncontrollably (in Span
ish, of course).
Despite failing the elevator test,
“Tales From Home” does have its
moments. There’s no denying
Hurtado’s talent, especially during
beautiful solo guitar pieces like ,
“Amanda.” Elsewhere, the album
docs make nice background music,
probably good for studying, nap
ping or enjoying a big Peruvian
meal.
Really, the key word for “Tales
From Home” is nice. If you find
that your toes tap and fingers snap
every lime you hear music in the
elevator, supermarket or dentist
office, it’s the album for you.
— Matt Silcock
with Baaro at Zoo; Mind Dive/Hour
Slave at Red & Black Cafe.
Sunday—Happy Valentine’s Day.
The Return at Duffy’s; Buckwheat
Zydcco at Zoo; KZUM-sponsored
Beatnik Benefit at The Mill; Izzy
Stradlin (formerly of Guns N’ Roses)
at Ranch.
In the mood for a road trip?
Wednesday — Taj Mahal (two
shows) at Hockcnbury Tavern in
Lawrence, Kan.
Saturday — Black Crowes at the
Civic in Des Moines, Iowa.
— Compiled by Jill O 'Brien
