Rap, dance sounds abound . , - r—* ;■ - -t—* IM. '«? w ■ ■■ w "gy gg" WWTTX—rr-i Courtesey of Savage Records Dr.Dre “The Chronic” Dr. Dre Interscope Records “I Am What I Am” YB Savage Records Some may think that rap is a lim ited form of music, but thousands of mi les separate these two new releases. While Dr. Dre, who has just released his solodebut “The Chronic,”came to us “Straight Outta Compton” with his former group NWA, new face YB (short for “youngblood”) comes to us straight outta Copenhagen, as in the capital ol Denmark. * YB’s hometown may not be a hip hop mecca, but his debut album, “I Am What I Am,” actually has its moments. The music is the most inter esting thing about it, laying a smooth, jazzy, European dance vibe over hard core bcaLs. Lyrically, however, YB doesn’t have too much to say, and his pop-soul crossover approach wears thin before too long. I will eivc him this — he’s easily Courtesy of Savage Records YB the best rapper I’ve ever heard from Copenhagen. Dr. Drc’s “The Chronic” is more like it as far as hard-core hip-hop is concerned. The music is slow, thick, West Coast funk, guaranteed to gel your s head nodding. The subject matter won’t be anything new to NWA fans, but Drc has an ace in the hole to breathe life into his foul-mouthed gangsta fairytales, a rapper named Snoop Doggy Dogg. Snoop first appeared last year on Drc’s popular single “Deep Cover,” and he’s all over ‘The Chronic,” de livering humorous, laid-back rhymes in his truly unique voice. So, while YB shows us that rap can come from faraway places, Dr. Dre reminds us that it’s still better off when it comes from the shores where it originated. Still, YB docs have po tential; maybe his next release will help pul unlikely places like Copenhagen on the hip-hop map. —- Matt Silcock Dfara of a Madman __ T WI&T A i y I AYXrt \jJP* YOU BELIEVE 6UY5 AMO filRv.5 imeta&r lam we ^ eE MsJ FK,EHPS ^ went out on a date, j mean nothing §ewjal. "SO LIKE,HY LAST FEW 0OY- N OUST LIKE... HHEWPS Y KNOW ^ FEIENPS WEEE LIKE T» 3WUX* I JUST HAVE LOTS OF &Ltf FEIENDS THATS 3UST THE WAY T AM- jg | THEY COULCN T HANDLE lTj*W.^ BBSt i_ . . Courtesey of Big Beat Records Goddess “The Sexual Album Goddess Big Beat Records With the rise of Industrial and Techno music, just plain dance music has seemed to have gotten lost in the shuffle. Goddess is here to prove that dance music is still here and not to be forgotten. “The Sexual Album” is strictly dance music — this is an LP that you will not put on without wanting to dance to it. It opens with “Sexual,” a guitar driven cut packing a lot of energy. Add in the narration by Rick-O-Chct and this tunc is happening. This cut serves as a hint as to what this LP is al I about. “Lingerc” is a tunc that comes at the listener with force and energy right from the beginning. This cut is probably one of the best. Goddess gets a high level of energy flowing through her music, and this makes what she does work for her. Goddess makes good use of her backgrounds. She uses various types of music forms ranging from electric and acoustic guitars to electric violin and voice narration. This fact is no more evident than on the track “Cleopatra,” which is a track driven by its various backgrounds. — Anthony Speights \ \3N~L presents free weekend events From Staff Reports There’s always something to do in the Big City. Here arc a few things to do this weekend. Free stuff: The Nebraska University Ma laysian Student Association (NUMSA) will sponsor a Chinese New Year celebration Saturday at 8 p.m. in the Culture Center. The celebration will feature a potluck dinner and musical presentations. i 1 ... No cover. In a show that opened Iasi Sun day, ihc Cooper Foundation Gal r lery in Morrill Hall fcalurcs“Phan toms of the N ighl: The Moth Paint ings of John Cody.” The show also includes photos and specimens. See Nebraska giant silk moths as big as your face! The exhibit can be viewed during regular museum hours. And if you get snowed in on Saturday, be sure to tunc into Ne braska Public Radio at 11 a.m. to hear the Metropolitan Opera series and “Die Meistersinger von Nurnberg” by Wagner. Thai’s it for free stuff this week end. Here arc some cheap events: Thcatrix presents “Beyond the Horizon,” a collection of original modem and jazz works by senior dance majors in the Howell The atre of the Temple Building on Saturday at 8 p.m. The cost is $2. The Mueller Planetarium offers “The Best of Pink Floyd” laser light and music show Saturday and Sunday at 7,9 and 11 p.m. All seals arc S5. Lincoln’s Community Play house Children’s Theater will present “Hallelujah Hopscotch” today and Saturday at 7 p.m. and Sunday at 2 p.m. and 7 p.m. The 2 p.m. show will be interpreted for the hearing impaired. Tnc cost is $8. And the Lied Center for Per forming Arts offers Philippe Entrcmoni conducting the Vienna Chamber Orchestra today at 8 p.m. Tickets arc S26, S22 and SI8 — half price for students. Why Macintosh beats the competition. It's easy. Only Macintosh is based around respect. Respect for the user. Respect for your time, for the way you work, for the way you think and communicate. You see, only Macintosh has been designed from the chips up with the user in mind. And that's why Macintosh is like no other computer around. Audrey Hepburn dies of colon cancer at home TOLOCHENAZ, Switzerland (AP) — Audrey Hepburn, the elegant waif who won filmgocrs’ hearts be fore going on to travel the world in T shirt, khakis and sneakers working for needy children, has died at age 63. Hepburn, who had undergone co lon cancer surgery last year, died Wednesday at her home in this small village on the shores of Lake Geneva, according to a relative who answered the door at the residence. Hepburn, with her high cheek bones, doc eyes and ravishing el egance, charmed the world as a ren egade young princess seeking a taste of normal life in Rome — an Oscar winning performance in “Roman Holiday” in 1953. She became a UNICEF goodwill ambassador in 1986 and traveled for the United Nations International Children’s Emergency Fund until 1992, visiting camps of starving So malis in Kenya and Somalia in Sep tember. As a child, she had hcrscl f received help from the agency after surviving the last winter of World War II in Holland on a diet of mostly turnips. “I’ve never known anything about politics,” she said in a 1990 Associ ated Press interview. “I just care ter ribly because I saw so much as a child about suffering and the suffering of children.” UNICEF said funeral services would be held in Tolochcnaz on Sun day. History, lifestyles of Native Americans depicted in semester-long film series From Staff Reports This weekend the Mary Riepma Ross Film Theater will offer the first of a series of films in a retro spective of 16 years of the Native American Public Broadcasting Consortium (NAPBC). The first films, “Apache Moun tain Spirits” and “Children of the Long-Beaked Bird," will be shown Friday at 3 p.m. and Saturday at 11 a.m. (NAPBC) Retrospective Jan. 21-23: “Apache Mountain Spirits,” “Children of the Long Beaked Bird” Jan. 28-30: “Distant Voices. . . Thunder Words," “Eyes of the Spirit” Feb. 4-6: “Earthshapers,” “Gannagaro,” “Gifts of Santa Fc,” “Hitsatsinom—The Ancient Ones” Feb. 11-13: “Hulcctlc-Koyukon Memorial Potlatch," “John Kim Bell” Feb. 18-20: “Journey to the Sky," “Live and Remember” Feb. 25-27: “Menominee,” “Mi norities in Agriculture — The Winnebago” March 4-6: “Nations Within a Na tion,” “Ncz Perce — Portrait of a People” March 11-13: “People of the Ma con Plateau,” “Pueblo People’s First Encounters,” “Return of the Raven — The Edison Chiloquin Story” March 18-20: “Seasons of a Na vajo,” “Songs in Minto Life” March 25-27: “The Real People" Program 1 (“A Season of Grand mothers”), Program 2 (“Circle of Song. Part 1”), Program 3 (“Circle ol Sone, Part 2") April 1-3: “The Real People” Pro gram 4 (“Mainstream”), Program 5 (“A wakening”). Program 6 rSpirit of the Wind”) April 8-10: “The Real Pcopla” Pro gram 7 (“Buffalo, Blood, Salmon, & Roots”), Program 8 (“Legend of the Stick Game”), Program 9 (“Words of Life — People of Riv ers”) April 15-17: “The New Pcquot: A Tribal Portrail,”“ThcSun Dagger” April 22-24: “They Never Asked Our Fathers,” “Red Road — To ward the Techno-Tribal" April 29-May 1: “Warriors,” “Woonspc (Education and the Sioux)”