Student opts for short fiction Timothy Schaffert, a senior English major, will attend the University of Arizona graduate program in fine arts. Schaffert is from Aurora. An excerpt from Tumbling After, a story set in a small Mid western town in 1947. The minister was nervous and inexperienced. He had been read ing nis notes from recipe cards as he spoke softly, almost conversa tionally, to the family of the de ceased. The previous minister, with his old ideas and methods, might have taken advantage of the facts of the death—Whitey McKeelen's drunkenness that led to the car turning over and killing him and the prostitute at his side. The old man would have shaken the pul pit, screaming of Misspent Youth. But the new minister, with his lightly stubbled chin and crooked tie, spoke quietly of sad irony — how sad it was that W'hitey, after surviving theiunglesand swamps of the South Pacific, should die on an old back road he had traveled hundreds of times in his twenty some years. The old woman, her pin curls drooping and loosening in the sweat ofncr forehead, stood from thepew and collapsed in the aisle. "I tnink I'll be sick," she told her husband, and she brought a hand kerchief to her mouth as he led her from the front. The church wasn't full. The people there were the same ones that went to all the funerals. The only family members of Whitey c .■ '•■am—-T■1 McKeelen were five people who had been seated in the front row, and the parents had just stumbled out. The reverend cleared his throat and addressed his comfort to the sister and the brother and the brother's wife. It had been turning spring and the days were hot, the nights cold, and everyone had difficulty ad justing. During the service, women would take their straw hats wired with flowers from their damp twisted hair. The men would reacn up and pluck at their shirts that stuck to patches of sweat at their chests and beneath their arms. The air was tiredly pushed about by hand-held paper fans, some with oriental designs, others with vio lets and pink breasted birds. Shortly after the minister had started in again about the tTagedy of it all, the sister stood, her hands at her stomach, and she, too, left. The minister cleared his throat and looked toward the brother and the wife, only to watch them rise, looking more bored than distressed or sick, and go after the rest of the family. An awkward silence fell, and when the minister started speaking again, he stuttered and his voice cracked and he dropped his recipe cards. The organist, ner back usually to the congregation, the clasps of her corset visible through ner thin dress, helped him to collect his sermon. Once every thing was together again, he redi rected his words from the empty family pew to the rest of the fu neral-goers. The sermon, dull to begin with, was made worse by the reverend's ---*T1 flat, nasal-twanged voice. The tu ming of the thin pages of a hymn book sent a light wisping and snapping sound through the church. The sermon ended when the minister lost his train of thought. Then one of Bea Tooley's many ugly children stood to sing The Old Rug ged Cross in a voice as harsh and slashing as an eighty year-old woman's. But she did sing loudly, and she enunciated. Evan Peevy usually avoided church. The drifting scent of altar strewn flowers mixing with the thick smells of old lady perfume and pipe-smoke infested suit coats made nis stomach churn. But he attended Whitey McKeelen's fu neral hoping to relieve himself of a recent, some what burdening, pre occupation with death. Evan w as nearly ten years older than Whitey, so he hadn't known him well, just from the poolhall. But the news of the death had still been upsetting. There had been many nights that Evan had driven See SHORT on 11 Stacy Collingham, a senior art major, works on her latest painting in Richards Hall. 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