Arts & Entertainment Obstacles remain for High Definition TV By Matt Larsen Staff Reporter_ High Definition Television, or HDTV, has the potential to be the most important new technology of the 1990s. Much more than just an improved television picture, HDTV will have wide ranging benefits in medicine, telecommunications, publishing and defense, as well as influence over the entertainment industry. Currently, three systems arc pend ing approval as the Federal Commu nication Commission standard. In dustry experts are forecasting the approval of one by the end of the year. U.S. approval of a high definition system will follow Japanese and European systems already in place. One of the setbacks hindering the HDTV approval is the NTSC stan dard in use, a system that relics on 40 ycar-old technology. Although the high-definition signal is superior, it must conform to the older system’s specifications. Frank Jonas, the manager of KOLN TV, says he believes it will be a long time before HDTV becomes the stan dard of the marketplace. “The high definition signal will have to be compatible with the cur rent signal,*’ Jonas said. “There is a very large investment in television sets out there, so the current system is far from obsolete. It will be another 10 years before HDTV really comes into widespread use. Even then, it will be very similar to stereo tclevi sion right now, like a high-level op tion.” Hubert Brown, lecturer of broad casting at the University of Nebraska Lincoln, agrees that HDTV won’t be a major factor in the industry until the late ’90s. “We’ 11 begin to see it by the end ol the decade,” Brown said. “It will be very expensive and that will stow things.” High definition television also will add fuel to the battle between over the-air broadcasters and cable sys terns. Jonas said the costs arc prohibi tive to equip a station for an HDTV capability. “There are a lot of expenses in conjunction with fitting a station fora high-def broadcast, such as new trans mitters. cameras and recording equip ment,” Jonas said. In the Lincoln area, the cable sys tem has an advantage. Due to the increased amount of data necessary for an HDTV picture, a high-def sig nal takes up twice as much signal space as the current signal under some of the proposed standards. Bob Huber, technical operations managcrofLinco!nCablevision,says the Lincoln system can handle the added demands of HDTV. “We are currently rebuilding the city of Lincoln and we are going to an 80-channel capability,” Huber said. “I think we can handle anything coming down the road for the next 20 years.” Before any major moves are made, the FCC needs to determine the stan dard for HDTV. Huber said Ca blevision cannot determine definite specifications because of the differ ences between standards. “There are several methods of high definition that they’ve been talking about,” Huber said. “One method i? to use twice as much bandwidth as the current TV station’s signal uses. If that is the case, then our current 36 channel cable system would be cut in half, and we would only have 18 channels of high definition televi sion. But there are also other types of HDTV that they are talking about, that’s why we need a standard to find out where we’re going from here.” In the production end of the indus try, where the programs are created, HDTV brings along a new set of standards. Because of the exception ally high resolution of HDTV, which is comparable to film, small imper fections and lighting conditions that were undetectable before will be noticeable. Brown says producers will have to be on their toes. “Everything that happens in broad casting has rachctcd the standards higher,” Brown said. “High defini tion will be no exception.” Even though HDTV may not be in use until the late ’90s, it still repre sents a giant step forward in the world of consumer technology. Brown says HDTV will follow color TV and the video cassette recorder as the next big technological step in the evolution of television. “High definition will come even tually,” Brown said. “Nobody remem bers the first VCR. The first Sony Betamax cost $3,000 in 1976. It took seven years before VCRs became popular, but they became the fastest selling product in history. I think we can expect the same kind of turn around for HDTV. Once the technol ogy becomes affordable, sales will skyrocket.” lwr ,! iimiHiiiiiiiiii 11 ii in » Lisa Pytllk/Dally Nebraskan Live show taken to Extreme By Robert Richardson Senior Reporter _ They came together five years ago from two different Boston bands. They’re all in their mid-20s, and even though they play in a heavy metal band, they don’t listen to a lot of heavy metal. They are the men of Extreme. Extreme played Sunday night at the Music Hall in Omaha to a semi packed auditorium, where it was the second of two opening acts for Win - ger. The first opener at the concert extravaganza was another metal act, Tangier. As the lights on the stage were about to be lit, Extreme took the stage. And as the lights came up, drum, guitar and bass sounded in synchron icity, and the intensity didn’t stop for the next 45 minutes. Heads were gyrating to the beat of “When I’m President,” from the al bum “Pornograffitti,” Extreme’s sec ond effort with A&M Records. Long strands of hair were flying all over the music hall as the sounds reverberated through the hall. The band slid tlirough several songs from its current album, including a harmonious ballad “More than Words.” It closed their headbanging set with the hard-rocking “Get the Funk Out.” While singing most of its songs to stage lights and butane lighters from the audience, Extreme rocked hard and put on what they are most proud of — a good stage show. Pride runs deep with Extreme. Nuno Bettencourt, lead guitarist, said some bands use prerecorded lyrics or mu sic. Extreme is different because it is all natural, and, Bettencourt said, they “sweat it out for everybody.” “The one thing that we’re very proud of is we’re real,” he said. “What we write is very emotional. What we come up with comes from our hearts. And our live performance is probably what we are most proud of because we do our stuff live, and we really work hard live.” Bettencourt has been hailed as the Eddie Van Halcn of the ’90s, and his five-minute guitar solo showcased the speed and dexterity of his small 5 foot-6-inch frame. But Bettencourt doesn’t think he can live up to Van Halen’s image. “There’s only one Eddie,” he said. Bettencourt is too modest. He and the rest of the band members, Pat Badger, bass; Paul Geary, drums, and Gary Cherone, vocalist, have paid their dues in less than desirable clubs. They’ve also had a record deal with A&M for about two years. “We’ve been around,” Bettencourt See EXTREME on 10 NU forensics team achieving high goals By Andrea Christensen Staff Reporter The 60-membcr UNL forensics team already is setting its sights on national tournaments because of an exceptional year, Coach Ann Peltus said. “We’re doing really well this season,” Pettus said. “We have a good crop of individual speakers who have already qualified for nationals. Also, we may have a team at the national debate tourna ment for the first lime in several years.” The team of Jeff Beaty and Jude Hays arc looking forward to the district debate competitions, which will be held in three weeks. The lop five teams will qualify for this spring’s national debate contest in San Antonio, Texas, where they will argue both sides of the issue of U.S. trade policy with Pacific Rim nations. “Between now and districts, we just have to get ready and prepare. Then 1 think we’ll have a good chance to qualify,” Beaty said. Lee Grutman, a sophomore speech communication major, said he thought the Comhusker speech team was doing well. It is compet ing successfully against much larger squads, he said. See FORENSIC on 10 Chickasaw Mucid Puppie s album formed with music greats’ help By Robert Richardson Senior Reporter Loud, harmonious and obnoxious music with creative percussion, a blaring harmonica and a cool name characterize the latest release, “8 Track Stomp,” from the Chickasaw Mudd cs. c Chickasaw Mudd Puppies, hailing from Athens, Ga., the musical citadel of alternative music, have some heavy names to add to their credits of friends and helpers. Producing “8 Track Stomp” are R.E.M. front man Mi chael Stipe and blues man extraordi naire Willie Dixon. Both musical greats also provide a backup with vocal and instrumental expertise along with obvious musical direction. “Cicada" is a perfect foot-stomp I Chickasaw Mudd Puppies “8 Track Stomp" Wing/Mercury Records Rating: 4 Ratings are 1 (bad) to 5 (excellent). ing introduction to the Mudd Pup pies’ rockabilly and fast-paced blues style. Harmonica mixed with guitar and a tambourine provide a-sweet and-sour sound that makes the lis icncr cringe and smile at the same time. The group starts out the album with a simple rhythm, “Wasp.” The tune is a relatively easygoing melody that builds and falls from several cli mactic points. Again, the blend of the guitar and sharp-mouth harp provide a plain but hard-hitting attack. Coupled with obscure vocals, “Wasp” is a pleasurable, fun song that strikes the feet with an incredible dance fever. Could die previously mentioned combination come together for a strong but mellow ballad? “Cold Blue” is exactly that. It is a song overpowered by breathy vocals with a soft musical touch that draws the listener into a story with the at See MUDD on 10