Daily T Arts & Entertainment ___ _ Cheerfulness on campus catches Hanna off-guard By Jim Hanna Staff Humorist_ Boy, was Iangry. Iiwasonly 9a.m. and already I knew- l was going lo have a miserable day. I didn’t want to talk to anyone — l knew I would chew the head ofl of anyone who even tried to make simple conversation with inc. hum^ *M*-**r MANNA 1 I stormed angrily into the admini stration building, knocking over a few' oblivious students. 1 chortled to my self as I saw' the miserable saps scramble to their feet, and pick up their books, their faces stricken with horror. I was grumpy. I lumbered down to the basement on my w ay to the financial aid office. As I passed other students on the stairs. I was surprised to hear each and every one of them greet me with a hearty, “Good morning, Jim!” Hnimm. All of this good cheer caught me off-guard. I wanted lo be cranky but these people were trying to be nice to me. Well. I would have none of lhal. I merely snorted angrily and smacked a few of them with my umbrella. Ha! That would teach them to be good-naiured. My blood, which was only sim mering at this point, began to toil as I saw' a long line outside of the finan cial aid office. GRRRR! I hate lines! I took my position at the end of the line and began to lightly mumble about my displeasure. 1 assumed that everyone else in the line would be equally unhappy about having to wail for service, but my assumption was incorrect. The person standing in front of me was whistling merrily and seemed not in the least bit disturbed about the long line he was in. I could not help but grunt, “What’s the matter with you, Bo/o? Why aren’t you as unhappy about this as I am?” “Oh, what’s the use of getting angry?” the Bo/o said. “Besides, I know the people in the office are working as fast as they can.” 1 shook my head in disbelief. Surely this was not a University of Nebraska-Lincoln student declaring he had no problem enduring the long financial aid office lines. I figured all UNL students loved to gripe about the financial aid office. Il was then that I noticed that every otherperson in line wasalso whistling merrily. “Hey,” I screamed at them. “Am I the only one who’s miffed about this enormous line?” They all stopped w histling, turned to me and said in unison, “Why yes Jim, you are the only one. We’re all more than happy to wait. The people in the office arc working as fast as they can.” I could not believe it. A large bunch of UNL students refusing to complain about how inefficient the financial aid office is? Naw! Il couldn’t be happening. 1 snorted to show my disgust and decided to cut in front of all of these ninny-heads and go straight into the office. I figured that several ol those waiting would lake exception to my culling and voice their disapproval. Instead, I was greeted with smiling faces and a chorus of. “Go ahead, Jim. We don't mind.” This was too much. Here I was, try ing to be angry and have a miser able day and instead I was surrounded by happy UNI. students. I rushed into the office, hoping to encounter some grumpy employees w ho would give me the runaround and allow me to be really furious. But again I was thwarted. “I am sick and tired of gelling screwed around by you financial aid people!” I yelled to the woman at the front desk. “I’ve been waiting for my loan to come through for six weeks and I know you people are going to delay it again! But 1 won't stand lor it you pathetic morons! I want my money now!!” The woman smiled warmly at me, reached under ihccounierand handed me an envelope. “Here you arc, Jim,” she said. “Your loan just came in. I was going to call you about it. We’re ever so sorry about the delay. To make it up to you, we've doubled your loan at no cxlracost. You don’teven have to pay the extra back. As a matter a fact, you don’t have to pay any of it back. Take it all and blow it!” My jaw hit the counter with an audible thud. Stunned, I turned and walked out of the office. What was wrong w ith the world today? Everyone was in a good mood. I wanted to be angry, but everyone around me was happy. I walked dow n the street in a da/e. I staggered by a car and noticed that it was being towed. The tow truck driver was hooking the car up as a meter monitor looked on. Just then, the car's owner, a UNL student, came running up. Aha! Now I’d see some sparks. This student would fly into a rage and really let the tow truck driver have it. Imagine my surprise when the follow'ing conversation took place: “Oh no!”said the student. “I was so foolish not to have plugged my me ter.” “I’m so sorry,” said the meter monitor. “I didn T want to have to call the tow truck, but you have S35 in outstanding tickets.” “Oh, don’t apologize. It’s my fault. I should have taken care of those tickets long ago,” the student said. “But I feel so bad.” the meter monitor said. “Sometimes I just hate this job. Maybe 1 should just let it slide this time.” “No!”said the student. “I will have none of that. I deserve to be lowed. You are just doing your job.” The low truck driver was crying by this point. “I hate my job, loo,” he said. It’s so awful to make a living ofl ol other . « • ^ » • .. i. i peoples imsioiiuiie. 1 jum. wish i could unhook this car and lei you go.” “Now listen,” said the student. “This is not your fault. I understand. I want you to low my car. Maybe it w ill teach me a lesson. Now I want both of you to cheer up, do you hear?” The tow truck man and the meter monitor both nodded sadly. “Come here,” the student said. “Group hug!” The three moved into one big hug and laughed merrily among them. By this point, I was crying loo. I had never seen such a beautiful dis play of human emotions. I walked over to the group and cried. “You guys,” I said. “I need a hug too.” They welcomed me warmly into their group hug. “I feel so bad,” l said. “I was cranky earlier today, but everyone I’ve met has been happy and agree able. I can’t help but be happy too!” We all had a good laugh and hugged one another again. Then as the group was breaking up, I heard a voice calling to me. “Jim, Time to get up! You’ll be late for school!” t • 1 had been dreaming. I sat up in my bed and shook my head. Wow, it had all been a bad dream. Everyone at UNL was not merry and carefree. It had all been a product of my sleeping mind. To verify this, I ran to the phone and called the financial aid office. After 27 rings, somebody answered. "Financial aid office. What do you want?” “Urn, I was wondering if perhaps my loan check had arrived?” I asked. "Oh for crying out loud!” screamed the person on the other end. “What do you think, dimwit?” “Uh ... no?" I said. “Good guess Sherlock! They won’t be in for six more weeks. Now quit bothering me!” The person on the other end hung up the phone violently. Whew! I was now certain that it all had been a bad dream. The people at U NL were all just as jaded, angry and disagreeable as I had remembered. Thank God for small favors. -1 Broken Homes; a sound losing momentum Courtesy of MCA Records Chris Allerheiligen Slafl Reporter The Broken Homes Straight Line Through Time MCA Records The Broken Homes album is misleading. The first song starts out hard rocking, hard-hitting and ready to roll the wholcalbum. Unfortunately, the momentum from the first song drains the band and the rocking lasts about three and a half minutes. The album’s title song, “Straight Line Through Time,” has a hint of the Smithereens with a strong bass line and thrashing guitar. Vocalist Mike Doman repeatedly sings “straight line through time, straight line through time.” The next song, “Single Drop of You,” is also rocking, but not as hard us “Straight Line Though l ime.” From here, the album isalldown hill. In "Seeds I’ve Sown," the band tries to create a sound like Slim Whitman on acid, trying to imitate Bruce Springsteen, or a Tailed at tempt to sound like The Georgia Satellites. The country twang with rock guitars works Tor other bands, but not with this one. Again, the band has come up with clever lyrics: “Seeds I’ve sown, oh, oh/seeds I’ve sown, oh, oh/sceds I’ve sown.” By the lime the end of side A is reached, the listener is probably asleep. IT the other songs haven't done the trick, “All You Want is Everything” will do it. It has a nice piano start with a couple oTstrategically placed guitar thrashes. To make things more excit ing, the band doesn’t repeal the title excessively, but you almost wish they would so you could tell what they’re singing. Side B is a little more upbeat than side A. The first song, “The Howl ing,” is a haunting song with a moody bass. It sounds frighteningly like Foreigner’s “Girl On The Moon.” After “The Howling” the rest sounds the same. The songs are a little more upbeat and consistent than side A. However, side A doesn’t give one a headache as much as side B does from the constant repetil ion of music patterns. Once again, the band proves its talent with singing rcpcli tiously the title words. Consider them the Village people of rock. The album may be appealing to those who do like rock with a bit of country twang. It would’ve been good if the band’s style had stayed consistent, rather than starting hard and ending mushy. Two songs in a field of ten aren’t enough to make an album. The album is printed: “This rec ord is intended to be played loud.” But don’t waste your cars on music that doesn’t really do damage. 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