The daily Nebraskan. ([Lincoln, Neb.) 1901-current, March 19, 1987, Page Page 7, Image 7
Thursday, March 19, 1987 Daily Nebraskan Page 7 The Glassy Eye mm mmm c VI film CO c. Dave Meile Friday, 11 p.m. and 3 a.m. USA ch. 17 "Scared to Death," (1947) Beta Lugosi, Angelo Rossitto This film is so bizarre that it's tough deciding where to start. First, it's in color, which is weird because it's a really cheap film and it's made by a minor studio (Golden Gate Productions). "Scared to Death" also is narrated by a corpse. Every 20 minutes or so the camera zooms in on a woman's corpse. A voiceover says something like "it was the most horrifying moment of my life." Then the camera zooms back, music resembling someone playing a saw intrudes, and we're subjected to another flashback of what happened on that fateful day. Bela Lugosi (who looks like he's been into the cognac or the mor phone) arrives with dwarf actor Angelo Rossitto in tow and introdu ces him as "my leetle fiend Indigo." Bela is there to see his brother, George Zucco (the great bad guy Moriarty in the Sherlock Holmes films). Joyce Compson is a woman (and a corpse) who keeps getting scared when she sees a green Kresge's Halloween mask hovering in the window. Famous dumb guy comedian Nat Pendleton (who play ed the dumb ambulance driver in the Dr. Kildare movies) displays versatility as a dumb guygumshoe. I've seen this film 10 times and something happens at the end that wraps up the whole Halloween mask mystery . . . I just haven't been able to figure out what it is. A morgue attendant in the film says a woman was "literally scared to death," but I'm not even sure that happened. "Scared to Death" is perplexing, incoherent, confusing, ludicrous and definitely for fans of Lugosi, Angelo Rossitto (who was in "Freaks" (1932) and last year's "Mad Max: Beyond Thunderdome") and shoestring-budget films. Saturday, 1 p.m. USAch. 17 " Walked with a Zombie" (1943) Frances Dee, Darby Jones Harlan Ellison, while scathingly decrying the pervasiveness of "knife kill'.' and "splatter movies," once wrote of the films of Val Lewton, "As a more reliable barometer of the centigrades to which artful horror can chill a filmgoer, I find no equal to what Lewton produced in merely eight films between 1942 and 1946, with budgets so ludicrous, achieve ments so startling and studio inten tions so base that they stand as some sort of landmark for everyone venturing into the genre, whether a John Carpenter or a Brian DePalma." V ; ' ' r V s I "I Walked with a Zombie," like producer Val Lewton's other RKO projects like the original "Cat Peo ple" and "The Leopard Man," are intelligent, visually stunning and provocative. Many of his films deal with themes like the power of rea son, reality, religion, philosophy, obsessions with death and a general feeling of despair. The film, based loosely on "Jane Eyre," takes place in the West Indies on the island of San Sebas tian where Betsy (Frances Dee), a nurse, is sent to care for a invalid woman thought to be suffering from a rare form of mental paralysis. There Betsy and everyone on the island become involved in bizarre voodoo rituals. It may sound trite, but it's not. Thanks to great direc tion by acclaimed gothic-film direc tor Jacques Tournuer, there are some unforgettable scenes such as the long tracking shots that accom pany two women as they trek though the cane fields to a voodoo cere mony. They encounter the incredible Darby Jones as a huge zombie who guards the gates of Houmfort where the ceremonies take place.' "I Walked with a Zombie," despite its title, is a classic that should not be missed. There are some good books about Val Letfton's inimitable filmmaking vision at Love Library; for example, "Val Lewton: The Reality of Terror" by Joel E. Siegal and "Dreams of Darkness" by J.P. Telotte. See Mon day's entry for another great Val Lewton film. Saturday, 2 p.m. KPTM, ch. 9 "Dr. Blind 's Coffin " (1961 British) Kieron Moore Writer Jerry J uran decides to save himself some time (and imagina tion) by simply naming the mad doctor character Dr. Blood. How ever, this guy is more than just mad, he's also not very bright. lie thinks that you can kill people, remove their hearts, place them in a dead body and whammo, the dead body will come to life again. Unfortu nately, as writer Bill Warren points out, putting a functioning heart in a dead body full of decaying veins and arteries would just spray blood around and make a big mess. See GLASSY EYE on 8 MY WORLD mm" "lORSE. OPSKtf oW.5U5H ANDT - ' C ' WD CORRECT JMAt, ALL YfNttD ( SUN ON ft 5ANDY ) ' r 1 (CHANGE FOR THE ) , SSSSlSS, i?rrSMSTtfttS thc sumc - "r, rSJ"S W two ruco mi Si?f Q aq WATCH ; limn riM -t ': i,t,F rilCK'i VTtoC ? wctiT, ioaim . mi- r uiyx rvv, .rJroPI ft Toww, f:.h- vKJz7-,rA.yis'--. ClA tihCiws swimc into actio... f rULLU thc rats ml'JJsi : ' ' those showru (-q jm). j e ' -Vermis cdmtol METiAob i- Tom LauderDiversions John BruceDiversions Brian MaryDiversions Stonie CooperDiversions re 77T7777rm777777