The daily Nebraskan. ([Lincoln, Neb.) 1901-current, June 10, 1986, Page Page 10, Image 10

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    Page 10
Tuesday, June 10, 1986
An11
Daily Nebraskan
3 Shallow soap-opera dialogue,
flaccid characters flaw film
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Thingsville Has Style
Gateway-466-4488 Centrum-475-1655
By Ken DiMaggio
Staff Reporter
est. Carradine has an easy time stealing contra
band cargo with a Vietnam veteran. Genevieve
Buiold passively rejects advances from her old
In the beginning of the film, "Trouble in lover, Kristoffereon. And Lori Singer weakly
Mind," Keith Carradine plays an unemployed, fights olf hnstoffcrson s half-hearted attempt to
incompetent husband whose hair and beard seduce her.
need a trim In ,h,s fi,m director A,an Rudolf tries to
As he become more involved in petty criminal recreat the film noir genre, which he does as
activity, his hair becomes more combed out and far as capturing the weathered texture of Seattle
teased. And so does this movie, promising a gooa ai nigni.
film at some vague point.
When Carradine's hair becomes more nebu
lous, so does this movie.
Finally Carradine's hair becomes rain-soaked
and limp.
So does this movie.
"Trouble in Mind," is a 1985 film with some
My only trouble was caring for any of the
characters.
Maybe I'm old-fashioned for wanting to empa
thize with the characters on screen. But this film
didn't have even one fleshed-out character to
hate. They were all flaccid, shallow talking
heads speaking in soap opera dialogue ("I know
well-known names nlavins the leading roles. Kris you're a good man whose just had bad luck.").
Kristofferson is the ex-cop just out of prison. Furthermore, this film is supposed to take
Genevieve Bujold is the cafe owner, Wanda, place in the underworld, seen at its most menac-
Keith Carradine is the husband who comes to ing, at night.
the city for a job. Lori Singer is his young, inno- But there is no bite to this world or its thinly-
cent wife who has just had a baby. And the seedy drawn characters. Both are vague and insigni-
side of Seattle at night is where they meet. ficant.
But when they do meet, there is little conflict.
Kristofferson pursues Singer with passive inter- See TROUBLE on 12
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