The daily Nebraskan. ([Lincoln, Neb.) 1901-current, March 17, 1986, Page Page 14, Image 14
L Monday, March 17, 1986 Page 14 Daily Nebraskan By Ad Hudler Editorial Page Editor Lise Olsen Senior Reporter If you like Neil Simon's plays, you'll like "Relatively Speaking" the current offering at the Fire house Dinner Theatre at 11th and Jackson streets in Omaha's Old Market. The play, by Alan Ayckbourn, revolves around a series of misun derstandings about relationship!) and interrelationships between two couples. Theater Preview The plot focuses on two couples: Greg and Ginney (Ray Wills and Barbara Chase) and Phillip and Sheila (Julian Barnes and Betty Jinette.) Greg and Ginny decide to get married. Greg then finds an address which he questions Ginny about. She tells him it's her parents' address, and Greg goes to the house to ask for their daughter's hand in marriage. But the address is really that of Phillip, Ginny's former lover. The jig could have been up but Phillip fits the fatherly image and the confusion continues. After the somewhat long intro Prof. Pudvitz fcy fca Mt f t T ? 4 I A V LEBPAY!N! NIGHT: THE FINMSTERS Tuesday: Private Party Wednesday: That Hope vith Decypher Thursday: Lunch Cats with Muskrats 4r I o Y Y 9 FridaySaturday: Linoma Mashers o mE dduhstic mum ka M Jf It A'GHm duction the Simonish humor begins to take hold on the audience as the characters get more and more mixed up. No one on stage seems to know what's going on or who's who. Each character is relatively helpless. All are confused and pretend every thing is "normal." Part of the story's success is that the audience feels somewhat superior, watching the bumbling on stage. Playwright Ayckbourn, who's nick named the "Neil Simon of Great Bri tain" makes little attempt at ana lyzing lives or providing insights which makes for a light evening. "1 wrote this play simply to make people laugh," Ayckbourn wrote. The only problem with the comedy is that it requires a lot of concentra tion. The settings and costuming change very little and speechs are conversational and indirect. However, after the audience mem bers become oriented to the play's humor and style, the entanglements are intriguing and hold the viewers' interest right up to the ending, which comes surprisingly quickly. All four actors bring impressive credentials to the Omaha stage, and set the proper tone for the "Simon ish" scenes and action. Ray Wills, currently living in Omaha, is from Los Angeles. His credits include P.M. Magazine. Barbara Chase, a New York native, has acted in "The Brady Bunch," "Ryan's Hope," "Nine- WELL, hJo OWe READ THE. ASSlGAMCArT, AWfcoDV CATCH LETTEKMAN LAST NIGHT? i j " iwisncn presents: iff y III (Stf To-Five" and "General Hospital." Julian Barnes, from London, has acted in Shakespeare's "Richard the Second" and in Agatha Chris tie's "Ten Little Indians," among others. Betty Jinnette, of the Waltons, has also made soap opera appear ances and has starred in roles in regional theaters throughout the country. Although all the actors fit the play, Jinnette was probably the most intrigued of the quartet and the most sympathetic character. Jinnette previously played "Sheila" in a Los Angeles production of "Rel atively Speaking." All four adopted fairly convincing Engligh accents, and seemed to retain that English pomposity Ameri cans expect to see, even in the rid iculous situations. "Relatively Speaking" will be featured at the Firehouse through May 4. Ticket prices vary for differ ent times and nights. As usual, the Firehouse Brigade did a fine job of putting the audience in the right mood for the main event. The Firehouse theatre setting, which is arranged on three sides of the stage, provides the proper inti mate atmosphere. Dessert and drinks also compli ment the show. We lose our hearts to the "Amaretto Pie." Disintegration comes easily; the problem is reintegration NUCLEAR from Page 13 herence about fires in the sky over Kansas, E and MC squared and spirit ual apocalypse. Donahue's moderate housewife approach would make them wish they were floating in the stratosphere in a million pieces just like the cat. We wonder a lot on the subjects of what's become of art, the "real" paint and ZORG IS TRtflU. Si Pot's dql va Gre: Irish DcrA v 6r::.i Btzzrht ! LY m i ifeiWF mWM&sh &5fflrf I i i vi : 'r-mm v v i i i m c u i i if i .nil i v a s x i a ers, the old songs, the great sympho nies, the big bands and movies like "Casablanca." Where are the Beethov ens, we ask, and the Bachs and the Keats' and the Shelleys and Byrons and Michelangelos. And like Lot's wife we can't turn around because of the blaze of tech nicolor in our wake. If Beethoven were alive today, he'd be writing songs for Black Flag. "Casa blanca" is pretty, but "Halloween" has TH 5TnE VS. fAYRAN FOR THE Professor gives recital Harvey Hinshaw, UNL professor of harpsichord and piano, will present a faculty recital tonight at 8 p.m. in the Wick Alumni Center, 1520 R Street. 3 cf t!:ity CELEOHATIOiJ 1SS3 Marks ttw 100th Armrvenvy ttw &stu of Liberty. TW j mmnt mis publicity and ckW 4tlt of July Cetebratlon. Our uthntlc np lica pictured hwt ttanda 11 inches i. AcirvKa twitcn and its torch 8eWa up and pttys (ha ncfionat artham. L A PERFECT GIFT! SEND $9.95, CHECK OR MONEY ORDER: of I A Courtesy of Firehouse Dinner Theatre Jinnette our paranoia down for posterity. The bomb is the hockey mask wait ing in the back seat of the car with a scythe. The bomb is a Black Flag song. We're sweating under the tension of something here. We accuse the toy makers and the violent cartoons. We accuse the music and this secret society of witches in our high schools. We'll disintegrate perfectly. It's the reintegration that's a bitch. Go ask Andre. 1 71 YM Hinshaw, who has studied with Igor Kipnis and other renowned harpsi chordists, instituted the harpsichord program at UNL in 1975. We're Celebrating... ' Hard Shell Tacos: & Bean Burritosor J mm E BDSC3 At all Lincoln locations 9 - o" Sa. K it Ecx 1C34, Uncola, UE eSS01