Friday, November 22, 1985 Daily Nebraskari Page 9 Arts .hois mumeef Nicaraguan problems documented in series By Tom Mockler Staff Reporter This weekend the Sheldon Film Theater features a series of six docu mentaries about the problems in Cen tral America. I had the privilege of seeing three of the films, and I have to say there is much variety in the offerings. Movie Review "Nicaragua: No Pasaran" is a good documentary that traces the problems of the present Nicaraguan state. Aus tralian director David Bradburg appar ently had a detached enough perspec tive to treat the subject with surprising even-hand edness and insight. We see old black-and-white footage of U.S. representatives mingling with Somoza while "Managua, Nicaragua" plays in the background. We see women in the marketplace debating the source of shortages. The film leaves one clear message: The Nicaraguan people seem intent on preserving their independence and will not go down without a fight. However, "Nicaragua: Report from the Front" falls into the trap of being "politically correct" and quite dull. Supposedly an examination of the Sandinista-Contra rebel battle from both sides, it clearly is biased toward the Sandinistas. Although it has a few bright moments, I was glad it lasted only 30 minutes. "In the Name of the People" is somewhat better, but lasts 75 minutes. This U.S. film, narrated by Martin Sheen, tells the story of a group of rebels in El Salvador. Its premise is the argument that the civilian junta led by Jose Napoleon Duarte is impotent and that the real government is in the hands of the army and free-roaming "death squads." The interesting element in this film is that it follows individuals around for about 18 months. However, the film New hit song released Allen finds inspiration in braces After my seventh or eighth beer, i can't remember which, I decided I could write a song better than the one on the radio. Its lyrics said something to the effect of "bang your head," "whip it good," "stub your toe" or "barf on me," but I'm not quite sure. It was, after all, after my ninth beer. Bill Allen Of course, I needed someone to write my song about. Acting on sudden inspi ration, I called Cristina Sherman, UPC Foreign Films Committee chairwoman, and asked her if I could write a song about her. She said that if I did, she would sue me for everything I own. I told her that would be like suing Howard Cosell for his hair. She laughed then, and said it was OK to write a song about her, as long as I didn't use her name in it. So I didn't. We did a profile on Cristina and the foreign films awhile back, in case you're wondering why I chose her to immortalize. We took a picture of her then. I have it hanging on the wall of my office, and I tell everybody that she is my girlfriend. And Cristina is a good sport about it, especially since I've never told her I do this. "fit shows that even the life of a rebel can appear dull. While I admire the crew members who obviously risked their lives filming the last two documentaries, I can see why Dan Rather chooses to run only a few minutes of such material at a time. I guess I have a hard time understand ing why people would go to such lengths to dramatize something when few people are going to want to watch it. "Nicaragua Was Our Home" is an hour-long film that reports on the plight of the Miskito Indians and builds a case against Sandinista policy toward them. Miskito villages have been razed, and they have suffered ter rible human loss as a result of "mis takes" now admitted in Managua. "The Good Fight," which is 98 min utes long, actually has nothing to do with Central America It documents the story of 3,200 Americans who fought on the side of Loyalist Spain in the Spanish Civil War. "Witness to War," which is 30 min utes long, takes place behind rebel lines in El Salvador and follows Dr. Charlie Clements' journey of con science from being a soldier in Viet nam to being a doctor in El Salvador. The documentary schedule: O Today: 3 p.m. "Nicaragua: No Pasaran" and "Nicaragua: Report from the Front"; 7 p.m. "In the Name of the People" and "Witness to War"; 9 p.m. - 'The Good Fight." O Saturday: 1 p.m. "The Good Fight"; 3 p.m. "In the Name of the People" and "Witness to War"; 6:30 p.m. "Nicaragua Was Our Home" (Director Lee Shapiro will be present for a discussion after the film); 9:30 p.m. "Nicaragua: No Pasaran" and "Nicaragua: Report from the Front." O Sunday: 3 p.m. "In the Name of the People" and "Witness to War"; 5 p.m. "Nicaragua: No Pasa ran" and "Witness to War"; 7:15 p.m. "The Good Fight"; 9 p.m. "Nica ragua: No Pasaran" and "Nicaragua: Report from the Front." No, really, after drinking a 12-pack you can see from the picture that Cris tina is perfect to write a hit song about. She has sensuous brown eyes, long beautiful hair, a gorgeous smile and perhaps most important. . . she wears braces. Since I want this to be a hit song, I obviously have to gear it toward 13-year-olds, like the Thompson Twins do. Besides, braces are as American as General Motors. Braces seem to be say ing, "We are an orthodontist's way of taking over where nature screwed up." With philosophical lyrics like that, my hit songs could hail me as the next Bob Dylan. After 14 beers, I sat down and started on the lyrics. I decided that since this was my first effort, I had better use words that people expect to hear in hit songs. You know them: Blue, Tears, Crying, Fool, Hurting, Broken, Missing, Pain, Heartache, Gut-wrenching and Gonorrhea Songwriting is so uplifting. I started tapping my fingers against my 15th beer and the words started a comin'. . . You stand smiling in thesun Sunlight reflecting from your BracesAnd making me sweat Like a pig. Catchy, I thought, but just not sad enough. I want to melt hearts like Air Supply does. I decided to use some of my key words: I'm a lonely lover Crying like a blue foolVduse I miss your kiss And cutting my tongue on yourBracesI love girls with Chinese pianist Heng Li follows in father 's footsteps By Kris Leach Staff Reporter Heng Li, a Chinese graduate stu dent studying piano at UNL, is con tinuing a family tradition of educa tion at UNL His father, Laurence Chai-Lu Li, studied piano here from 1948 to 1950. Li began to pursue his dream of being a fine pianist when he was 6, he said. At that time, he was taught by students of his father, who was chairman of the piano department at the Shanghai Conservatory of Music. However, the Cultural Revolution that began in 1986 put a stop to his piano playing. All Western instru ments and music were banned un less the music was used for political purposes. Li said that for four years the two family pianos were sealed up and no one was allowed to play them. In 1970, the laws became more lenient and Li began to study the piano again this time under his father's tutalage, he said. It was shortly after this that Li entered a piano contest completely unprepared and won first prize. Li said this contest opened up many doors for him, such as the opportun ity to play for an orchestra in Peking for eight years. Li said he returned to Shanghai in 1978 as the cultural revolution ended and the university system was reinstated. He began school again and earned his bachelor's degree in music. He was awarded a graduate honor for being the out standing student in 1980, 1981 and 1982. Upon earning his degree, Li was appointed as an instructor of music at the Shanghai Conservatory. In 1982, Li applied to study abroad. A year later, Li came to UNL, spon sored by his father's 1950 UNL classmate, James Bastian. Braces. I was almost in tears after that verse, as you can imagine. The word "braces" would be drawn out and mournful each time, with just a hint of a tear rolling from the singer's eyes in the hit video I'm sure they will make from the song. I drank a toast to my imminent suc cess, finishing my 17th and 19th beers. I had to add a personal touch: The way you smileMakes me glad to seeBits of food dangling from yourBracesWhen you smile with thoseBraces. Then, of course, another beer and a bit about losing someone you love: When you took off your braces I hurt real-real-real badLike a construction ivorkerWho fell from from the ninth flooronto hot concreteand lived. I could feel that line and sang it to myself while finishing the esse. Then I wrote the big finish, a la Lionel Richie: You make me want braces, tooSo we cou Id lock ourselvesIn a lifelong kissJust you and meSimple and freeWith our BracesjLock me up, baby, in ourBraces. I rushed the lyrics off to a record company this morning. Stay tuned to MTV to see it played. I hope that cute Martha Quinn announces the video premiere. I'll remember you all when I'm rich and famous. And thank you, Cristina I'll bet you don't smile all day. I was so happy with my impending success that I decided to get drunk. Li Li plans to complete his master's degree in May 1986, then go to Bos- ton with his wife Man-Hua, ctao an accomplished singer, until she fin- 2 -. Sherman braces X Andrea HoyDaily Nebraskan ishes her studies, They plan to return to China, where Li said he wants to teach and perform piano. and beer i1 i ' V 1 ' . 1 AO w 1 ; - , H . vv 'X. i NT V N A 1 4-4. ;:' Dan DulaneyDaily Nebraskan herself for a hit song.