Page 4 Tuesday, November 19, 1985 Daily Nebraskan i w fl Center must serve UNL firs t Lied nhe NU Board of Regents formally accepted the $10 million rift from the Lied Foundation last week, mak ing the Lied Center for Performing Arts a reality. With ground-breaking ceremonies set for May 1986, it is time for NU students and faculty to stop question ing the construction of the center and work together to make it a worthwhile benefit to the university and the state. UNL Chancellor Martin Massengale already has appointed a faculty advisory committee to make recommendations for the policies and use of the center. A student advisory committee, representing 11 campus organizations will begin seeking stu dent input for the project after Thanksgiving, said Sara Boat man, director of Campus Activities and Programs. The two committee's first priority should be to ensure the Lied Center is used as a learning tool. The center should be considered a classroom, in which dance, theater and music students should be given first prior ity to use the structure for their educational benefit. Like the Union, the coliseum and any other university classroom, stu dents and campus organizations should be free to use the Lied Center whenever the space is available. Community organiza tions should be allowed to use the center as well, but only after the ends of the university are met. The committees also should strive to eliminate any competi tion between the new center, Kimball Hall and Howell Theatre. Events for each hall need to be scheduled such that patrons won't be torn between attending a recital at Kimball, a ballet at Lied or a play at Howell. The halls should function as one showcase for the arts in Nebraska, complementing each other by providing flexibility in the amount of space offered to artists. Subsequent parking planned for the Lied Center after its construction should benefit both the university and Lied Cen ter patrons. The committees need to make plans for the park ing space now, ensuring that students and faculty have use of the proposed parking garage by day, while Lied patrons use it at night. It is up to the committees to keep their constituents abreast of what policies are being considered and how students and faculty can voice their concerns. With $5 million in state funds going to the construction of the Lied Center, the committees need to make sure the build ing serves the best interests of the university. The Daily Nebraskan 34 Nebraska Union 1400 R St., Lincoln, Neb. 68588-0448 EDITOR NEWS EDITOR CAMPUS EDITOR ASSOCIATE NEWS EDITOR EDITORIAL PAGE EDITOR WIRE EDITOR COPY DESK CHIEFS SPORTS EDITOR ARTS & ENTERTAINMENT EDITOR WEATHER EDITOR PHOTO CHIEF ASSISTANT PHOTO CHIEF NIGHT NEWS EDITOR ASSOCIATE NIGHT NEWS EDITORS ART DIRECTOR ASSISTANT ART DIRECTOR GENERAL MANAGER PRODUCTION MANAGER ASSISTANT PRODUCTION MANAGER ADVERTISING MANAGER ASSISTANT ADVERTISING MANAGER CIRCULATION MANAGER PUBLICATIONS BOARD CHAIRPERSON PROFESSIONAL ADVISER Vicki Ruhga, 472-1 76S Ad Hudler Suzanne Teten Kathleen Green Jonathan Taylor Mlchieja Thuman Lauri Hopple Chris Welsch Bob Asmussen Bill Allen Barb Branda David Creamer Mark Davis Gene Gentrup Richard Wright Michelle Kubik Kurt Eberhardt Phil Tsai Daniel Shattil Kstherine Policky Barb Branda Sandl Stuewe Mary Hupf Brian Hoglund Joe Thomsen Don Walton, 473-7301 The Daily Nebraskan (USPS 144-080) is published by the UNL Publica tions Board Monday through Friday in the fall and spring semesters and Tuesdays and Fridays in the summer sessions, excpt during vacations. Readers are encouraged to submit story ideas and comments to the Daily Nebraskan by phoning 472-1763 between 9 a.m. and 5 p.m. Monday through Friday. The public also has access to the Publications Board. For information, contact Joe Thomsen. Subscription price is $35 for one year. Postmaster: Send address changes to the Daily Nebraskan. Nebraska Union 34, 1 400 R St., Lincoln. Neb. 68583-0448. Second-class postage paid at Lincoln, NE ALL MATERIAL COPYRIGHT 1835 DAILY NEBRASKAN ,.,- ,.,-, ffZ 7""' " -f rrr 7 mrWii aW i SINCE THE WCHBJKD AFFAIR, THATi! TAKEN ONA MbW MEANING,,, Miniseries preempts TV routine Look I lead a simple life, and I don't make too many demands on my environment. I can cope with just about anything, and I even enjoy a good healthy change every once in a while, just to keep life fresh and challenging. So I don't think I'm asking too much to request that the few pleasant traditions I seek to uphold go uninterrupted by the whims and fancies of those totally unaware of my existence. James Sennett One of the pleasures my family and I have enjoyed in recent years is our tra dition known as SNEPITLRAWTRM DOTV (Sunday night eating pizza in the living room and watching "Trapper John, M.D." on television). Now, I admit this isn't quite on a par with family vacations in August or putting the tree top ornament on at Christmas time. But it does have its way of reminding my wife, daughter, and me that some things remain the same. No matter how hectic things get and no matter how our schedules may pull us apart during the week, we can count on one thing. Come Sunday night, we will all be gathered around the sausage and mushroom, laughing at Stanley River side and sympathizing with the latest turns in Gonzo's love life. But, it happened again this week. We settled down for our weekly rendevous with stability only to discover that, for the umpteenth time in as many months, our family tradition was being preemp ted by that dreaded intruder, the mini series. We turned on the telly expect ing San Francisco Memorial and got the Smut and Slut Hilton. I don't mind giving way in my private enjoyment for important news bullet ins, or even surrendering one week a season to a special of historic or artis tic import (a heading under which the recent "North and South" did not, alas, fall) But "Kane and Abel?" Give me a break. However, the disruption of our sacred family gathering is not the real issue here (luckily, Shirley Temple was on another channel, and we devoured our Domino's delivery while cheering "The Little Princess" on in her unrelenting quest for her father). The whole mini series phenomenon is a real thorn in my side. In the first place, I don't like what it says about our willingness to be totally absorbed in the television escape hatch. A nice thing about regular program ming is that you can miss a week or four as your schedule demands and still enjoy your favorite programs when you have the chance to take a break. Also, you can take a week to get productive things done before your favorite flight into fantasy returns. But the miniseries is there every night. If you are to enjoy it, you must put your life on hold for three or four consecutive evenings, drowning in eight to twelve hours of vapidness. What really disturbs me is that there are enough of us out there willing to do precisely that, so that the networks find it well worth their while to keep putting this trash on the air. And it's not just the beer-guzzling, lower-middle-class working stiff who is endulging. I've been through the dorms and seen all those students with so much homework and so many impor tant things to do just hanging on every new turn in the latest Harold Bobbins psycho-sexual melodrama, I guess we can make time for what is really impor tant. Eight years ago I took time out from my graduate studies to watch one of the first miniseries, a three-night docu drama on the life of Martin Luther King. I was enlightened, educated, inspired and uplifted. I did not even mind that it preempted "Chips" and "James at Fifteen." But this week I had to give up a special ritual to let fifteen million financially and sexually frustrated Americans bask in the voyeurism of yet another sordid tale about the exploits and adventures of fictional power brokers. So this is where those original experiments in quality television have led. As Dr. Frankenstein said to Igor after throwing the third switch, "I think we've created a monster." Anyb ody want to buy a Panasonic portable cheap? Sennett Is a UNL graduate student in philosophy and a campus minister of the College Career Christian Fellowship. Avital Scharansky won't let East or West forget oppressed dissidents jhe day started with a reading of the papers and the daily search for a column tonic. There was much to choose from, lots of truly important events like the Geneva sum mit and even less cosmic stories like the suit brought by Rock Hudson's self proclaimed last lover. I read it all, took notes, made some phone calls and then satisfied with the cornucopia of topics facing me, I set off for lunch. That's when I saw her. Richard Cohen First I noticed people staring in the direction of the Soviet Embassy. When I got closer, I saw a camera crew and then, across the street, three people sitting on chairs before an office build ing. The person in the middle was Avi tal Scharansky. It has been years since I had seen her last, but she seemed no different a face constantly updated by news paper photos and television news and therefore, like family, too familiar to notice any change. Her head was cover ed in the style of ultra-Orthodox Jewish women, no hair showing, and her dress was extremely modest and plain. For all of that, she is the fiercest of accus ers, a finger pointing always at a Soviet government that holds her husband, Anatoly, in a labor camp. On the most glorious of Indian summer days, she was a reminder that winter had come once again to Siberia. Often there is a demonstration before the Soviet Embassy. Often, the reason is the refusal of the Soviet government to allow Jews to emigrate. Sometimes rabbis come to pray and sometimes people just come to stand on the street and stare at the embassy, which is old and crusty and all shut up like a closed mind. You may wonder if the people inside pay any heed. There is no way to tell for sure, but I think they do. Once, I was in the South African Embassy, waiting in the foyer for a visa, when five demonstrators came to pro test apartheid. They rang the bell and stared straight at the mirrored door, not knowing they could be seen and heard through it. They were nervous about being arrested. They giggled and made weak jokes, and then the police came to take them away. They linked arms and sang "We Shall Overcome," and all the time some people inside the Embassy watched, listened and, of course, said nothing to one another. The demonstrators thought no one was watching, but someone was. I crossed 16th Street, hesitated for a moment and then walked over to Avital Scharansky. I introduced myself be cause it has been a long time since we last met. "I think of you a lot," I said. I do, because she is often in the news, Please see COHEN on 5