The daily Nebraskan. ([Lincoln, Neb.) 1901-current, November 08, 1985, Page Page 10, Image 10
Page 10 "EdriEver J IK, 7-5 PM FOOTBALL SATURDAY Before The Came -BIG RED BUFFET All You Can Eat For 2." After The Came Football On Our 20 TV's Sat Night 7-10 PM Beat The Clock Drink Specials STOOGES STUDEN' The Division of University limited number of Student that begin January 8, 1986. QUALIFICATIONS 2.0 or above accumulative CPA Sophomore standing as of January 13, 1986 - Commitment to residential setting - Commitment to learn and apply developmental theory Applications available at business hours. 1 N" . All-Star Sports hfi artihciau i a kck nguv where YoungHayers toth eBrotnerb anis Every vu 10 DRAWS 25c MIXED DRINKS sl.50 PITCHERS 9th & "P" 474-2777 STANTS Housing will be hiring a Assistants for positions 1102 Seaton Hall during entWedw t J I l II 11 11 11 Hr- g i Daily Nebraskan Roberts plays perfect role as zealot in 'Coca-Cola Kid' By Tom Mockler Staff Reporter "When you no longer see a Coca-Cola sign, you have passed the borders of civilization. " Coca-Cola Company Brochure "When you have a product with charisma, you don't have to explain a goddamn thing. " Becker in "The Coca-Cola Kid" Movie Review " "The Coca-Cola Kid" is a near-bril-liant film, or rather, it achieves bril liance. While it is hard to sustain a feature-length film just watching one man's zeal for Coca-Cola, it is delight ful seeing a director do just that for the first 20 minutes. Of course, I am a partisan. One of the most amusing scenes was watching Becker give a young projectionist the evil eye for wearing a Pepsi-T-shirt. His superior tries to explain that it is just Australian humor. "That's disloyalty!" Becker exclaims. Another of Becker's best lines: "People cannot be called truly free if they are not free to drink Coca-Cola." Eric Roberts is excellent as Becker, a Coca-Cola promoter. He seems to have the same missionary zeal promot ing Coke today as the original teetotal ers who promoted it. Becker, an ex marine from Atlanta, appears to have adopted Coke as his new weapon for promoting the American way of life. I have always considered Roberts ' '' .'.k .t'i'-,Xi ; a,Oan"r: usBoni KJRSUT e me mdmam Horn MM. IM ICmda to me gene i SElOUW ft ftGHTER CO. Bay Shore. NY BAST BOGMEAsme WflBIBWdf ! "Gstmd CMBnwfc talented, but it wasn't until this film that I unambiguously liked his charac ter. It is a perfect role, and Roberts is the perfect person for it. You can see traces of Southern Baptist, marine and MBA problem-solving mentality. Becker arrives in Australia before the Sydney office knows he is coming. He's a whiz kid, and he informs the Australian office that his job is to define the problem, to develop a plan to solve it, and then to act. His superior says this is all fine and well, "but I didn't realize we had a problem." "That's why I'm here," Becker re plies. The Aussies are not slouches on the job, probably no more than their U.S. counterparts. Unfortunately, trying to solve a problem that isn't really there creates problems. The problem, Becker decides, is in Anderson Valley, where T. George McDowell (Bill Kerr) has a monopoly on the soft drink market. McDowell does not take kindly to Becker's attempts to infiltrate his market, but after a confrontation, they meet a point of mutual respect. McDowell's problem is that he is living in the 1920s, and it is only a matter of time before the forces of the ever-more-modern world of Coke start infiltrating. Then there is Terri (Greta Scacchi), who is far more interested in Becker than in Coca-Cola. Unfortunately, Becker's interests are the opposite. Scacchi practically oozes with sexual ity, though, so eventually Becker sue- - .,,... j ' ol Baby Boonvrs 01 Ajnercj toe Friday, November 8, 1985 cumbs. Technically, another thing that pleased me was the addition of Shel don's new Dolby stereo sound system. Now the only thing missing is a conces sion stand. I like to have a Coke while I'm watching a film and this movie in particular. A few minutes into the film, I had this terrible desire to leave the theater and raid a pop machine. This is inhuman, Dan Ladley! "Tom Goes To The Bar" is a hilarious short film preceding "The Coca-Cola Kid." The bar is a place where a collec tion of odd characters meet, Tim Noonan plays the title role, a poll-taker who gives his perspectives on life. He quite literally "drops in" from the ceiling. There are two "straight men": the bartender, who seems oblivious to the madness around him, and a woman who stops in to use the phone. In my favorite scene, one character impresses his friends by saying drama tically, "In a fair fist-fight, I could take Walter Mondale," then sinks back into his seat in self-satisfaction. "The Coca-Cola Kid" plays Friday through Sunday at 7 and 9 p.m., with matinees Saturday at 3 p.m. and Sun day at 3 and 5 p.m. Admission is $3.75. . Setting it Straight The UNL Collegium Musicum will give its fall concert under the direction of Priscilla Parson, UNL professor of strings, at 8 p.m. Sunday at St. Mark's on the Campus, 1309 R St. .nrvn V 0. IVJUXJ i i ""V with three other musicians 1 .fv.M lincr!irrrn LIVING SAXOPHONIST They're straighLahead. Swinging Strongly mainstream with sudden, stat alto explosions of tomorrow that make the sparks fly. Get ready to soar on the wings of pure jaz soc iety. Monday, November 11, Epm Tickets: $12, $10 UNL Students: $8, $3 (TPP) Tickets on Sale: to UNL Students-October 21 to others-October 28 Limited Seating With the support of the Nebraska Arts Council and the National Endowment lor the Arts. Kimball Box Office 1 1 3 Westbrook Music B!dg. 472-3375 11th & R Streets 1 1am-5pm, Monday-Friday ! I j I I 8 ( . av.aihsiKfl ar.aiQtii; u mm