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About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Nov. 7, 1985)
Page 10 I I II II GOING HOME? GO TRAILWAYS! $100 For 10 Days Travel Anywhere We Go. 476-0318 130 N. 10th r A Lffl At Mil ill J ; . ; J f . ' 'J, 4 H ;fl i'A -fi . ,.' - - ---- 1 ; I 'i ITS NUsiii FARE t 1a R A 1 Mil IA mem UNIVERSITY THEATRE TONIGHT! Ghosts November 7 thru 9 and November 1 1 thru 16 Studio Theatre at 8:00 p.m. 4is si&Jis V rg, P: ro m t?il & t: 3 fin prrformanca ni,,u.ts ; llllCllf 273 " llllll Univertity o( NatxaskA-tJncoln ilMNIiUllllliUlklilau B BB Bl BB BB BB BB1 BB a KTTCC i "A V V Vi I lilt Buy one regularly priced LP, tape, or CD, J.J get a second LP from selected titles for FREE. m m 4"-"- w ii 5"I CHOOSE FROM THOUSANDS .OF TITLES Dozens of other in-store specials! Save 10-40 on all jewelry. Save 10 on compact discs. 8 fm9mm w a a a a i i a a sv. yfm a i I I I I I B I iWiViV is a a a J j a a a if J i a a a a r IS a a a j i i a a 8 a a a a ,ViV East Park Plaza "";" fmW 66th &o st. Gi a r "J ill t c o r d 5" is I I H O D V f a a a a a C JBB II II a a a a a a jf a a a a a t 3aaaaa vj 4,,,-'aBaac i i i i i i i i a g a i aaaaan a a a c ill a Downtown a a aj i a a a a a o a a a zl IN. 1 1 ill J Daily Nebraskan Thursday, November 7, 1985 ...I,,,- ' - .'; '1 i :.. f i J 1 1 A i IS v i N i f rl mi h" 111 Stipe David CreamerDally Nebraskan R.E.M. echoes the reconstruction: 'the wall's been built up stone by stone' By Charles Lieurance Senior Reporter '7 stood before our home the other day. Other people live in it now. Do you remember the big oak tree in front? The branches were cut back so as not to inter fere with the telephone wires, and the tree died. The limbs are rot ten, and there is a hollow place in the trunk. Also the cat here at the store ate something poisonous and died. It was very sad. " Carson McCullers, "The Heart is a Lonely Hunter. " Concert Review R.E.M. takes the stage of the Omaha Music Hall Tuesday night, a parade of fleeting shadows, ghosts of the postbel lum reconstruction. The wraiths are singing, "All I Have to Do is Dream" by the Everly Brothers. The song is dressed in cerecloth, something lost is rising up again. The lighting is deep green and blue, colors flowing into one another. The acoustic bubbles over the stage are now soft, organic mushroom hoods, a brooding psychedelic field. Everything comes in patches, the words become suddenly coherent and then fade into mumbling, like old men talking to themselves about the old and the beautiful, about their youth: "ThewalVsbeenbuiltupstone by stoneThe fields divided one by one. . . " Everything comes in patches. Lead singer Michael Stipe's long serious face is in the bright yellow light and then, quickly recedes into the shadow. Nothing can be held. Blanche DuBois in "Streetcar Named Desire" backs away from Mitch into the shadows. She is decaying and wants only to be seen in the dim light. The southern Belle is old and rotting. "Old man Kinsey wants to be a sign painterFirst he 's gotta learn to stand... " The backdrop is now a sky and whisps of clouds, fingers clutching at a cliffside. ' 'Old man Kinsey wants to be a dogcatcherBut first he's gotta learn to stand... " Stipe crosses his arms over the mic- rophone and lays his head on the arms like a drunk head down on the bar lamenting, lost in the endless filigree of conscience and memory. You know how that goes. . . "Looking at your watch a third timewaiting at the station for the busgoin ' to a place that sfar so far awayand if that's not enoughyou 'regain 'where nobody says hello, doesn t talk to anybody they don 't knowyou '11 wind up in some factory. . . " The drunks in the south know every thing. I suppose the drunks everywhere have the right idea, . . "At night I drink myself to sleepand pretend I don't care that you're not here with me . . .but something better happen soonor it's gonna be too late to bring me back . . " Stipe tells a story about how a good old boy and his buddy get a truck and a coffin and go down to the supermarket. The audience is yelling. Stipe says he's trying to tell a story. "Try and maintain yourself," he says. The good old boy confronts a woman in the parking lot and tells her he's got a coffin in the back of his truck. The lady says she doesn't believe him. He says I'll show you. He takes her to the truck and opens the coffin. His buddy's in there, his arms folded across his chest. He opens his eyes and says, "Boo." Like an evening in some Georgia bar, snippets of country songs fade ir and out within the songs. It's authentic Americana, sentimental ghosts, stories of the split, the horrible reconstruc tion, the great hollow tree: Please see R.E.M. on 10