Pago 10
Dally Ncbraskan
Monday, November 5, 1084
Mis aed tM
Bocu
Lane
By Usa Eenner
Daily Nebmskan Staff Writer
I didn't want to talk to Jill
Godmilow. So after seeing a spe
cial screening of her film, "Far
From Poland," and spending all
night writing a review and
later watching two more of her
films I just walked out of
Sheldon.
I really didn't understand the
film. I was afraid that I'd ask
stupid questions and bumble the
whole interview. But there was
something in Tar From Poland
even though I wasn't sure
what it meant, I knew how it
made me feel. For that reason I
went back to Sheldon and bum
bled an interview with Jill God
milow. Since Godmilow appears in the
film as Jill the filmmaker, I felt
like I had met her before. But
after talking briefly with her and
seeing the film a second time, I
realized that the person and the
character were quite different.
Godmilow included herself in
the film to help examine the dif
ferent interpretations of the same
situation. There is the fimmaker's
version that of the political left
Reagan's, and Fidel Castro's.
This was just one of the tech
niques in the film that breaks
away from traditional documen
tary filmmaking.
French actor 's
appeals to wide audience
French actor Gerard Guiilaumat
will perform a one-man show in
which he dramatizes stories by
Guy de Maupassant Tuesday at
7:30 p.m. in the Nebraska Union.
Guiilaumat is a leading actor
with the Theatre National Popu
late, a theater group founded in
1920 to bring classical-contemporary
theater to the widest pos
sible audience.
In the early 50s, Guiilaumat
worked with Peter Brook in Eng
land in staging Shakespeare's
"Romeo and Juliet" and later
joined Laurence Olivier's company,
becoming one of the few French
actors to work with Olivier.
After attending classes at the
Actor's Studio in New York,
Guiilaumat joined the company
of Jean Daste, director of the
Comedie de Saint-Etienne. He had
roles in all of Daste's important
productions, including "Marriage
of Figaro" and 'The Brothers
Karamazov." Shortly after, Guii
laumat directed a traveling com
pany. Guiilaumat joined the Theatre
$2 50 minimum charge Mr day on commercial ads
Tan words included.
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$.75 billing charge on noncommercial ads All
personal ads must be prepaid
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Godmilow wants the audience
to be aware, and never forget,
that it is watching a film and not
actually developing an Intimacy
with the characters. She wants
the audience to listen to what the
characters say not so much how
they say it.
This is not an easy task for an
audience. Re-enactments of orig
inal interviews, like that with
Anna Walentynowicz, are moving
and credible. Of her appearances
in the film, Godmilow said They
should be as good as any of the
other performances, but I got
away with it because I'm the
filmmaker."
It's the emotional level of the
film, and at the same time the
lack of involvement, that makes
"Far From Poland" so intriguing,
and yet difficult. The first time I
saw the film it had a heavy emo
tional impact. Parts of it were
inspiring, and I enjoyed that kind
of involvement. But perhaps I got
carried away. It wasnt until the
second time I saw the film that I
began to understand some of its
intentions. Even that was only
after Godmilow had told me what
to look for.
It was fun the second time. I let
the political and emotional as
pects become less serious, and
tried to be open to the special
lighting, angles and unusual
canned laughter. The ambiguity
one-man act
National Populaire in 1962, act
ing and working with Roger Plan
chon, the theater's artistic direc
tor, in all of its major productions.
The reading of Charles Dickens
by Emlyn Williams during the
1950s was the inspiration for
Guillaumat's one-man shows. In
1965 he gave his first recital of
"Les Contes Paysans (roughly
Rural Stories)" by de Maupassant.
Since then, his one-man shows,
expanded to include recitals of
Dickens, Tchekov, Rimbaud, Sar
tre, Prevert and Hugo, have been
widely acclaimed and have earned
him a reputation as a great story
teller. In addition to UNL, Guillaumat's
tour includes stops at Yale, Duke,
Smith and Brown Universities, as
Well as the Universities of Michi
gan and Californii at Santa Bar
bara. The tour is sponsored by
the Theatre National Populaire
under the auspices of the cultu
ral services of the French Embassy.
The UNL program is sponsored
by the University Program Coun
cil's arts committee and the De
partment of Modern Languages.
Springsteen trade ?. good KC tickets lor 2 good
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Ptwta Courtesy ct Davt Dskck
An interview equesce is filmed for Jill Godsnilow's "Far Froia Plaad.'
was no longer frustrating. This On both levels, those of emo- film. And even though Jill God
did not lessen the complexity; it tion and technique the result is milow agreed that it was silly to
only provided an experience that excellent I was as impressed with ask her to sign the postcard that
proved to be equally involving. the filmmaker as I was with the she gave. I'm very clad she did.
I am writing in response to the
"blown out of proportion" rebut
tal written by the three women
who seem to know so much about
the university grounds work
(Daily Nebraskan, Oct. 30). As a
groundskeeper for your campus,
I found your remarks rather in
sulting. Maybe your statements
CHUMTY
vfti... 50 WHY CAH7
impm
FUNNY
pResmttrm.
emmm ?
MNTiON
A
HELP!
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P. oaily 900 am Sat and some Sun. mornings.
, Requires aoproximaiaiy 3$ hoursweek end your own
vehicle with mii$e expanses pd PMie can the
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s s
Hw ,W atts U
could be justified; however, you
obviously weren't up at 7 am.
picking up trash left by the
"cooperating" Boss fans. And as
for the weeds, we spend many
hours a week trying to improve
this campus and keep it clean for
your enjoyment. I think a little
credit is in order for the grounds
...m just mm
a m mm iwHOffKEP
WINDS ON 1WR MY
RfUtMSH' CULT
SCORi &b
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versed in economics and agriculture to author position
papars on contemporary Nebraska Soe8reomic
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Grd student needs nisponsi&Ss housaraats Roorr
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i j..... ...... ..j.,,, ...... ia
B M O C (Stmmy).
Thanks tor bng such a special fncndL yj greesf
Lose. & w O C.
Kaftiy (A-Pm pletlgej '
The ptay wssn t that but me eompeny
Would ke to see you. FiSwP ? tontx 1
Joe. a
HaC
Chechi
jn
I on Be
'A etti
& Letters
department Rather than ever
hearing a thank you " we are
generously showered with your
narrow insight and gifted tongue.
Let's try to consider all feelings
involved.
Cathy Parriott
Grounds Dept. employee
Sophomore, agriculture
mi. TtiTS
nnza
(meow
QiVRCHf
To the cool guy (Gather 12)
You're fun!
eteeeene phone cellars
Cava.
Sorry if this is the most boring personal o the Day
Happy Birthdsy Anyway!
Ann
Snoogums
Happy 2W Hop 1 1
YOU!
1 SPECIAL as you are I LOVE
Kristin (AOPi)
Happy 20th have your 8tsC year ever!
Love yat Laura
Triplets,
The night pertiee hem been orgasmic but alt
rt times must come to am end Life goes on,
Cather 12 ebtes
Duner
Ro9areRed
Views are Blue
You re a great brother
And I oa you !oo
Ss
Ktmsndenne;
Youaretwa
leoutddowia-oup
Stwer
34!S?r nope we (both me
and Ted) have many more.
Love Brat
