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Pago 10
Dally Ncbrcskan
Friday, December 2, 1C33
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Record store meets demands
of Doc Holliday's club patrons
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Phil Colley opened Doc Holliday's
Records and Tapes because of a lack of
music in Lincoln, particularly a lack of
new rhythm and blues, blues and jazz
the kind of music he plays at his club
(also called Doc Holliday's).
The club began selling records about
six months ao to provide music for
the club and a place for patrons to buy
the music they were dancing to.
Colley, 27, moved the record se
lection from the club to the new store
at 27th and Starr streets Oct. 21.
Doc Holliday's carries music other
record stores usually don't have,
Colley said. He mentioned the records
of Shannon, older George Benson, Kcol
and the Gang and Bobby Nunn 3 come
of the names of the artiits he stocks.
This music came out in the late 703,
he said, land is hard to find or order,
because only enough records were
made to meet the demand at that time.
Colley said patrons from his club have
already established themselves as
regular customers at Doc Holliday's
Records and Tapes, as well as students
from UNL and people from the neighbor
hood near Doc Holliday's.
Colley said other record stores in
town don't get new MB releases until
a month after they are released, or not
at all.
Customers can order a newer re
lease oh a Monday and usually have it
in their hand3 by Wednesday, while
customers at other stores may have a
month or more to wait. He said the
amount of time depended on how old
the release was the newer the fester.
Doc Holliday's charges $3X9 for
most LPs, $9.93 for double records,
$ LC3 for 12-inch releases and $1.85 for
45s. Colley . said he also . sells , used
records from the club.
The selection at Doc Holliday's also
includes reae and top 1003. Colley
$zid his general selection compares
with any record store, except it has
more variety.
Doc Holliday's is open Monday and
Tuesday from 10 a.m. to 6 p.m., Wed
nesday through Saturday from 10 a.m.
to 0 p.m. and Sunday from 2:30 to 6 p.m.
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Phil CcSley end ears cf ths etcck la Li3 ttsre, Doe HcSliday's.
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omesBiin senilis ' enaesim i erais cast
1L
Twas the month before Christmas when two bliz
zards came to town. One left 6 inches of snow. The
Real Critic is here to explain the other one "Terms
of Endearment" and how it captured Lincoln and
the world.
Let's face it you will be talking about "Terms" for
the rest of this year at least. And not only because
)
Chuck I
you can see your car in the Lincoln General parking
lot when Shirley MacLaine smacks her grandson.
Nor because you can see the actress who entranced
Gov. Bob Kerrey, if only temporarily. Nor even the
Academy Awards it will be nominated for.
You may mention these things, but the main rea
son the movie will occupy so much of your attention
in the immediate future (and perhaps distant)
future is that is so well constructed on so many
levels that it is bound to be imitated in everything
from commercials to soap operas. Even the scenes
that have things to complain about are great Like
"Annie Hall," it is a masterpiece in the naturalistic
study of character absurdity.
On first viewing, the film h a tour-de-force, com
plete with real tears and real belly laughs, given the
distraction of knowing that "the house in Des
Moines" was really at 14th and G streets in Lincoln
vanishes in the face of screenwriter directorpro
ducer James L Brooks' sure-handed control of
audience reactions. From the first hazily lit, lovingly
photographed scene, you know you are securely in
the hands of someone in love with the subtleties of
human character and if you share this fascina
tion, you are in character heaven. The film h more
concerned with fine portraiture than exciting plot
reversals. It is aH characters, no special effects, no
. spectacles, only people to cheer for. r i : :
Vifel optr " :
Humphrey Bogart won an academy everd for
hia portrayal of Charlie AHntit in the Cra "Ilia
African Queen If there was any justice in thb
world, honors wotsld also have gone to Kcthsrins
Hepburn 'and -director John Huston who helped
transfcm E.F. Forrester's stcii novel into a cinema
classic. The !m will be seen cn channel 12 Saturday
at 9:15 p.m.
French Film vccl: continues. Featured tody at
3 and 7 p.m. is a look at French filming during the
"WWII occupation and liberation and Jean Gremil
lon's "Lumiere DEte." On Saturday at 3 and 7 p.m. is
a look at French film from 1945 to 135 and two
Fremillon films, Tattes Blanches" and "Haute Lisse." :
Film critic Jean-Francois Josselin will attend the
evening screenings. Tickets are $3 each rdjht
"A Christmas Carol continues its run at the
Howell Theater, 12th and R streets this weekend.
Shows are at 8 p.m. Friday and Saturday, and 2:C0
p.m. Saturday and Sunday. PotenticJ theatergoers
take note: The evening performances cn Dec. 3,- 9
and 12 already axe sold out and severe 1 ethers are
on the verge of that status. To mala 'year rerrrva-
tbns, cd! ths theater tcit-cl-i-a ct C72-2373 be
tween noon and 5 p.rn. Tizlti are 1 1 f:r students,
$5 for ethers. ' - - .
Jules FeiTcfs Tha XZJZs llz'zzi llzzdzi tcpes,".:
Trhich wsj cchedulid to ztzzr T.":!::d ct the
) 0. Cwili t.,
ktrara the tVzzzr Sr.i Iz:. r:ziz fcr CzXvtr
day ct 0 p.m. Ti.,3 n.ti v c 3.
Tired of thcitsr cuiliciii? Tired of
prcdiietfens, directed ty.cr.d ztziiiq UIX under-;
students, tO be ctrrd Cr.d:.y ar.d tlon-j
1 day beginning at.4:C3 p.m. in rccn 1 2 3 cltha Temple .
building. "It's Called the Cugr Fl-n" b'tlireetsd by ;
Cindy ' Mungsr and . 'stars -.ra'ctt Llzzztizr ...and -
rhrey " . ...uvrj written by
nn, Is erected I;r 1 -char i Hc&cre
Charlie Bach.
and tar3 Joyce Vcl:ch
free.
And it's all
llcdmcn znd
The screenplay is written from Larry McMurtrs
noveL llclfurtry b known among members of hb
cult as the Piaget of character delineators. His peo
ple in "Loving Molly" (from his novel "Leaving
Cheyenne") and "The Last Ficture Show" say and do
what other hardly dare to think; they respond to the
most complex human issues with simple, homes
pun, yet profound wisdom.
Brooks makes good use of tlcl.lurtry's rich char
acterizations. Brooks easily could challengeAlan
Alda's title as television's Host Sensitive Male. Hi3
credits include "Thellaryiyier Moore Show " "Taxi"
and "Cheers," a show definitely made with the witty,
multifaceted, 20th-century woman in mind.
Brooks' style effortlessly links scenes, comic climax
to comic climax (much like last year's "World
According to Garp") until ths last 20 minutes. From
there on, it was all tears come silent, some
accompanied by hanky honks. Even real men, not to
mention real critics, couldn't get by Emma's farewell
to her sons without some real tears. ? ,
Jack Nicholson and MacLaine add their genius to
the work , of Mcllurtry and Brooks. They either
worked on their parts (MacLaine was committed
three years before filming began) or their own per
sonalities enough that they were cheer jcy and
eo good together I could hanTy bcllevs &. ; -
". Winger was often superb; Dni-b, although cca
.-quite good, paled m ccmp:xbsn with hb t :!!ss
players. The part appeared to t 3 thirty written cr.d
'he played it so iizzzlj a.3 to- cprcssh .nen-'
Hens cf thssi can compare, hcweitr, r,ith th3 till-
. Indeed, that b this Clm's epecid cham it cCsrs ..
sentiments far' many spccir.1 fjitcrcrt groups: ths ;
anti-New ycrk chsu1ni:ts; the xnti-mals chain!-'
' nfcts; the ironkt students cf human nature; the fcr.a
cf strong ytt vulnertl3 v;c.:-n characters (The'
men in this On are either bop cr v;:rps. Only the
women grow and deal with important brass.); girls
who war.t.to.get away from home; grandmothers
wheden't want to be old or give up their grandchild
ren. Terms cf Endearment" Is a Chrbtmss pre-ant a
lot cf people axe givir.g to each ether this year. ; : '
By Dan.-Wondra
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