The daily Nebraskan. ([Lincoln, Neb.) 1901-current, November 17, 1983, Page Page 11, Image 11
Thursday, November 17, 1C33 Daihy Ncbrcskan Pago 11 11 1 I't i it? Make Tracks TTrttarCcors Sid-Team . SUtf photo by Dm Trouba ' Korecn Cluistca (left) sad sea of the video eq elpaent esesl Tcesdsy cibt: "A cysap&csy of chsss." . ., - ' raity Video . . . Continsed from Faa 3 A couple of assistants roamed the area with syn cronized clipboards, giving the performers pre-wrifcten instructions on tabs of pa per. The tabs suggested which book or activity to take up, how loud and long, etc. In this respect, Chris ton becomes a composer, as well as conducting from the control booth. If one calb Christen the "composer" of "Trans missionPersistence of Vision," the piece is a sym phony of chaos. Trying to make sense of the whole thing is like trying to make sense of a New York street scene. Or maybe trying to make sense of the entire current art scene. It also suggests the hub-bub of activity of a diversified, bustling art department. A busy art school or street scene taken as a whole is usually chaotic, spontaneous and unpre dictable. Recreating the chaotic nature of mas3 population in a normally serene, and contemplative atmosphere such as Shel don's is not an easy feat, and is one that alienates more than a few gallery goers. In fact, the most prevalent crowd attitude seemed to be befuddle " mentor at most; detached amassment. "" V- This is understsndsbte . because confusion often ; occurs when one tries to make sense of a mulli- tude of stimuli In feet, that is the sense of the piece to me; "everything', happens at once," there "t is no real cohesiveness in' today's society or art world. The best a person " can do it is accept the challenges, and pick and choose as to personal taste. In a work such as this, the viewer sort of goes, "art window-, shopping." You cant see everything" that's going on, you miht 1 see "something you dont go for, but eventuafyyoull see something you like. ; Frankly, I wish I could have seen more cf it, but ' a person cant be in two ' , rooms at once. It's fun to window shop. Thja vf",,,!!tjf iwMh -' next to Sheldon Film Theatre will continue through Dec. 18. Video artifacts cf performance , art are zzlzoia o inter esting as the crlnal act, . butwhenycu add up scrr.e vibes cfLuiJ Wdtcs, and : merit tZ.:ct it: 3 cr. s ce ! 1 become ec:r.cthir.3 cf a star.dird cfcrc:r:r.cc f:r pcrfcrrr.tr.c3 art in th3 area. 1 Til Come See Bogie in . . . m f J CASABLANCA n Thursday and Friday November 16 & 17 7:00 6? 9:00 pm Union Rostrum I, American Films -TV SL. - - - Try y: 1- . - ZufsZ?' toggles Tf , Optional. )- Cell for infcrmctisn. Larry at 476-6488, John at 474-1787, Kevin at 474-1191. c coot cowcw Cow twondo 040ffrowOwwB w8c wrs J c A V U i 0 Vfirr TrTP r 1 w V V V )iy.H) 0 f! - j I filii.