page 10 daily nebraskan thursday, november 20, 1980 (ffGsInlfirS Two new films inspire hope for American cinema By Pete Schmitz Just as I was about to give up on the American cinema showing any signs of improvement, two remarkable films, Gloria (directed by John Cassavetes), and It's My Turn (directed by Claudia Weill) made their way to Lincoln for what appears to be a very brief visit. The reason these films are failing at the box office de spite the good reviews they have received is that they break too many rules in current popular culture. LJ J nr L v1 reuiera In a time when movies are being made in a slick manner on multi-million-dollar budgets, Cassavetes and Weill maintain their creative integrity by working with relatively small budgets in order to present works of art marked by austerity and in telligence. Another thing the directors did wrong was to work with scripts that called for strong and independent women. However, It's My Turn at least had the advantage of having Jill Clayburgh in the leading role. Since Clayburgh is young and attractive with two consecutive Oscar nom inations behind her, she is considered, "semi-bankable" by the studios. But Gena Rowlands, who plays Gloria Swcnson in Gloria, is middle-aged, non prolific, and less than glamorous; for actresses that spells disaster. This is a shame because Rowlands has proven with this film, as with A Woman Under the In Fluenee, that she is one of the best actress es in film today. Not even Jane Fonda, Sissy Spacek or Meryl Streep can match Rowlands' talents, which come with age, experience, and time away from Holly wood. Mob associate In Gloria, Rowlands plays a former mob associate who has settled down so that she can enjoy her money, apartment, friends and cat. But her life is disrupted by Phil, a six-year-old Puerto Rican whose family was killed by Gloria's friends after the youngster's father informs the law of the mob's activities. Just before Phil's family is killed, Gloria gives him protection out of love for the boy's mother, to whom she was close. Throughout the film, we see Gloria using her wits as well as her gun in order to protect the boy and herself. But even though Gloria claims thqt she can shoot anyone's guts out as long as she knows the person, she uses her weapon discriminate. In one instance she puts her life in greater danger in order to spare the innocent lives of others whom she cornered into a bath room with her enemies. In the tradition of the gangster genre, this film has a violent and episodic plot Pre-Baroque group creates 'musical museum' By Penelope M. Smith This Friday ai Kimball Recital Hall you can escape the popular music of your own time and discover what your peers of 400 to (S00 years ago were listening and dancinu to. Calliope, a Renaissance band, is a quar tet of reknowncd soloists on modern in struments, who discovered a mutual inter est in pie-Baroque music. lien Harms, the group's percussionist, who also plays for the Pennsylvania Ballet and the Metropolitan Opera, spoke of the group's formation and purpose. Initially. Harms said, the group got to gether because of the possibilities tor musi cians in New York. "Here in New York we have the phe nomenon of freelance work, every tiling from work tor the opera like I do, to jingles for Kentucky Fried Chicken." said Harms. "All of us are conservatory -trained on modem instruments but we're from a large pool of musicians who don't have to be regularly employed." Harms said that through working at var ious jobs together, he and the other mem bers of the band discovered a mutual in terest in pre-Baroque music and started to perform . Part-time work Though Calliope is supposed to be part time work tor its members, they have per formed in every majoi Renaissance festi val and an constantly conducting seminars, lectures and vsoikshops across the country . In spite ot the small amount of expo sure ol thou audience to some of the more ancient and obscure music. Harms said audiences respond enthusiastically because of its attitude. "Basically the music is straight forward, it's not frivolous but you don't have to work reai hard to understand it." he said. "It's generally happy music, optimistic. There are also many sad pieces, but it's a purer emotion. !5th and 16th century music is less encumbered with dialectical determinism and existentialism. It doesn't beat around the bush." One of the things Calliope enjoys most about the music is the amount of participa tion allowed the artist in the creative pro cess. "The music doesn't specify any particu lar orchestration, instruments, dynamics, tempo, or phrasing, wc do it all our selves. In that way I suppose the closest things to it are chamber music and jaz," Harms said. "For example. Friday night we'll play l.'lomme Anne, from a 15th century Burgundian manuscript. Only the melody survives but we've created seven or eight minutes of variations with accompan iment. Musical museum Harms said that though Calliope is in part a "musical museum" the music is being played with 20th century values by 20th century players. "We can't play and the audience can't listen like people 500 years ago, this adds another clement of creativity." he said. One of the most unique things about Calliope is their use of old instruments that have been created by instrument makers based on pictorial sources. They have such names as tabor, a ty pe of drum; the sack but, a ty pe of Renaissance trombone; and the vielle. a type of pioto viola in the 40 instruments I he group plays. Symphony range "The sounds we can create have the same range as a symphony." Harms ex plained. "The Renaissance was an age of experimentation, some of the instruments weren't successful and died out. some of them remained " The instruments that died out often cause Harms recreative problems. Conse quently some of the percussion instru ments he makes lumsell lor the group. "I've been making some Renaissance tympany lor a year or two. 1 he pioblem is that there's only one maker of copper bowls in this country. He makes them for candied apples tilings like that, and he has a back order of six months. Only altei I gel those can I begin to woik." said Harms. People tend io underestimate the tech nique of pre-Baioque musicians when in fact. Harms said, some techniques are de generated. Calliope is trying to discover and utilie what they discern to be these techniques and to use them in their re citals. "The precision instruments of the Re naissance were a lot more interesting and the technique was a lot more developed than today." he said. "For example the tambourine technique. From paintings and woodcuts of the period wc can conclude that they played it in the complicated way it's played in the Middle Fast today." with a vibrant musical score to match. Fortunately, though, Cassavetes spares us the gory visual details that have made other violent movies so popular (another rule broken). More important is the fact that Gloria still has the Cassavetes touch: it is photographed with fast stock film, frames are dominated by close-ups of the perform ers' faces, and the story thcmatically is concerned with the joys and sorrows of relationships. Indeed, Rowlands and Juan Adames (who plays Phil), are a touching duo. Al though Cassavetes put too many adult phrases into Phil's mouth, we are con vinced when Gloria says the boy is one of the nicest persons that she has ever slept with. And it must be stated that Adames is an amazing discovery. Best movie This young actor explodes like James Dean, broods like Montgomery Clift, and radiates like Paul Newman. This is no acci dent since Cassavetes has been fascinated with the "method acting" technique which influenced his acting career as well as the careers of others who started performing in the 50s. Without a doubt, Gloria is the best American movie released so far this year. It probably will be a long time before we see any film with a hero or heroine as brave and sensitive as Gloria Swenson. Jill Clayburgh 's character. Kate Gun zingcr, is very different from Gloria; she is a soft-spoken, middle-class professor of mathematics at the University of Chicago. But like Gloria, Kate has her orderly life disrupted by a male whom she meets one weekend in New York City. Inner turmoil Obviously, Kate is not representative of many young adults today, but the turmoil she feels is easy for many to identify with. In one weekend she discovers the distance people have been making between each other. Some of it, as in the case of her lather and herself, is inevitable. But the emotional climax occurs when Kate real izes that she can have a satisfying relation ship once she commits herself to working at it. Like many of us, Kate was misled into thinking that once a relationship starts all efforts to perfect it can stop. While we're uncertain as to what job Kate finally will choose, the story ends on an affirmative note as we know that Kate will not settle for anything less in her relationships. If you have been disgusted with the recent rash of bad movies, see Gloria and '.v My Turn. Neither film is perfect, but they show a lot of hard work and sincerity on the part of those involved in their production. YY 2 ads FOR SALE-1 male and 1 female ticket together in South stadium. Good seats. Call after 5 p.m. or all day Friday. 475 9301. Best offer. Also set of GA tickets in North stadium. Foi iiilc Tin ee male student tickets toqether Call 474-3860 or 477-3886 For Sale: 1 male and 1 fe male ticket toqether foi OU ijume - 466-7520. 2 male and 1 female student ticket toqether for OU NU. 472 9626 2 GA tickets to NU vs. OU. Good seats $50 each. Call 472 0678 4 NU-OU male student tickets. 475-9434, 476-1266 One 6 month old twin size bed, $70. One 3 month old Atari TV game with 2 cartridges $120 Call 423-9420. 1 male ticket, NU-OU gome. Call after 6 30 p.m. 423-0842. For Sale One female ticket to NU-OU game. Call 477-1788 HELP!! I need money to get home. PLEASE buy my game ticket! Call Anne 472-9437 1 male, 1 female student ticket together for NU-OU game SE comet. 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