dally nebraskan thursday, march 8, 1979 P5ga8 '''.,. ' ' Italian TOBte to Wpitos'pJMt updated classic By Dctsie Amnions Surprises, deceptions, plot complica tions, slapstick and any other form of com edy imaginable combine to make Sccpino, the latest. offering by the UNL Theatre Department, an absolute joy to watch. Set in modern day Naples, the play is by far the best way to get acquainted with the classics. Loosely based on a Moliere play, Rascalities of Scapin, Frank Dunlop and Jim Dale's Scapino updates the language,, humor and actions of Moliere 's time to give an age-old story 70s dress. ' The play concerns Scapino, the town's resident problem-solver, an irrepressible young man who delights in complicating lives. He puts his talents to use helping two of the town's eligible men marry the girls of their dreams. The road to marriage is blocked by the men's fathers, who wish them to marry girls they deem more suitable. Although the route to happiness is detoured by sur prises, and the ending is indeed a shock, nothing is revealed by saying that everyone ends up happy. And happiness is the es sence of this light-hearted, high spirited play. Tailored role The show belongs to Scapino, and the part seems to be made for sophomore John Thew. Thew was likeable and magnetic as Scapino and his comedy timing kept the show moving at a lively pace. Movement makes up a great deal of the comedy of 5bk. Thew , actions were perfectly exaggerated, as were those of the entire cast. Especially nice were scenes in which he swings across stage on a rope to elude some irate victims of his deception. Another standout was Myron C. Papich as Carlo, the bum. His scene in which he and Scapino deceive Geronte, one of the fathers, shows his talent for mimicking dif ferent forms of comedy and characters. The wealthy, demanding fathers were excellently portrayed by Jim Anderson and Phil Stone, respectively. Anderson was sufficiently excitable as Argante, although at times he talked so fast that it was difficult to understand his dialog. Stone was believable as Geronte, reputed to be the town's most stingy, mean resident. Stone's Geronte was mean enough to be threatening and naive enough to be funny. ..... Clumsy counterpart Robert Ball as ScapinoY sidekick Syl vestro was a perfect counterpart to Thew. Sylvestro has less class ana Is far more clumsy than Scapino. Ball stood but in a scene where he pretended to be a chain wielding hood. The other main characters were fine for their parts. Larry Petersen portrayed Ot tavio, son of Argante, and Amy Mills played his love interest Giacinta. Thomas Bothwell played Leandro, Geronte's son, with Caron Buinis as Zerbinetta, the gypsy he loves. Although it seems their parts were written to complement Scapino, some scenes did highlight their comedy talents. One such scene was between Ottavio and Leandro. In a chase with Scapino, they were required to improvise running . throusfr the town and swimming. Although I wont reveal how they handle swimming on stage, I will say that,it provided one of the show's funnier moments. Scapino 's technical aspects also shine. The sound is particularly impressive, with an. old-fashioned juke box emitting sound akin to Dolby. The choice of songs was fit ting for an Italian village. Sound designer was Bill Honvlez. - ; Vibrant set Paul Whaley's set combined use of color with innovative building to convey an European flair. The set colors, combined with Michael Bautista's lighting, were vi brant and left the audience wiuYa carnival .'feeling. '' ..".;, . r - " r The set also was versatile, providing the players with several scehes-a wharf, cafe ana ocean were included. . v . Director Hal Floyd made full use of the set by placing actors, to every: area. He also conveyed the spaciousness of Naples by having the characters enter through the aisle throughout the play Patricia Dennis costumes finished the liit, happy atmosphere with their lively colors and wide rounded lines. The playwrights have said that Scapino is "a long way off from Moliere." Anyone who sees it will concur, but even the most fervent Moliere follower would have trouble not having fun at Scapino. Scapino runs tonfeht, Friday and Sat-r urday with performances at 8 pm. in the Howell Theatre. : ? t s Kfe ,i 'r- - j, n ftp sty . i Photoby Jrry McBrid John Thew enters sn Italian cafe a la Tarzan in a scene from Scapino playing at the Howell Theatre. Omaha wlMmnistpai By Kent Wsrneke It's straiit from a Hollywood .script. This gjri talked to her friend who talked to her brother who lives below the celebri ty, whereupon the brother talked the celebrity into being interviewed. It's straight from a Hollywood script, but the scene takes place in Omaha, with the Omdha World Herald's entertainment columnist Peter Citron. Some people may hot see Peter Citron as a celebrity, but after talking to him; one gets the feeling that if he isn't, he should be- " ; "There's a part of me that's i ham and loves to perform," Citron said. There are some -tilings I enjoy doing, in particular banquets, because you -know people are there ready to listen to you. . "And then there ' are things which I really don't like such as the second show in a niht 'club act where everyone there is pretty well gone Citron said. "TJut it's. tSX Had of fun to figure out audiences -123 tcidhcniv to them respond. . . - rEsstS22S23taefiSs otertsIaiag ;hM pven me a lot of &2rS, like presence and poise in front of ta audience that I don't cave naturally , he rdi. Tut then I will do almost anything for entertainment Ten years so I wou!d have dene aaythiag.w Giron was bom in llzw York, and after attending Dartmouth, College, off and on for -three ye, experienced wide variety of lifestyles"beforeI,setthngin Omaha. I wrote obituaries; I was a janitor; I worked for a small weekly newspaper; I ran a small weekly newspaper and I even started by own small weekly newspaper,! Citron said. "But then f ran out of money; so I decided to come tb Omaha. c . And so, since 1966, Citron has been an entertainment writer, r role that Jus changed considerably since his first years on the Omaha World HerdJ staff. - Uy work has changed quite a bit, but it also has expanded.- For instance we1 didn't have movie reviews in the bepnn ning," he explained. Paid to enjoy Tve always been an entertainer and a writer and rrow rmi getting paid to do tilings I enjoy " Citron said, There a defr inite' creative aspect to lrrytwriting ;tnd i also a great deal of ieportiagX--j: -5V " Dcin an entertainment writer his ad - vantages, because 'I not . everyone can call Bob Hope and get to speak with him, he said. -1 czr bide no i chone and talk to him without any of the usual red tape. He is a super nice guy,w Citron said. "One time I wanted to interview him on a putt-putt golf course and he agreed riit away.r "Johnny , Carson and Dick Cavttt axe also very gracious to me. They know that weVa!IMow Nebraskansheexplamed to remember, that with every differ-: - - Most people in the entertainment bus- ejit waiter or waitress your whole evening iness are prepared to be gracious when they . could take on an entirely different look." know they're ing-to be interviewed,' According to Citron, he includes .the Citron id ""But there's alwavt the excen- cood points in movies and television mo tions to the rule" - .- grams and , what type of viewer , would . Rude interviews , - ciijoy uic prouueuon. tr. '. "I was supposed ' . to . view . JH1 Clavboudi's An Unmarried- Woman - and Tm not like .Gene Shalit who will say a certain movie is the pits, IH look for the t then interview her the next morning. But u r I wasn able tb see it when -scheduled and - ii eTt good points and try to see what it has to so when I told her that she promptly got up and kit before the interview,, even started; even though I had read up and was more than able to do a professional inter? Citron has been !n Omaha for 13 years and does not plan to leave. "" T . J Satisfied - .." - "I'm pretty much satisfied with Omaha- , view," net said, rit didn't leave wnat you I've sort of pst a goal to stay here and now muM rail 9 favnraMft mmMtinn " J trut - rrrv. -irifnijwf!1 rt,f 1lirftM . A good portion of Gtron's writing is televisint has been syndicated, things are' reviewing movies, . restaurants and tele- going pretty well; ; ---- . vision programs. t ,j ; "I-do;pIentyofrtraveling; about one Tm what you could call a consumer rer. s week- out of every month and I get to New viewer in that Tm very conscious of people -; York often enough to see six to 12 Broad . and I have to describe and tell the things , wsy shows a year " Citron ssid.The only that - tiiey: should knoWjf Citron" ssid ; thing is that my traveling is not at the pace . .very area that I review is different, Td like it to be, it seems that Tm always , but. you have to remember that for every -racing to catch a plane and then when t person tneir-mood wa aliect whatever .they are doing, so I try to leave any influ ences I have at the door, he said. . , Heslize dlTSsrences " V vSVith restaursnts, ; you should sample what they do best. Citron explained. arrive all I have time for is to do my work and then come on home. : - - - . : Gtron's professon and perioral life are both very hectic . and tiie-ccnsuniir.3. 7.fy work is not eaaly described; it's wry complicated he said. 7Jy life and Don't go into a steak house and expect to A. work are the same, they can't be separated, fbd superior Ounea food and you also but Tm very satisfied wi'Ji what I do."