page 1! daily nebraskan friday, january 26, 1979 No OlK WUtlt i Manilow mends mushy muscles By Peg Sheldrick "Doctor Says Rock Music Makes Muscles Mushy," read the Omaha World Herald headline. I took a slug of coffee and read on. It seems one Dr. John Diamond of Valley Cottage, New York, had noticed a tendency to feel "weak and rest less and generally ill at ease" while shopping in a record store where rock music was piped in. Diamond launched a 25 -year research project, listened to over 20,000 records, and has reached the conclusion that certain rock music has a "stopped quality" that somehow causes the listener's muscles to weaken. Diamond maintains that it takes 40 pounds of pressure to overpower a strong deltoid muscle under normal, cir cumstances, but only 10 pounds when rock music is played. I shuddered involuntarily at the thought of all the dorm rooms full of rock-spewing stereo equipment. Poor, unsuspecting kids, 1 thought. They can barely cope with the midwinter blahs. How will they handle drooping del toids? I read on. Diamond maintains that classical music, on the other hand, can "invigorate, energize and balance humans"- that it strengthens muscles. Now my reporter's instinct was aroused (especially when I read the 'note attached from my editor saying to check it out). This was a story that had to be told. The public had to know: does listening to Queen really turn your arms into Oscar Meyer Weiners? toe!? Wouk novel contrasts war's effects By Michael Nikunen The beginning of the end of war lies in remembrance. Herman Wouk seems intent on beginning a crusade against war with his historical romance, War and Remem brance. This lengthy piece of fiction is the second of two novels Wouk has written in the past 16 years, with the World War II period as the setting. The Winds of War, published in 1971, serves as the pro logue to the current War and Remembrance. The novels are closely linked in characters and content, with the same prevailing message, "Either war is finished or we are." 0 0 0 The Winds of War began with Navy Cmdr. Victor (Pug) Henry, the character who gives continuity to both novels, and around whom most of the action and other characters revolve. Pug is awarded an assignment to Berlin in 1939 as a naval attache in close contact with Franklin D. Roosevelt. Loses sons It ended with Pug Henry, then a captain, losing his sons to fight in the war, his daughter to a questionable marriage, and his greatly desired and much-deserved battleship command, the California, sinks to the bottom of Pearl Harbor. In a unique combination of fiction and fact, War and Remembrance continues with Captain "Pug" Henry and follows him through several commands, in the Pacific theatre and in Russia, from the beginning of the war until its searing end at Hiroshima. He floats in and out of scenes with Stalin, Churchill and Roosevelt in places as diverse as Leningrad, Washington and Singapore. Henry's family Henry's family and friends occupy the remaining pages. His wife does some sailing of her own, his daughter co vorts around Hollywood with an egocentric radio announ cer and plays games with a young Navy lieutenant. One of Pug's sons, Byron, is a submariner, the other is a pilot who flies to his death. Byron's wife, Natalie, and her uncle Aaron Jastiow, a famous intellectual author are Jews, and are trapped in occupied territory. The characters move in and out of scenes and we see naval life ashore and at sea, vivid scenes of the ghetto and the concentration camp and life in battlefields under the sea, on the sea, on land and in the air. Novel of war War and Remembrance is a novel of war. Throughout the novel one is conscious that it has taken over and in some ways ended the characters lives. They are seemingly trapped. Wouk paints a picture of frivolous America and perhaps unfairly, contrasts it to beseiged Russia, with her millions of dead and more millions starving. It is a contrast painted so sharply that one winces with pain at the realization of war's effects. Perhaps this is one of Wouk's objectives. This is par ticularly evident when Wouk unravels the story of Natalie Jastiow Henry, Polish-American wife of Byron, and her son falling into Gestapo hands. Though the boy is sent safely into the undergrounds, Natalie ends up in Ausch witz where she manages to survive until the Liberation. Masterful job The pain, suffering and terrible degradation that this young American bears are difficult to read. Wouk has done a masterful job in recreating the moods, thoughts and settings of the death camps. War and Remembrance is a novel of a world at war, and particularly one family's involvement in it. Wouk has keen insights into battles fought, and recreates them in a realis tic and exciting fashion. The men and women of his novel are thoroughly drawn, though the latter rather meekly. When one has finished this work, there are a mena gerie of feelings floating about: disbelief that man's in humanity to man has reached a pinnacle which is incredible in proportion to past history; sadness that the human race has fought two world wars and forgotten the lessons they taught; and awe that the human spirit is at times resilient beyond the imaginable extent and yet at times, so weak and tender. Herman Wouk has created a masterful work in War and Remembrance. I decided to begin my search with the most reliable medical authorities available tlie UNL Health Center (the Johns-Hopkins of the Plains). Donning my best investi gative manner, with a Billy Newman-ish sparkle in my eyes, I bustled into the lobby and strode confidently up to the desk. "Hi there. I'm from the Da-" "Honey, we don't care where you're from. What's your problem?" I m a re "Which doctor did you want to see?" "I'm trying to check out-" "Check up, you mean. We don't have time for that stuff." "No no. I have a story here about music and-" "Music? You want Kimball, don't you? Geez, you freshmen sure do get mixed up." "I'm a senior-" "Goody for you." "Look, I need to know about this theory that says rock makes you weak-" "Week? We're all booked up this week. How about next month?" "Uh- skip it." Somewhat crestfallen, I decided my next step should be to consult our beloved newspaper's resident rock critic. It took some doing, but I managed to get a few minutes with him. "Casey," I asked him," is there any truth to this doctor's theory about rock making people weak and restless?" He gazed up at me from the pillow and gestured feebly. "Naw," he whispered. I would have stayed to ask more, but the nurse came in and said it was time to leave. On my way home, I passed Westbrook Music Building, where I noticed a group of music majors doing one-handed pushups on the snowy lawn. I decided to stop in for a few minutes. Once inside I spotted a wizened old professor heading into a classroom. Aha! I thought. I'll ask the old gent for his opinion. I entered the room just in time to see him clean-jerk a grand piano. "I'll be with you in a second," he called. "Just let me carry this thing to the basement." "Uh, no thanks," I said, backing out. "You've answered my question." In the hallway I collided with a tall guy in a red coach's jacket with an armload of albums and a copy of the World Herald tucked under his arm. He must have had every Handel recording in the department. As I stooped to help him pick them up, I noticed the initials "T.O." on his lapel. He left, heading for Memorial Stadium and mumbling something about practicing to music. I set out for home. I had my story. I couldn't help speculating about the ramifications of these findings as I walked along. I could just see the commercials. "Hi there, I'm Bruce Jenner. While I was training for the Olympics, I had to work hard, eat well, and, most im portant of all, listen to good music. Try. Vivaldi, Composer of Champions." Continued on Page 13 Manager predicts no changes Irv Chesen, new manager of Pershing Auditorium, predicts no major changes in booking policies. He has taken the post formerly held by Ike Hoig who has retired. "Any group can book an activity if we can accommodate it," Chesen said. "Cost will depend on the activity, time needed, and what their personal needs are among other things"' Chesen said he won't discourage rock concerts in the auditorium and security will remain about the same. "I don't anticipate trouble in any area, but often a small percentage of people do get out of hand." He added that ."People will be expected to stay within the bound aries of the law." The Lincoln Police Department will handle all disturbances at Pershing. Chesen said he hopes to step up activity as much as possible. In cases of big name groups, promoters must come to him with their plans. Otherwise, to get a booking, a date is cleared with the function calendar, details worked out about the type of activity and special accommodations needed and prices discussed. A sizable deposit also is required. Groups that have been successful in the past are encouraged to return, Chesen said. The Globetrotters and Ice Capades bring large crowds because they are family shows. Chesen said he hopes they will re turn every year. Before accepting the manager position, Chesen lived in Los Angeles. "I was interested because 1 used to live in Lincoln and I think the people here are super great," Chesen said. The manager position was advertised nationally. Of the 40 applicants, five were asked to be interviewed by County City Personnel Committee. Chesen believes he was selected because of his experience in the management field. He managed the Comhusker motel for four years and the Villager eight for eight. X 1 () Photo by Mark Billinsly Irv Chesen and Ike Hoig new and old managers of Lincoln's Pershing Auditorium.