page 6 ad lib thursday, february 2, 1978 Dancerchoreographer shuns the 'sedentary life' By Charlie Krig Last week's cold spell felt warm to a group of Lincoln visitors. That was because their hometown, Winnipeg, Canada, con monly experiences winter temperatures colder than 50 degrees below zero? But Salvatore Aeillo finds warmth whether he dances at home in Winnipeg or on the road. In both cases he conducts strenuous work-outs, gives powerful per formances and has his wife's compan ionship. Aiello's dancing career covers 26 years: from his first lessons at the age of seven to his current position with the Royal Winni peg Ballet. His work with the company includes traveling during half of the year (he appeared last Saturday night with the ballet company in a performance spon sored by the Lincoln Community Concerts association) and performing in Winnipeg during the remaining six months. Some where in between Aiello and his wife find time for vacations. Aiello said he rarely has danced his own choreography because he can't see the total picture when he's participating in the per formance! But his responsibilities with the Royal Winnipeg Ballet have increased and he's presently one of the company's three regisseurs, the persons who direct the pieces of choreography. "I've really been getting into director ship," he said. "l 'retired' at the beginning of the year from dancing' and just taught the company. I quit performing for about two weeks but then I realized that that wasn't all I was interested in. I went back and did a performance without practicing for those two weeks and did very well. "But at the end I went off the stage and threw up. I couldn't afford to go without jr Ni(jjr''Ji. 4r 'i it i , f 5 ' 4. ' w 7 r ;v.'Avff".' ft -w, ' l ' l Photos by Mark Billinyilcy "It's a good life and we enjoy it. My wife will eventually retire and then well raise a family. It is possible to lead a sort of normal existence in this job." EVENING 40 OOOONEWS fl EMERGENCY ONE O DICK VAN DYKE SHOW & SUN: ZARABANDA 1:30 O NEWLVWEO OAIKE f MARY TYLER MOORE CJ TO TELL THE TRUTH O CONCENTRATION O H2,000 OUE8TION O ODD COUPLE 0 HEE HAW Guests: Patti Page. Brush Arbor, Buddy Alan. 1M a JOKER'S WLD O a LITTLE HOUSE ON THE PRAIRIE Charles tngalls facts losing his farm whan ha makes purchases in anticipation of an in heritance from a wealthy relative, t bequest that turns out to be worthless. (60 min.) O THE SIX MILLION DOLLAR MAN Steve Austin must work fast to recover a stolen SS million masterpiece from chmelord Chilton Kane and return it to a touring Russian art exhibit. O eOOO TIMES J J ., Thelma and Michael Evans fear for their lives when they discover that their mysterious new boarder is the only surviving witness in a trial against a very dangerous crook O MONDAY NIGHT MOVIE The Initiation Of Sarah Stars: Shelley Winters. Kathryn Crosby, Kay Lenz. An innocent freshman co ed is drawn into bizarre rites of a strange sorority. (2 hrs.) O ADAM 11 Gi M PURSUIT OP LIBERTY The First Freedom The series' final episode explores whether freedom of the press is an in dispensable instrument of Of a serious threat to national govern ment. (80 mm.) 7JI fl HOLLYWOOD CONNECTION CI O BABY, I'M BACK Ray Ems' seven year absence from home takes on a menacing tone when two strong-arm men show up to collect a 'loan-shark debt that's grown astronomically. O MOVtE "V "Chato s Land 1S72 , Charles Bronson, Jack Palance. A post-Civil War posse, seeking an Indian who killed a sheriff, begins fighting within its own ranks. (2 hrs.) tM O MOVIE "Lovers And Other Strangers 1970 Bea Arthur. Gig Young. Each of five stages In courtship and marriage are depicted through an intimate look at the relationships of friends and relations at the wedding of a young couple who prior to the wedding had been living together for 18 months. (2 hrs.) O 0 MONDAY NIGHT AT THE MOVIES "Midway Stars: Henry Fonda. Glenn Ford. Robert Wagner, James Cobum. Q O MONDAY NIGHT MOVIE The Initiation Of Sarah Stars: Shelley Winters. Kathryn Crosby. Kay Lenz. O O M.A.S.H. Long awaited mall from home brings with it varying personal problems for B.J., Radar, Hot Lips and KUnger. JO QQ ONE DAY AT A TIME When the apartment building te pur chased by a woman, Schneider's romantic efforts to insure tits superintendent's Job may get him into more trouble than he can handle. MOO LOU GRANT Lou is plung ed into the world of the Hare Krishna movement when Tribune editor Hume fears his son it toet to the strange religion. W0 mm ) O OMGMAL8: WOMEN IN ART "Meveiaon In Process A profile of sculptor Louise Nevelsoii. whoee Innovative environmental art kt constructed of "found junk aban doned m the streets of New York. JO ONEWS O TURNABOUT "Unfit America' This physical fitness segment visits a Parcourse exercise pro gram and features guests: Billie Jean King, professional tennis player; Joan Utlyot, M.D.; Kathy Cope land, director; and Helen Breymann, 70 year-old sports per son. 10:00 f STAR TREK Mlri80 mm.) nnoonoxEwt OOO COUPLE m KCK CAVETT SHOW 10 Jt fj O THE TONIGHT SHOW Guest host: Bill Cosby. Guests: Loretta Lynn. Cheryl Tiegs. (M mm.) O POLICE STORY "Firebird A young police officer, his Hands severely burned and crippled in a helicopter crash, is determined to prove he can resume his career. (R) CI FOREVER FERNWOOD O MOVIE The Berkleys Of Broadway" 1M Fred Astaire, Ginger Rogers. O CSS LATE MOVE "Vt "How To Break Up A Happy Divorce Stars: Barbara Eden, Hal Linden. 11 f BUHJIMOKE CJ CSS LATE MOVK The Wicked Dreamt Of Paula Schultz Stars: Elfce Sommer, Bob Crane. O POUCC STORY "Firebird makes a vein appeal to Irene for a son. 400 mm.) ttJO n AFFIRMATIVE UPE POWER VtM fl SERGEANT SJLKO fj O TCaOROW Host: Tom Order (60 mm.) ff NEWS " I I BROUGHT f I NEWS ttM f DRAGNET f I NEWS 12J IINEWS 13MJ fj MOVC "V "Lovers And Other Strangers 1I7S Sea Arthur. rehearsing." Although traveling has its drawbacks, Aiello said he prefers it to the "sedentary life" of performing with a company that stays in one city. He tried that for three years in Germany but he quit in order to return to the Winnipeg Ballet. His travels have taken him everywhere but "I haven't beeh to India," he said. Aiello said he was "dragged" to his first dance lesson in a small town outside of New York City. It was tap-dancing, which is a "very natural way to start" in learning rhythm, he said. "I never left after that be cause it was a natural feeling. 'Then my parents got very worried be cause I was enjoying it so much. They even made me stop for awhile but I talked them into letting me continue," Aiello said. "When you studied dance you sort of foundout who your real friends were. I was popular in school probably because of the things I did. I performed on talent shows, which was very big in those days.v so the other kids were in awe of me. "I gained a little more respect from that. They got to realize tie's some kind of celebrity'." Professional dancing has been his life ever since. Aiello also has tried some chor eography and directing of dance companies. His creations include a work done for a dance company in Washington and a new piece that will debut in May, a dance based on a Navajo Indian lesson that will be "sort of a theatre piece with some acting," he said. Sitting in a bus for four to five hours a day "cramps" his body, Aiello said, but another hazard is eating "fast food." "The problem in traveling is not going to a good restaurant and overeating. It's going to some fast place and downing ham burgers instead of getting some good food," he said. Aiello said one of the better results of his dance career happened ten years ago when he met a special woman while per forming in another dance company. One year latei he married her and they've been performing together since then. The couple celebrated their ninth wedding anniversary in Lincoln with an evening at the Lincoln Underground restaurant. "We're together morning, noon and night and we have been for ten years. Us ually comples never see each other but that isn't the case with us. We sit on the bus together, we eat together, we practice to gether, we perform together, we're together in all things," he said. "But we never argue. We're in the same situations so we've got the same feelings about what goes on. We enjoy the same things, but we're mutually irate if some thing goes wrong." He continued, "It's a good life and we enjoy it. My wife will eventually retire and then well raise a family. It is possible to lead a sort of normal existence in this job." Aiello said he likes his work with the Royal Winnipeg Ballet, too. He said it's a prestigious company due to its "royal" designation (it is one of only four "royal" dance companies in the world) but people don't realize how special that honor is. "We're a company built on the fact that we're versatile. We have dancers with back I Salvatore Aiello grounds in tap, jazz, ballet, everything. It's getting harder and harder to find those kind of dancers anymore. People are start ing to specialize in their training so you don't get a well-rounded dancer Very often," he said. He noted that more males are entering the field of professional dancing because they realize what is involved in the work. He also said world famous dancers such as Rudolf Nureyev have helped improve the image of the male dancer. "Dancers used to work for nothing but that was good. You got rid of the people who didn't want to work but at the same time the people who were good said they wouldn't dance unless they got more money. As a result, the quality goes up," Aiello said. A recent "dance boom," as Aiello called it, is helping companies get better perform ers and schedule more engagements. He said the Royal Winnipeg Ballet is booked for appearances two years in advance. Yet, some audiences don't appreciate the modern ballet the company does, he said. 'Personally, I would like to see classical and modern ballet kind of blend just call dance, dance, and people can appreci ate what they're seeing." And where's the toughest audience? "They're probably our worst audience in Winnipeg because they have a chance to see us all the time. They're the hardest to please," he said. Aiello said his own days in dance are numbered. He said most dancers hit their peak at 35 years of age. "Some people keep going much past that but that's sad because the muscles don't keep their tone," he said. Dancers are most flexible at age 21, he added. But being 33 years old doesn't bother Aiello. He's enjpying dance as a performer, he said, but later, when he retires, being a director and choreographer will be just as exciting. rf . -": .,' : "' I ' I MIDWAY One of the most crucial naval battles of World War II is recreated in the epic 1976 motion picture 'Midway,' making its television Kemiere Sunday. Feb. 5 on NBC r$ The Big Event and concluding Feb. 6 on 'NBC Monday Night at the Movies. The confrontation between the United States Pacific Fleet and the Imperial Japanese Navy nears its explosive climax in part two on Monday night as military com manders on both sides endeavor to smash the opposition. The battle of Midway opened the path to an eventual American victory and dealt the Japanese their worst sea defeat 3f the war but at a heavy cost to doth sides. An all-star cast includes Henry conda and Toshiro Mifune as oppos ng admirals (both pictured) along ith Chartton Heston. Robert Mit Aum. Hal Hofbrook. Glenn Ford. Robert Wagner, James Cobum and Robert Webber. J.