wednesdsy, msy 4, 1977 dsily ncbrcskcn 9 M 4. , H IF,,r Afo training re Doirhs R. WtZIFresh Tracks end MusicDaily Nebraskan-sctitmi izzzn It sure looks like an easy job . Put a new album on the turntable . Crank the volume control just this side of full , steam ahead. Get comfor , table. Lean back. Think about it a little. Glance over the liner notes. Write down what you think about the music. A critic. Isn't everyone? Music is a difficult thing to understand. Music is both mechanical and emotional. As for the mechanical side of music my knowledge is limited. I am not what you would call a musician's critic. In fact I do not try to be a musician's critic. My only formal training as a musician came in grade school and high school under teachers who know just about as little as I do. I do play a mean Kazoo. At best my knowledge of music is only slightly above average. But really that is not important. I am a listener's critic. I view music's emotion as the most important thing, It is not enough to have a fired-up band, a dramatic lead singer-frontman, or a bleeding ears guitar player. Proficiency and facades can take one only so far. Without emotion music is just noise. Still, emotionless music can pass itself off as music. It happens all the time. Look a; Boston. Or Kan sas, or Electric light Or chestra. They have come ' forth ( from, the' bowels of the computer age. Don't get me wrong, I like this 8 Plut Continuous from 11am Lata show Fri-Sat. Must fot 13-Wavt I.O. LCSULGlkU i I . 1 Quired kind of music, er not it is catchy and it is clever but it lacks any measure of honest emotion And then there is the emotional musician-the ar tist. These artists do not play music, they feel it. Consider Eric Clapton, Joni Mitchell, Eob Dylan, Duane Allmann, the early Rolling Stones, the Band, some of Led Zeppelin's music. It is more than music, more than black notes on white paper. The innovations of these artists came naturally not through proficiency, but out of need-the need to ex press a certain feeling, emotion or mood. In msuic creativity is the child of emotion. Some of it was neither. How do you describe music and emotion in a cri tical review? Looking back I realize that I was not really a critic that I wanted to be. T0K2GIJT AT; 0:15 a ACADZ.MY 8 'AWARD i xmmm donutherland UIC after four m year of preparation S production' a JLJ than! U, il J 'Did you ever have a dream about something you always wanted to do? Well I did and I made mine come true. I discovered that the secret was inside my head. It was the power of my mind over my Doay. tveryone nas S . ..'V. ? i CSC- V i Ui ' 1 ... . . i "- ras! J Sssrzsni-tr I : y 7 i v ... - V u. ' A z , i . ... f f V. -J f . to be critic Sure I am a grouch but I like music and I like good noise. But it was not that I wanted to play God and say"this is good music and this fcn't." More than that I wanted to share with other music lovers what I felt was good music. The following are soma of the albums I have heard in the hst year I think are worthy of serious listening. some 01 u is music and some of it is noise. All of it is good. You think I am going to tell you which is which? Sorry, those days are over. One more thing, this list is in no particular order. Do not try to make more out of it than what it is just another person's list. Barclay James HarvestOc- toberpn Joni UitchJHejira Peter GabrislPefer Gabriel Elton JohnBlue Moves Is t: in-Jiirwi LftVjUAUC f I LEVI tIDCTfKiri ICUI iltniirr rim . mis power. "J6 in as PG I i I t I m I m m m m m a I 1 a I I . J) a H a Bob DyhnJDeslre Weather Repottfllesvy Wea ther M SlzwzrtYear of the Cat Tzz-port Loo king thru WL'.uone AshJNew England Gzr.vJjJWind end Wuther teg Ecb SzztNisht Moves Gsrlar.d JtttnysGhost Writer SO-Young LzxdLong May You Run H . O o o ' J f r :i!iH!f.w; asaaCTji r M movie not toh' missed" "RdkrtAltmans 3 V&meriissuch a stimulating achievement incinematic art that it makesone rethink the whole aesthetic of motion pictures. There is somethhso utterly unusual about y3Vhmen'thatitslike may never materialize again. " AmlmoSfirm-Villiifi'Umv MxrtAltmans3Wmenlsamotmtainofamovw 9ueyDumllBeauiifulandpro enivlopailnjtaniltoninemkr. " CcmSmin-NBCTV "3 Women has an originality and beauty of form lhat movesyou beyond the force of its insight." JackKM-Mwsweek hsy Spacek . I ..- .. . v- :':..v:"j::: .w-n,..- . ; - f ......... ; . . . y S:.v.;.; .'.V ., ' & , ,. s . - ' ' ! '"'.,-,'' ' ' 1 " .. . v , ' - , i f- ' f " r f r. ,J l? Svcfj Doano.Gfiay Qlgbt VI - I In "A beautiful and ooittiA film Oren S imea nations. An mvacaunn nf rhiirihH im ma am urasiy by ths miraculous performances Erice has elicited from his child-actors; a film that everyone in Lincoln should not . miss. Dan LadelySheldon Film Theater Director p:3 o ccrtcca, TH2 OODDLOOO Twssdsy tJsrew;h CsSyrday ""j Ucy4, 5, 6, A 7 Screeningset7&9p.m. j Friday & Saturday matinees at 3 p.m. ! i r Shelley Duvall Janice Rule Toerttwik Cmhiry-Fox pt$fnk f t (iFQUD Shddtn Art CcSScry, 2lh a R 6? TincpiniT OF?. 12 ; DOEillVE- Directed by Victor Erice. Spanish With Enalish subtitles. ihih , 1 V- , ' , , i .,? if; J: iv 'i. Sal . 1 f .4 : r A. 2 r Jt ' i X V. -