thursday, march 10, 1977
daily nebraskan
p3 13
Stude
Wis direct all asp
Modern dancers directed by students will perform at 8
tonight and Friday night when Orchesis celebrates its 50th
anniversary. .
Orchesis, a UNL modern dance group, meets weekly
and allows students to improvise,' said senior Connie
O'Nele, Orchesis president. Each spring the 30 members
choreograph and perform their works, she said.
"Almost everything we do is from student input in
stead of faculty (input)," O'Nele added.
In addition to the choreography, she said, students set
the lighting, make the costumes and do their own make
up. In the piece 'Transcending," Edson Gibson edited a
friend's saxophone improvisation, added his own per
cussion tracts' and choreographed the piece, O'Nele said.
Dance instructor Barbara Ball Mason said Orchesis is
different ffom the UNL Dance Ensemble which nerfnrm-
ed last month. The. Ensemble was directed by faculty
ec'ts of dance performance
1
L
presents:
n
tn concert
with NILS LOFGREN
WED. MARCH 23 8 PM
PERSHING AUD LINCOLN
Tickets Available in Omaha at Homers
(both locations) and the Daisy and in
Lincoln: Brandeis. Miller and Paine (dtn.
& gateway) Dirt Cheap. Nebraska Union
Student Desk. The Daisy, Pershing
Auditorium Box Office. Tickets are $6.50.
Bamboo Productions
11
PL
Sheldon Art Gallery,
12th & K Sts.
sYi:"
"Rape is ultimately a
question of intimidation
and brute torce a real
and threatening possibil
ity to most women. This
is a very fine, personal
and painful film about
rape ... a complex and
frightening study of what
happens to a woman
who has been raped."
inda Gross,.
Los Angeles Times
7e.i8sdxy
thresh
Ssterisy
KsrAf, 13,1112
Screenings et 7 A 9 p.m.
Friday A Saturday mal
nM at 3 p.m.
members and Orchesis is directed by students, she said.
Mason, one of Orchesis advisers, said the spring con
cert is a learning experience for the students.
"The important part is in learning how to work with
other people and put on a dance production," she said.
Mason defines modem dance as "a more personal way
of moving." She said modern dance originally broke away
from clac&l ballet so dancers could experiment with
different kinds of movement.
Yet modern dance is not always improvisational and
can be structured as ballet, she said.
Another adviser, Dee Hughes, has choreographed "Hie
Waltz" and "Lament," which represent modem dance
works from the past. These are in honor of the 50th
anniversary and are the only pieces choreographed by a
faculty member.
Other pieces will be "Aviary" by Mary Beth Foy,
"Manipulations" by Susie Whipp, "Barnyard Stomp" by
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Rape victim
CcnikssJ fceni p. 12
Anne Mundstuk, Coolidge's roommate at the time of
the rape, plays the part of herself in the film. In a
curiously out of place but highly significant interview, she
tells Coolidge that her perception and characterization
of her (Anne's) adolescent personality was incomplete.
Perhaps this was included to smooth over and
rationalize some of the dramatization, if nothing else it
shows Coolidge's willingness to explore her own percep
tions. It is this willingness to explore that mfekes the film
worth while. Coolidge indicates that rape is an infinitly
complex thing, and her film is an honest attempt to deal
withthat.
Appearing along with Not a Pretty Picture is another
film dealing with rape, Rape Culture. It deals with rape
and how it is perpetuated in our society. It combines
interviews with startling film clips from popular films as
varied as Gone With The Wind to Last Tango in Paris.
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