Wednesday, february 16, 1977
daily nebraskan
'HardAgan'e
veryihing printable and much more
By Michael Zar.gsrl
Muddy Watersan AgsinUut Sky Records PZ 34449
After struggling with phrases to describe this long
awaited album by blues great Muddy Waters, I've conclud
ed that the only descriptive terms are unprintable.
Simply, this album kicks-(VVell, you can bump it in
the course of an article or on the dance floor, but you
can't kick it or print it). I mean, this album is a mother.
Mother in the sense that it is roots blues in its purest
form. '
If the material on this album was recorded by any
other artist it would be passed off as hitting every blues
cliche possible.
But the fact that it is Muddy Waters behind the micro
phone changes that. Waters has as much a claim to shaping
modern blues as does B. B. King, or any of the other
grand old men of the industry, , ,
Hard Again, lovingly produced by Johnny Winter, is
one of the best and most basic blues albums released in
years. It makes the B.B. King releases of the last couple of
years look pale.
Artist's life highlights
week of Sheldon films
A highly acclaimed film about a great Norwegian artist
highlights this week's Sheldon Film Theatre. -
Edvard Munch, a" 1976 film from Norway, tells the
story of the famous artist who lived from 1863 to 1944.
Edvard Munch will be screened through Saturday, at 7
p.m. with Friday and Saturday matinees at 3 p.m.
Admission is $2.
Two films directed by the great Danish director Carl
Dreyer will be screened for the film studies classes this
week. , ' .
Vampyr (1931) will be shown today at 1:30 pjm. and
Day of Wrath (1943) will be shown at .10:30 p.m. There is
no admission charge.
The Films on the Arts Series will present three short
films Thursday and Sunday. Magritte-A Fake Mirror;
Matisse -A Sort of Paradise; and The Secret World of
Odilon Redon will be screened at 3 pjn. Admission is $1.
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The album has 'live" sound to it. There quite possibly
could have been no overdubbing at all on the LP. On some
cuts, studio chatter and reactions to the music clearly
come through.
Winter has produced this album with no tricks. There
, is no excess fat on it at all. No long fade outs, every song
has a distinctive ending, no strings, (can you imagine an
album without strings anymore?) and no echoes or
vocal tricks. Winter could have recorded this album in any
blues club ii Chicago and could not have gotten more
pure.
The album is progressive to the point where it touches
as many bases as possible, doing as many kinds of blues
as they can, think of, without overdoing any of them.
There is even a country-blues tune included. "I cant
be Satisfied" has some nice slide work in it and a nice
flow. Youll recognize the style as that copied by Richard
Shows Friday At 5:25, 7:25, 9:25
STARTS FRIDAY.
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EVERYDAY 8. SPECIAL STYLES
FOR MEN WOMEN. SEMI
PRECIOUS STONES. STERLMG
SILVER & COLD-FILLED.
PRICED FROM $4.00
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COLOR CATALOG
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fust end Wednesday
This Motion -Picture
Contains Scenes of
Such Lurid Intensity
We Can Not
Show Any More
InTheStiUs!
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CUTS
THE EROTIC
QUiS aUailC5Ld SAD VEnTU HHS Or
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"Dont-call-me-Dickie-No-More" -Beits, formerly of the
Allman Brothers Band, on such respectful bastardizations
as "Pony Boy."
Hard Again is a great album. Waters has never been
better. The album contains his first original material in
years.
Sheldon Art Gallery,
12th & R Sts.
A GlSPuHLATIVE FILM.
-New York Times
"'Edvcrd Munch' Is tho bast film I'va
seen in its depletion cf tire crtistic
process. A vvelcomd event, tha cin
ema's most intelligent attempt to
pfebo end drsmatiza tha mind end
methods of a greet artist."
Jack Kroll, Newsweek
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With Geir Westby and Gro Fraas
. A New Yorker Films Release
Tisesdsy through Ss&rdcy..
February 15, 16, 17, 18 & 19
Screenings at 7 p.m. each evening.
Frfclsy Saturdsy maSinea at 3 p.m.
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