fridr, ricvrr.bcr 19, 1973 " 13. concert' a? tximDal ounc The UNL School of Music's Symphonic Wind Ensci&bte will present a free concert t 4 p.m. Sunday m KimbaS Recital 11x21. The group will perform music by European composers, Thai was no lady.,. Continued from p. 1 2 A sculpture of a Playboy bunny seems the most unrealistic in the exhibit. It appears obviously plastic, which somehow enhances the effect. I'm not sure if there is a dominant mood to the ex hibit. Reactions varied from an honest laughter or nervous giggle to a serious silence. It is a credit to the exhibit that it receives such a wide response. Wax figures, which are about the closest parallel to this type of work, can be ineffective. There is always a sense of unreality to them. - One of the more interesting comments I heard was from a" mortician, who after briefly studying one of the creations, stepped back and shook his head and said, "I wish I could do that good of a job." I have to shake my head, and head back into the time warp. Incredible. A A Sbvq end bundle old newspapers ft: 7:3-t:23 . .-Jtwlcpt CUHoO. The New Yorker LK 1 k r El o m a llim a yt '477-1234 Today At C:t3. 73. S:25 Sat. & Swn. 1 :CD, 2:4D, 4:33,, 6:10. 7:E3, SS la hli fait cntmstls rcJe IVocdy Allan -" grc!a fa front for tStfcSsck -. . IlitaJ fritsr$ of tk&ywscd kj th 3"s. i v 7 iVnrfivillten i i , it, " l. I AS arranged for American bands, during the first half of the program." The second half will feature music by American composers, according to Jack Snider, conductor of the ensemble and director of bands at UNL. Three of the selections will have multiple parts. "Compositions such as Scenes from the Louvre depict specific works of art and the fabric of the piece would not be complete if one part were left out," Snider said. The program wEl include nine compositions, including Valdrcs Norwegizn March, by Johannes Hanssen, Variations on a Theme by Haydn, by Johannes Brahms id Scenes from the Louvre by Norman Dello Joio. V. r.: 'Mill , 1 i nrx:o silent nurJiKG" ii ' , ) -. I Movies Cooper Lincoln: Marathon Man (R) 12:45, 3, 5:15, 7:30 and 9:45 pjn. Plna 1: The Next Man (R)-l:30, 3:30, 5:30, 7:30 and 9:30 p.m. Plaza 2: Two-Minute Warning (R)-l, 3:10, 5:20, 7:30 and 9:40 pjn. Plaza 3: The Front (PG)-1, 2:45, 4:30, 6:10, 7:50 and 9:35 p.m. Plaza 4: Car Wash (FG)-1:15, 3:15, 5:15, 7: 14 and 9: 15 pjn. Douglas 1: Shout at the Devil (PG)-2, 5:05, 7:20 and 9:40 pjn. Douglas 2: Norman Is that You? (PG)-1:15, 3:15, 5:15, 7:15 and 9:15 p.m. Douglas 3: Return of ' a Man Called Horse (PG) -1,3: 10, 5:20, 7:30 and 9:45 pjn. Cinema 1: Tiie Gno memobile (G) 1:15, 3:15, 5:15, 7:15, and 9:15 pjn. Cinema 2: The Ritz (R)-l, 2:40, 4:20, 6, 7:40 and 9:20 pjn. State: Tunnelvision The Groove Tube (R)-l , 2:30, 4, 5:30, 7, 8:30 and 10 pjn. aiiBi ran fir Sheldon Art Gallery 12th&R THE VORKING CLASS GOES TO HEAVEN Directed by Elio Petri. Starring Gian-Maria Vo- lonte & Marisngela Mela to. (Italian dialogue with . English subtitles) 1 . a searing, brilliant ' movie about money, work, pain, and madness . . , astonishing energy, a fury that erupts repeatedly in lacerating scenes of working life ... the most explosive film in the city, and the one picture you must Tuesday through Saturday November 16, 17, 18, 19 & 23 - Scrrminnsal 74? p.m. Friday & Saturday matinrm at S p.m. Midnight pi Ths Fc!!:u!ciis Four Return A HARD DAYS NIGHT ? J m ft m. - &Sat 1 seats MZLP presented by: P70 N '1 "THE STORY OF JOANNA IS THE MOST J "DEFINITIVE C ronnr pit vt . i Damiano has never i i more deserved to ryy carry the title feljr ofeenius. . v. - itishfs T : ultimate triumph! f ErilliantllCOi- AL GOLDSTEIN o o 1 s If k 1 f i f s . a HOLLYWOOD FT VINE 7:30 0:15 L 1 I r-- rr 1 H " Ak 4 K- "Y . f7 . -Mrf 1 1 - J Introducing !PR. INFINITY DOING HIS OWN THlNGi I i : 1 1 I C ( 13th fir P HCJ; CJ 475-2222 it ill ai : Z1Z 111 f . 13 2SZ I .J 1 4 1 1 - .V- Ss1 iftrf' rtt 4 2nd X Ostsd FcoHins ," DO ft Pteatn ScefciRg Kind f ' i J ' Contiivxsm Chow kg -j.'' f J ' ft i i )r ". " ' " - 11 r v 'I'iuiEi 1 J fp:f,a',,"M I ; nl' ' , , I it-, MUiil ' t i g II. ' " f a ! j - f r) .. y 1 r 1 1 'i i : .( ? Is 1 i ! I ... 1 i