afcsifenteftoinment MA Itaf mos no tedyffooKvos atikerglms casting! By Hichsd 2ri The emotions I felt as I willed through the rooms containing Duase Hanson's realistic human sculptures at Shddca Memorial Art Gallery mt have been aimlai to the fcdings of tha arcdiccIagEts who first entered the burkl dismbers of the great pyramid. 1 la some straps way, tbs exhibit, which mas through Dec. 12, is a tomb. It is t burial grounds for a grisly Americana, where the hieroglyphics are not painted on the walls, but stand froz en around the chambers in mute testimony to some dis tant, but evar present form of life. Ihnson's sculptures are made from castings of actual The sculptures are of older people, workers, tourists, end such specific things as a heroin addict nodding out in the corner, and one of a painter. All of the sculptures eyes are averted, so that they are either looking down or into space. It adds to the illusion that these sculptures are a frozen representation of day-to-day life. The detail on the individual sculptures vary. There are five o'clock shadows on some of the men, and hair on the pot bellies of some of the workers. Particularly effective are the works of the older people. Most are seated and alone and cany a mood of their own, which is separate from the rest of the exhibit. Continued on p. 13 persons, but it is his detail work the skintone, the hair and the clothing that gives the forms uncanny realism. And realistic they are. A Sheldon employe said he approached a figure of an old woman-after closing to inform her that the exhibit was dosed, and found himself facing the cold stare of one of the sculptures. " He went on to say that "the place is real spooky" at night. Double takes The place also is "real spooky" during the day. On first entering the exhibit, I found myself doing double takes on just about everything. Initially, it is diffi cult to differentiate the sculptures from the onlookers. To make marten worse, several people were curious to see if visitors would approach them if they stood motionless. People do approach, and receive a nasty jolt when the "sculptures" move. It makes walking around a traumatic experience. It also makes for an interesting series of comments on reality. Hanson's sculptures are of real people. That is to say they are not of the glossy, Madison Avenue 'beautiful people." after Ys2 , : : I , . v r ; ji -: ' w j S ,7 - -- - -- - -- i -- --a -- - - - -- Deans Crason created the realistic pchsesia end Toe pieces in the exhiataon portray nreal Photo by Soon Svoboda utt. ijr.vu.mii Ottawa imai rajt. ft.- -t J . on e same pcrssss from which they were cast. Pure Prairie League's latest is consistent, mellow Review by Cssia Erstrosn Pure Prairie LeaeDanceRCA APL1-1924. What makes Pure Prairie League's latest album worth while is the overall sound. It's just nice. The album is consistent throughout. No one song is more spectacular than the other, it's just an unavoidably pleasant album. The consistency that Dance exhibits is one that is lack ing in most of the country-rock releases in the last few months. - - . ' . . ' - Dmce is a combination of country-rock, bhiegrass and a certain amount of jazz. Band members John Call and BSy Iliads were jazz musicians originally. Call had been a jazz bassist prior to creating Pure Prairie League. Hinds was playing in another jazz band when other members of the group invited him to join Pure Prairie League. Hinds has been with the group since their first album, Cztstm ' Out Austin Cut was well excepted critically, but did not sell well. The record was ahead of its time in that the music was heavily flavored with a coustryiih sound. The album might have faded into obsecurity, but people began to pick up on the album, and reassured the company to re-release it Some time later, the song "Amie" was re-issued as a single and became a sleeper hit for the grrup. Rto cotrtany of EJZA Tie per? new xIct. Bss, a a "Amie" was part of two songs. The other song, which didn't appear in the single version, was "Falling in and out of Love." On Dance, the two opening songs on both sides of the album stand apart from the rest of the material. Ttance" and Tornado Warning are more uptempo and mockish than the Vest of the album, but not as heavy-handed as most power rock songs. It retains a light sound. . George Powell, the lead vocalist for the group, has an unpolMisd country voice. He carries the overall Pure Prairie League sound. Dance" is probably the best example of the group's combined talents. There is no question that the song is country-rock oriented, but there are hints of a jazz influence as well as a bluegrass fiddle. The song has gotten the most attention of all the album's cuts and a majority of the FM radio airplay. The remainder of the album is fairly mellow. - "In the Morning" sounds like a cowboy's lament. Some nice production work puts fiddles in the back ground, like a distant square-dance, as the cowboy sings about having to leave his love. The lyrics are simple, but effective. "7 use to mat for your face to appear in my doorway, have nothing to soy, it's better this way. " The overall effect is nice, if somewhat melencholy. Much of the bluegrass influence in the band can be traced to group member Michael ReOly. ReiHy has said his Kentucky up-bringing exposed him to "hHIbSy" music. " - - On the song "Fade Away," RdHy does the vocals. The tune is done in an honest, unpretentious manner. RelHy ReiHy's vocals give a folk-song quality to it Because of it, the song is successful. "Catfishin' " is a wishful sort of nonsense song that makes you tap your feet A jazz feeling in the sor.g, moves things along. "San Antonio" is sang wiih a feel for the legendary Texas pride. "Saa Antonio" seems to be rang with that in mind, as Powers voice sadly reminisces about the city. Songs Lke that are rung all the time, the only thing that seems to change is the place. The only disappointing song on the lbum is "AS the Lonesome Cowboys." - The tempo is much too fast for the messes, and no body appears to be too lonely in the song. Pure Prairie League w3 be a concert in LinccLn's tTxsing Auditorium at 8 pjn. Sunday, abn? with Tcni- my cim, the former bad ruiizrL for Dcctj Purrls. Country-rocker Richie Furrzy. who was cridry scheduled to te ca the tn,canccd.