friday, October 15,1976
doily ncbrciksn
paC3 17
lb
Cinema 1 : Executive
Action (PG)-7:30 and 9
pjn.
Cinema 2: Obsession
(PG)7.15 and 9:10
p.m.
CoopcrUncoln: Mara
tfwn Man (R)-7.30 and
9:45 p.m. RotterbaU (R)
-Midnight Movie, Friday
and Saturday.
Douglas I: Vie Omen
(R)-5:30,7:20and9:15
p.m. .
Douglas 2: A Matter of
Time (PG)-5:30, 7:20
and 9:15 p.m.
Douglas 3: Fantasia (G)
-5:30, 7:25 and -9:25
pjn.
Hollywood & Vine 1:
jVerer a Sucker an
Even Break (PG) and
You Can 't Clieat an Hon
est Man (PG) -7:45,
820, 9:15 and 10:40
pjn.
Hollywood & Vine: Vie
Exorcist (R)-7 and 9 :30
pjn.
Raza I: Ton )on'r
Stop r Go Blind
(R)-5:45,7:30 and 9:15
p.m.
Plaza.2: Snow While and'
the Seven Dwarfs and No
Deposit, No Return, (G)
-5:30, 7 and 9 p.m.
Plaza 3: A Boy and His
Dog (R)-6, 7:45 and 9
p.m. ,
Plaza 4: Vie House of
Exorcism (R) - 6:10,
7:50 and 9:35 p.m.
Sheldon Film Theater:
Film Maker's Showcase-,
Freude-J and 7:30 p;m.
Statei'Crypt of Dark Sec
rets (R)-7:30 and 9:10
pjn.
Stuart: The Great Scout
and Cathouse Thursday
(PG)-1:30, 3:30, 5:30,.
7:30 and 9:30 p.m.
Murphoy-Lang. .
Continued from p. 16
Iff difficult to describe, however, the style of one
without drawing comparisons with the others.
All incorporated traditional American folk influences,
bottle-neck and open tunings into their styles.
Lang has cleanness
Lang incorporates a cleanness in his sound. He shines
on clarity and speed, and is not afraid to let his classical
influence come through.
Murphey's biography, seems complete in comparison
to Lang's
Unfortunately, he is best known for the well-produced
and well-received single, Wildfire.
It's unfortunate because it dwarfs some of his earlier,
and in many ways, finer works.
Murphey is a native Texan, but now calls Colorado
home.
Steeped in heritage
He is steeped in his heritage and roots. His songs do
not take the shape of the banality often associated with
artists such as John Denver.-
Instead, he transforms them into strong, mood state
ments. Lyrically, Murphey never has been strong, al
though his latest work is moving in that direction.
in probably .his finest song to date, Geronimo's Ca
dillac, Murphey's strong feeling for mood and simplicity
comes across in a power play so full of irony and gentle
force that it serves as a good example of what Murphey's
capabilities are, and they are formidable.
Murphey's concern for the American Indian is obvious
in his work, but Cadillac serves as his definitive statement.
The years of broken treaties and sad reservations are
caught up in the Geronimo story Held in prison until he
was an old man, Geronimo was released by the govern
ment when it became apparent there was no earthly rea
son to hold him.
They gave him a car when he got out of jail.
Murphey's song is haunting in its- simplicity. The
chorus goes, "Oh lord, take me back, I want to ride in
Geronimo's Cadillac. . ,n ,
The power and the sadness serve as a good example of
the Murphey vision.
Murphey is acoustic, mellow and powerful without the
loss of a sense of humor.
His control and understanding of moods are his major
attribute.
Murphey and Lang will perform at 7:30 and 9 pjn.
Sunday.'
1
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