The daily Nebraskan. ([Lincoln, Neb.) 1901-current, October 08, 1976, Page page 12, Image 12
r r Photo by Ted Kirfc Dawn Cess plays little dap's dsster, Sasaa. Cct your hot fresh peanuts and balloons during inter mission of the musical Stop the Yorli I Watt to Get Off The production will debut at the Studio Theater at 8 tonight and vendors will walk in the audience to create a circus-l-ce atmosphere. , - , The play, set in England, begins with circus people doing mime. The mime 'develops into the real plot and the circus people become other characters. The cast consists cf 10 women and two men. When director John Koch was casting for leading characters Little Chap and Evie, he said he had to look for a Little Chap that was "inventive." According to'Koch, the part of Evie called for a wo man with a low voice. He said Evie is one of the true (female) alto leads. "I want to get across the main theme of the play. I believe musicals have a place in the theatre curriculum," Koch said. "Isolation with the individual is the central theme. A lot of serious themes are dealt with lightly Chap makes business deals and has numerous affairs. The women with whom Little Chap has affairs are played by the same actress, who is his stage wife. This is to "stretch a point," Koch said. "In essence, you're looking around for the same thing. Koch said he chose the play because, "It's a play I've dreamed of doing for a decade. The songs are blockbust ers. It's of the light musical vein and deals with serious subjects. "Parts are overplayed. People will take it, laugh and then ... (the central theme should hit). Theatre "reflects questions everybody asks about themselves. It's a celebration. A form of fun," he said. The musical director is Koch's wife. Te really enjoy doing it. We always have something to share," he said. The play is "for any thinking person who would enjoy an evening of entertainment," Koch added. n fruit By Michael Zsngsxi Writer F. Scott Fitzgerald documented his youth and the 20s-an age of bathtub gin and petting in the back seats of cars. It was a generation of degenerates, according to older after midnight 17 adults, and they were sure it would bring about the des truction of modem society. Society didn't crumble, not then anyway. A new generation of "decadent youth" replaced the old, doing precisely the same things their grandparents did. That's what makes a concert by the Wolverines, a classical jazz orchestra, so enticing. It is a taste of the past's forbidden fruit. In this case, it is the evil and dark presence of "hot jazz," A presence that had a seductive appeal to it, simply because it grew from "forbidden seeds." The Wolverines recreate 20s jazz as a real labor of love. They do it blow-by-blow with the original versions and "deliver it with rare old-fashioned respect. Doing such songs as Sister: Ain't That Hot and I Ain't Got Nobody mark a return to roots, as weir as some novelty songs like I'm Going to Take My Bimbo Back to the Bamboo Isles, ". The Wolverines Classic Jazz Orchestra gives a valuable insight into jazz heritage and, in some ways, is an easy smile in a time when so much of our entertainment is personally demanding and draining. They will be in concert at 8 tonight in the Nebraska Union Ballroom. As Paul McCartney said: "Let's all get up and dance to the song that was a hit before your mother was born r r -.. '4. -ft ' l- 5, i 1 u 1,1 "1 i V It The VcIverises-nuftsiss fcrhiJJen sseds into "hot jazz. Photo cosrtssy HO Productions 3.. II it 1 I : HMrtobyTcJ Kok Jay Perry, in wfiftcface, plays tts bad rc!s of lite CbzpiaStoptheWorlllVSazttoGetOff. State: AUce in Vonder tnd (X-7:30 and 9:20 pjn. Stuart: The Mm hlio FeU to Earth (R)-1:C0, 3:05, 5:10, 7:15 and 9:30 pjn. Rsza 1: If You Don't Stop It. You'll Go BEnd (R)-6, 7:4S and 9:35 pjn. Sat. & Sun. at 2:30, 4:15,6,7:45 and 9:35 pjn. Plaza 2: Bcmbi (G) 7:30 pjn. . Esccpe to r Ytitdt Mountain (G 5:40 and 9:00 pjn. Sat. & Sun., at 1:00, 2:05 and 4: 15 pjn P!aza 3: Msnson (R 5, 6:30, 8 and 9:30 pjn. Sat. & Sun. at 2, 3:30, 5, 6:30, 8 and 9:30 pjn. -Flaza 4: Sex with aSmZe (R-5:40,7:35 and 9:25 pjn.? Sat. & Sun. at 2, 3:50, 5:40, 7:35 and 9:25 pjn. Cooper-Lincoln: One Fbw Over the Cuckoo's Nest (R)-7:15 and 9:35 pjn. Sat. & Sun. at 12:30, 2:45,5, 7:15 and 9:35 pjn. Douglas I: The Omen (R)-5:30, 7:30 and 9:30 pjn. Sat. & Sun. at 1:30, 3:30, 5:30, 7:30 and 9:30 pjn. Douglas 2: Fantasia (G) 5:30, 7:25 and 9:25 pjn. Sat. & Sun. at 1:30, 3:30, 50, 7:25 and 9:25 pjn. " Douglas 3: A Matter of Time (PG-5:30, 7:25 and 9:25. pjn. Sat. & Sun. at 1:30,3:30,5:30, 7:25 and 9:25 pjn. Ccieraa 1: Anrde Xy 7:40 and 9:20 pjn. Sat. & Sun. at 2:40, 7:20, 6, 7:40 and 9:20 pjn. Cinema N 2: 2C0I: A Space Odyssey (G)-7 and 9:50 pjn. Sat. & Sua. at 1, 3:50, 6:40, 9:30 pjn. Sheldon Film Theater: Occasional Work of a Female SZ&e-3, 7 and 9 pjn. Sunday: Szrd stone (X)-2 and 4 pjn. Hollywood & Vine: Life-g-acrd (PG-7:30 and 9:15 pjn. Expose Me Lovely (X)-7:30 and 9:30 pjn. S B for Stem concert . . a !' oGKoui-preuscie Vfclia virtuoso Issac Stem's concert Nov. 1 may be a . J cf'y reason to believe that the concert w3 be a sellout, and Tm concerned that all the students who want tickets won't get them, Bowlinsaid Tickets for the Stem concert go on sale Monday stunts fori? 0PCa t0 FUbHc at 59 rf to UNL FesSoct JCSf S h ch "A lot of people have said that is really stupid pro grammmg having one violinist after anotherfiowS said, "and normally I would agree. un V'? Ar? canceMon came up, though it presented lL with a unique opportunity to br& him in, one thzt we normally wouldn't have,' BoS faff