v-Jncsfcy, cpril 20, t970 daily ncbrtoi ' P3l3
Mi
10111.
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I ims no qu&blet with the elections. I ajrcc that
most of ths ion f-FSch!Iy those from the Demons and
fttefr Sjum-2re reprcKntative of this band. Still, I
wouU have preferred The ?z&,n from the Salisbury al
bum, be indited instead of "Lady in Back," which pul
verizes the melody into a drone.
Time has not been kind to Uriah Heep's musk.
Although "Easy livLV" has hell up pretty well, most of
the group's music has not survived the heavy-metal era in
which it was conceived. . , "
I was not stirred in the least by this c'itra-derfbel fare.
I was amazed at how dated it all sounded. Ah, the fickle
ness of the music consumer: What was demonical in 1972,
sounds merely ponderous in 1976.
Wayba Jmshp, VfZh Kdsoa, Jessi Cdtzr, TcmpsJ
OzssrlThe OutlawsRCA.
This album unites four renegade artists who, after step
ping on some Nashville toes, became pioneers in what
someone, somewhere, labeled "progressive country
music."
I couM never qualify as a country music fanatic-I,
too, once dismissed the whole genre as totally unhip-but
such people have brought country music out of a yodel
and twang stereotype and have made it relevant to hard
rock fans such as myself.
All this musk is good. It's really picking nits to say one
cut is better than another. But my favorites include "Sus
picious Minds," sung by Vaylon Jennings and Jessi Colter,
KEY r.TAN .... LOOKIT!
SATURDAY NIGHT at 8 pjn.
0 r"
V
m
Chris Fritz & Company
presents
with spechl guest
. butt iffctf-ttidi. J l liJi fg?
Tickets on sale:
Pershing Cox office 12 til 6, at
r.!!sr St Pssna, Dan Sscnons, the
Daisy downtown fit gateway
stores: Dirt Chesp records,
"South Desk tesbraska Union
Advance t30 Day of $3.50
R
IT
s
(JenrJn' wife), and Tut Another Log on the Fire, by
Tompall Cliser.
Other Une musicians play on this sum, but unfor
tunately, none of them receives credit. It is tragic that al
though many KashvSe musicians play wc3, they axe
shunted into the background when the time comes for
recognition. Headline artists such as the ones on this
album, who themselves fought hard for acceptance,
should work to prevent such "omzigts."
Jchnny XVcZzzlCcptzftd UvefVz Siy Records.
This album leaves me feelins flat, for reasons that have
more to do with personal taste than wfch Johnny Winter
himself. "
Vinter Is a phenomenal guitarist-hii dexterity and
swiftness are astounding. If you're into the instrument,
you wia be truly amazed at the Ikkety-split licks Vinter
pulls off durmg instrumental breaks.
The program includes six boogie numbers-rock in its
purest form. Most of the tunes are standards, and one
Bony Moronic" written in 1957, is a classic . ,
Most of the songs previously have been recorded else
where, and I reefer other interpretations of these songs to
any found here. I like the Rolling Stones' version of "It's
AS Over Now" and John Lennon's recording of MRock &
Roll Woman" better than Winter's renditions.
Or maybe I have grown too old for this sort of thing.
Rock is, for the most part, harsh music. It most often
communicates frenzy, confusion, anxiety and anger. I felt
neither frenzied, confused, anxious nor angry after hear
ing this album. Deb Gray
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c.T::r.in:::ca is nzcdzd by txiz'A birnc
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jcb d-cnjstioRS fcr tSss'csntnjs. Cji up
rex? fcr inrvfcisfS to bs he'd April 20 fit 23
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' rw-"v
COFFEE
courtesy of the
Nebraska Union
V while you
gtudy for
finals
in the
MAMVESTMCOI
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