daily ncbreskcn v.rdn::Jr miftfi 31, 1970 n Ui!R-2 t ft m ft O n J LjUL Concert to play Porter Larry Gwozdz, UNL School of Music graduate assistant from' Buffalo, N.Y., will conduct Cole Porter's "A Symphonic Portrait during the UNL Symphonic Wind Ensemble's free concert at 8 pjn Thursday in Kimball Recital Hall. This will be the second time Gwdzdz has conducted a full-size band, said Jack Snider, UNL director of bands, who will conduct the program's other nine pieces. Gwozdz conducted at the Nebraska State Band Masters convention in Lincoln two weeks ago. Snider described a conductor's task: "All the kids can play the notes. But making something musical take place that's the biggest job." Also included in Thursday's concert by the 45-member ensemble is Darius Milhaud's "Suite Francais." The suite includes melodies from areas in France where American soldiers fought in World War II. It was written for the children of those veterans. V Photo courtesy of Christian Stsiner Pianist Agustia Anievas compares Ms auto racing hobby to concert performances saying that "One's whole life is at ste out there on the platform, and I love that chIer2e." onus concert offered bygroui By Bill Roberts A bonus concert by Danny Davis and the Nashville Brass is added inducement to join the Lincoln Community Concert Association during its membership drive, which ends April 10. New members of the 3,500-member association will be entitled to attend the bonus concert at 8 pjn. April 26, as well as the five concerts of the 1976-77 season at Pershing Memorial Auditorium. Trumpeter Danny Davis has fashioned his own com bination of smooth brass and country sounds. The group's first album earned a gold-album award, and the band has won the Country Music Association award for best instru mental group for the past six yearv Scheduled for the 1976-77 season are the Broadway Hit Parade, starring Dorothy Collins and Ronald Holgate, on Oct. 10; The Young Americans in The Music Mm Jan. 10; The Preservation Hall Jazz Band Feb. 24; the Osipov Balalaika Orchestra with stars of the Bolshoi Ballet and Opera March 8; and pianist and comedian Victor Borge in late April 1977. Lincoln Community Concerts memberships cost SIS for adults, $8 for students (including college), and $38 for a family (two adults and all students through high school age).Membership applications should be sent before April 10 to 400 Sycamore Dr., Lincoln, Neb., 685 10. I alius not cheap; speakers up fees Dy Anita Stork Ticket prices for performing arts at UNL have in creased 25 per cent to 60 per cent, and admission now is being charged for some campus speakers because speakers and touring professional performers are charging more, ac cording to those bringing the talent to UNL. Ron Bowlin, UNL performing arts coordinator, said UNL no longer is able to afford performing groups with many members. "Two years ago a dance company received 510,000 a week," Bowlin said. "Now they get $16,C00 a week." Bruce Whitacre, chairman of the Union Program Coun cil's (UPC) Talks and Topics Committee, said the April 7 appearance of Star Trek creator Gene Roddenberry will be the first time his committee has charged admission. "We really hate to charge admission, Whitacre said, "but the fee for a top speaker has risen $500 in the last year." "Top" speakers include attorney F. Lee Bailey, author Truman Capote and Daniel Moynihan, former United States ambassador to the United Nations, he said. The performing artists higher cost has been reflected in a $ 1 increase in ticket prices for UNL students, Bowlin said. The performing arts also receive $20,400 from the Fees Allocation Board (FAB) and $4,000 from the College of Arts and Sciences, he said. But Bowlin said UNL's performing arts did not realize a profit last year. Whitacre said Talks and Topics received about $12,000 from FAB for the past year. The board has not yet given final approval to a recommendation that Talks and Topics receive about the same amount for next year, he said. Charging admission will let "Talks and Topics continue to bring in the big names" to speak at UNL, Whitacre said, since a top speaker costs anywhere from $3,000 to $3,500. UPC Program Adviser Gary Gilger said one reason for higher prices is an increased demand for speakers. "More colleges have programs bringing in speakers," Gilger said, "If UNL won't pay $3,500 for a speaker, some other school will." i "I try to understand thoroughly what the composer had in mind," said pianist Augustin Anievas, who will per form Friday at 8 p-m. in Kimball Recital Hall. ' . r:' V- l iSu 1 1 - , i "feu - J Photo courtesy of VammTs Day irf AmXnXm Performances such as RadcJf Nareyev's Don ' Quixote, featsria &e Austrian CaZet, sit get ting mere zsd more expensive to bring to UNL's campus." "If we give a speaker top money, we expect he would hold informal sessions, visit classrooms and give afternoon and evening addresses, Gilger said. Bowlin said dance companies are expected to give two performances instead of one, as before. Frio "I try to relieve some of the events around the time when the work was composed, correlating them to the experiences in my own life. This helps me to interpret the music as the composer intended." Anievas's mother, a Mexican immigrant, gave him his first piano lessons when he was 3-years-old. A year later the New York Gty native performed in his first recitaL His orchestra debut came at 18, when he appeared as soloist with New York's little Orchestra, conducted by: Thomas Scherman. By then he was a Juilliard student, working with Adele Marcus. : "It was she," Anievas said, "who made me aware of the two basic problems of concert artists-how to discover the inner meaning of a work and how to project one's inter pretation to an audience." No other recording needed In 1961 Anievas won the First International Dimitri Mitropoulos Music Competition. Time magazine reported: "He has a prodigious technique and the kind of rhapsodic, deeply-felt musical vision that suggests a major career." Anievas has toured Australia, Japan, Hong Kong, India, Lebanon and the musical capitals of Europe, North, South and Central America. Anievas's recordings also have earned acclaim. Of his "Variations and Fugue on a Theme by Handel," Winthrop Sargeant wrote in the New Yorket - I don't imagine that anyone else will ever play it more beautifully and I really don't see any reason that there should ever be another recording made of it." ... Anievas's life is dedicated to the piano, but his spare time involves auto racing. Loves challenges "I love a challenge, and the hazards of motor racing present a constant challenge to the driver," he said. "His reflexes and responses must be perfect and instantaneous. "Haying the piano provides me with a similar challenge -to achieve not only what the composer had in mind, but also to do it in a concert hall in front of an audience. One s whole life is at stake out there on the platform and I love that challenge." Anievas will perform "4 Impromptus from Op. 90 and Op. 142," and "Fantasy in C Major, D. 760 (Op. 15) 'Wanderer'", by Franz Schubert, and "6 Transcendental Etudes after Paganini," by Franz Liszt. Single admission tickets to the concert, part of the Performing Arts Series, are $250 for UNL students, $4 for others. r cvis rz y , -1 . z.-f:. "'-J'' t : ), i --' . . J U v ' - v. ( , Si'- . ,' ' . "z-..vv vi v r i , ' yy ' - - - - - - - " r y x J Ftarta OMrtny of Cohnn&ia Artists Thstncci Corp. The Ycsrj Araerscaas ia 77:e Music Mm arc among performers schtdu!ed for the Lbccla Community Concert Assadation's 1976-77 season.