entertainment
Friday larch 7, Saturday March 8
8:0GPM Two Different Programs 8:G0PM
fimball iecila
r
11th & R
"This is a splendid company with a
superb creator at its helm."
Chicago Sun-Times
Tickets:
Kimball Box Office
Rm. 113 Music Bldg.
11th & R Streets
472-3375
This residency is supported by grants,
from the National Endowment for the
Arts, a federal agency, and the Nebraska
Arts Council.
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EUMBALL HALL
11th &R Streets
"The Three Sitters" by Checkov March 18 8 p.m.
"The Tim of Your Live" by Saroyan
March 19 2:30 7 8 p.m.March 25 - 8 p.m.
"She Stoops to Conquer" by Goldsmith March 26 8 p.m.
TlfifCTC. Kimball Box Office Room 113 Music Bldg.
I turn. I U. 11th & R Streets 472-3375, 472-2506
UNL Students $2 Regular $3
This residency is supported in part by grants from h National
Endowment for the Art, the Mi. A .rira Arfi A!!:sr.i s.-.rf thj
Nebraska Arts Council.
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Members of the Murray Louis Dance Company will perform Saturday at 8 p.m. in Kimball
Recital Hall.
Donee group to visit UNL
By Susan Edwards
We all hop, skip, jump, walk, leap and fall.
Dancers, however, can transform an ordinary
step into fluid art.
The dancers of the Murray Louis Dance
Company specialize in such movement. They will
perform Friday and Saturday at 8 p.m. in
Kimball Recital Hall. Tickets are available for $2
from Westbrook Box Office.
Thursday at 8 p.m. in the Dance Studio of the
Women's Physical Education Building, the
company will give a free master class in
techniques.
Started in 1954
Since its creation in 1954, the dance company
has been part of the National Endowment
Touring program and the Artists-In Schools
program.
Louis is considered by critics to be one of
America's great dancers and a witty, inventive
choreographer. He has received a number of
grants and awards; including two John Simon
Guggenheim Memorial Fellowships in Dance.
He created a five-part series of films on dance
for the Rockefeller Foundation and the National
Endowment for the Arts and Chimera
Foundation.
In one of the films, dance is illustrated and
defined as conscious movement using motion
for its own sake. Although emotion, acting and
erotica may also be expressed, they should be
secondary to the dance, Louis said.
Friday the company will dance "Proximities,"
"Personnae" and "Hoopla." Saturday's program
features "Scheherezade, a Dream."
Despite the shadowy mood created by
Brahm's music, "Proximities" is a light, witty
dance of youth. Rock combo music by Free Life
Communications backs the company in
"Personnae," a colorful mixture of wildly varied
tempos. "Hoopla," creates a circus ring with
lights and costumes and features absurd music by
the Lisbon State Police Band. The London Daily
Telegraph said the company took the circus back
to its most ancient roots in mythology.
Saturday's program, the two act
"Scheherezade, a Dream," is a innovative,
hallucinatory blend of lights, taped sound,
Rimsky-Korsakov music and projections. The
dream swings with free associations from comedy
to horror.
Sheldon showing art nouveau
French, English and German art nouveau
posters are now, on exhibit at Sheldon Art
Gallery. The prints depict women in billowy
dresses on bicycles and the wonders of Ault and
Wiborg Co.'s inks-"She is the p-ink of
perfection, so are the . . . .inks."
The photographs of Thomas Clyde are also in
display through March. The black and white
prints of doors, cafe' fronts and windows are
taken in the provincial towns of south-central
France.
The result is a study of doors, windows, open
and closed spaces and everyday life reflected in
glass and mirrors.
He has made similar series based on visits tc
Haiti and Gaspe Peninsula.
Clyde has had one man shows at the Parrish
Art Museum, Guild Hall and Tanglewood. His
prints are in the permanent collections of the
Museum of Modern Art, New York City, and the
Bershire Museum in Pittsburgh.
Richard Faller, whose prints were scheduled
Clyde, in an attempt to convey timelessness, for display in March, will exhibit his photographs
has visited France 25 times to create the series. May 5 through June 1.
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page 12
daily nebraskan
Wednesday, march 5, 1975