Image provided by: University of Nebraska-Lincoln Libraries, Lincoln, NE
About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Oct. 11, 1974)
'FMLive' A refreshing sound Review by Meg Greene Climax Blues Band's latest, "FMLive," is undoubt edly one of the better live albums to surface in a long while. One can get tired of staid stage announcements, the jeers and cheers, and sometimes the band if they're not careful. Climax Blues Band has managed to brave all these pitfalls and, while a little rough in places, have managed to keep audiences and audiophiles on their toes will all kinds of blues and rock delights. CBB's stage presence is an electric one. Playing material from the previous albums, plus a few "borrowed" tunes here and there an excellent rendition of Willie Dixon's "Seventh Son" comes to mind the band performs with a mounting infectious enthusiasm. The pressure cooker finally explodes with their closing song, "Going to New York", that has everyone clapping hands, stomping feet and ready to move. The band's clean sound was refreshing, especially after one has been constantly exposed to metal thunder and gimmickery. That may be the one thing lacking on this album, but who cares when one can listen to Colin Cooper's screaming saxaphone or Peter Haycock's, bluesy guitar? Haycock's few select solos are good ones, but the peak comes in his song "So Many Roads", bottled blues at its finest. Haycock with this album emerges as a white blues guitarists worth paying attention to. FMLive has proved to be far more interesting than any of CBB's studio albums. The group would be worth seeing on stage. One can say, and safely I think, that the enthusiasm and consistent .pood sound on FMLive is going to be hard to beat. Cinema 1: "Blazing Saddles", 1:30,3:08,4:46,8:20,9:30 p.m. Cinema 2: "Gimme Shelter", 1:30, 3:05,4:40,6:15, 7:50, 9:25 p.m. , CooperLincoln: "The Last Detail", 7:30, 9:30 p.m. Douglas 1: "W", 1:30, 3:05. 7:15,9:10p.m. Dougla3 2: "The Sting", 2. 4:45, 7';08, 9';20 p.m. Douglas 3: "Juggernaut", 1 :30, 3:30, 5:30, 7:30, 9:30 p.m. Embassy: "Last Foxtrot in Burbank", 11 a.m.; 12:30, 2, 3:30,5,6:30,8,9:30 p.m. Hollywood and Vine 1: "A round the World with Fanny Hill", 1:30, 3:30, 5:30, 7:30, 9:30 p.m. Hollywood and Vine 2: "Dirty Mary and Crazy Larry", 1:30, 3:30, 7:30, 9:30 p.m. Joyo: "Butch Cassidy and the Sundance Kid", 7, 8:50. Sat. & Sun: 1, 3, 5, 7, 9 p.m. Plaza 1: "Salty", 1:15, 3, 4:45,6:30,8:15 p.m. Plaza 2: "King of Hearts", 1:15,3:15,5:15,7:15,9:15 p.m. Plaza 3: "Carnal Knowl edge", 1:30, 3:30, 5:30, 7:30, 9:30 p.m. Plaza 4: "Dead of Night", 2, 3:45, 5:30, 7:15, 9 p.m. State: "Call of the Wild", 1, 3, 5, 7, 9 p.m. Stuart: "That's Enterain ment ', 2:15, 4:40, 7:10, 9?35 p.m. Friday only: "Stamping Ground", 9:45, 11:45 p.m. iiiiM j, in mi-i mmm I' " '" 'rT" n T-n 1 T''''''"""'""'''" i"""-'""-'- ' " Jean Auguste Dominique Ingres (1 780 - 1 867) jSlTIC VS CLASSIC ART . . i it -J I-.. fMirls by Sir Kenneth Clark Proaucea ana a r Ceuuy ..u In his new film series, ROMANTIC VERSUS CLASSIC ART Kenneth Clark reveals the turbulent world of the late 18th and early 19th Century HaMWritterandMnar7ated by Kenneth Clark, each of the fourteen color films in the series Is the study of an Individual artist, whoso career, themes and style are nvestigated in depth. The studies are Illustrated with brill ant ly selected details from both major and lnnFXe'f; fiftv-mlnute introductory program, THE ROMANTIC REBELLION, each Him" in the series is twenty-six minute. In length and time in seven one-hour programs. Screenings are on Saturdays at 1.30 p.m. M. U f . t I M m. . and Sundays at 3 p.m. Admission is new. THE ROMANTIC REBELLION Program1 OneJacques Louis David (1748-1825) Program Two: Gian-Battista Piranesi (1 720-1 778)-Henry Fusel! (1741- 1825) October 26 &21 Program Three: William blake (1757 1927) Program Four: Francisco Goya (1746 1828) November 9 & 10 Programs Five & Six: Jean-Auguste Dominique Ingres (1780-1867) November 16 A 17 Program Seven: Theodore Gericauit (1791-1824) Program Eight: John Constable (1776-1837) November 23 & 24 Progams Nine & Ten: Joseph Mallard-william Turner (1775-1851 December 7 & 8 Program Eleven: Eugene Delacroix Program Twelve: Jean-Francois Millet (1814-1875) December 14 & 15 Program Thirteen: Auguste Rodin (1840-1917) Program Fourteen: Edgar Degas (1834-1917) o o. ' CO mnnncail llVIfOI IV! y- j WWW) WmMW f wmmm r 1,1 5 dnys . ' II ' 4 cities ' I! 3 brawls : 200 beers :j and : W laughs! COLUMBIA PICTURES presents JACK NICHOLSON ,TME LAST llSnSUL K id OTIS YOUNG RANDY QUAID CLIFTON JAMES iiiiisliTsiiiiiiiiiiiiiiiiiiiiiiiiri iiiiiiiiiiiiiiiiiiiiiiiii PLAZA TE-!SATE3SS 1 2th & P STS. 477-1234 iiium j niiijiiwiiniiiiiPM'ni.n ti.iiiij mmiip' u. n..,.i''iMl-iii!i"j.""W w.'m l;.al'fTn i I ll gw ii t r-J fit Daily at 1:30, 3:30, rf!Q QOflTI 5:30, 7:30 & 9:30. LlUu UUUiJ 7 I )'fc(e)jMTOH JT f. . :. ' : ' ' :'i. " -V-.' I&.f-.. . , .1 I L-rvi, . ,I,......J SI MOW! 1:39, 130, $:M, 7 JO 41M P.M. V THE :i!TEQ STATES SUFuEKE COUHT HAS RULED THAFGMIM K0011LEDGE' ISCTTOBSCECE seeite:oi7I MIKE MO SOLS r. jag; niq iolson osnuilu nmim i ARTHUR GAFIRJNICEL ANN-MARCRET CARNAL KNOWLEDGE h f H1 1 l 41 dally i;00. 3:. S:M. 7:19 :00 P.M. t ScaTha Sfcltjini Sa:r.a FrcmTIa Sbt! r:o g::es.ted rve r.::::uTEs I ZHTERTKE FiGTUSE CEGIIIS! PLEASE CHECK FEATURE STJTTlNGTiMEG .. niLiiMuBiHWiiiiiiilWiW'WW'H.'iW'H nxiwwminii-mniiriii. ..J .. ,L. Ill I I III! TfTIT r '1 V" n J r 1 t. i .....,,2 daily nebraskan page 13 ' . ' - 4 4 A.d. , ..'.: a,. . ' , 4 .tit 1. 1 t t t i. ffiday, October 11, 1974