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Jit 1 a 1 , ..-""" I WA L K I. f) WITH A ZOMBIE plus THI; CAT PfQPLE . if U . 1'M3 Diru.tccJ b J.uquea Tourneur Friday Sr.r,,e'i,f,f;r 20 & Saturday September 21 'Hntr-tH .A 3. & 9:30 p.m. jl Sheldon Ar t Gallery, 12th & 'R' St j UN L prof essor to pay jiribute to composer through pbneerts Bv Dennis Ellermeler For enthusiasts of the music of Charles Ives this is a very special year. It marks the 100th anniversary of that American composer's birth. Harvey Hinshaw, UNL piano profes sor, is a nationally recognized authority on Ives and will be actively paying tribute to the musical New Englander this year. Ten concerts of the two Ives piano sonatas will be given throughout the year. Tonight Hinshaw will play the sonatas at Kimball Recital Hall at 8 p.m. On Ive's birthday, Oct. 20, Hinshaw will rwform the same works in Lincoln insurance business where he was quickly successful. j His musid is characterized by disso nance, poiytohality, rhythmic com-, plexity and serial techniques. In many instances Ives anticipated important developments in modern music in Europe by as much as 25 years, witnm ons is evidence of a strong oh'entationj and a social manv elements' of familiar I Americana: gospel hymris, imilitary marches, rags, his composit philosophica cultural cone patriotic music sd .. .... j j) 1 Ariu rrst u . penuiiii aiuc vna ... (r vvas noi unui uie miau'w oi ;n tvui Center's Alice Tully Hall in New York centUry that his Work has been seriously CloSCaSCU Ul j III; OWIIIC. iiioiomvcj vi performed. Ivesiwas awarded a Pulitzer ' . . . i i a i ; City Later he will participate in the country's most extensive Ives Centen nial Celebration in Miama Shores, Florida, and also will give seven concerts in Kansas, Iowa and Nebraska. 'Hinshaw first became interested in Ives during his master's degree work at the University of Southern California in the 1950s. Hinshaw joined the UNL faculty in 1956 and in 1960 taped a four part series for the Nebraska educational television station. These programs were later incorporated into the 1963-64 National Educational Television Net Work series "On Hearing Music." . Ives did most of his composing from . m.. m i a I I 1(L. nri7f? for music iust orior to his death in 1954 year after he had stopped composing, j i ! i , Sonatas, 'written in (1909 and 1915, are characteristic of the organic, quality of his composing. Never wishing 1 to crease the 'creative process, Ives continued to revise his music. Leaving no ffinai authorized version, the con scientious performer is required to go hAunnd the Printed score; and research i the manuscripts to see the alternatives j Ives suggested. Hin3haw, w'ith i cran 1 from! the 1890 to 1920. Accordinq to Hinshaw -"he University Research Council: did exten wrote such prophetic music he didn't ' sive research j on Ihe manuscripts get any acceptance at all." To protect I themselves which are'now h6used at the! his artistic vision from compromise to I Yale Library. j J ' ' ' i ' economic demands, Ives went into the Hinshaw'sjconcert is free.; Varied views of war written And I remember Spain At Easter ripe as an egg for revolt and ruin Though for a tripper the rain Was worse than the surly or the worried or the haunted faces" Louis MacNeice, Canto VI, Autumn Journal It was just thirty-eight years ago that Generals Franco and Mo'a sent forth the wrath of the strong ultra-conservative' element of Spanish society against moderates, liberals, socialists and com munists alike,: ushering in the internal struggle that became World War II 's dress rehearsal. chvid wore Both sides believed God was on their side, and what had started out as a simple bloody coup became a holy war, peopled with secular saints and martyrs As with any holy war, it soon attracted the attention of outsiders of various nationalities and political beliefs. First were the Nazis and Fascists, coming to the aid of Franco. The Germans sent their famed Condor Legion to perfect its serial bombing techniques. The Italians sent the Black Shirts, who were good for little save marching and singing in an impressive manner. The most famous foreigners, how ever, were the men and women who came from the western countries to fight for the Left. The majority were organized by the World Communist Party into the International Brigades, but many fought with anarchist or militia groups. Most were veterans of leftist political campaigns within their own countries, the experience of frustration and unresolved struggles propelling them to the conflict. From the Spanish Civil War came an immense body of printed work. There are at least 1500 titles! in the English language alone, although there were only about 5000 English-speaking volun teers. Many works were of marginal literary merit at best haste and passion's heat are not conducive for producing works of lastihg value. But somb, like the rrjemorable prose of Hemingway, or Stephen Spender's Pictures inj Spain,' were destined to be read long after the shputing stopped. Murray Sperber has gathered the best of the Engl.ishj-language; literature into a single fat'lvolume; And , I; Remember Spain, published in August by Collier Books. Not! content with; presenting only the leftist point of view.ihe has included many pieces written by those either in the center,! acting as neutral observers, or those who actively supported the fascists. ; j J i In this j latter categqry are such notables as Evelyn Waugh and Arthur Machen, while the neutrals Include in their number men of the Caleber of T.S. Eliot, Antoine de Saint-Exupery and Ezra Pound, who contemptously snor ted, "Spain is an emotiona! luxury to a gang of cap-headed dillettantes." To present the view from the left side, Spender has Culled Ihs ; test from 2 stellar collection of writers that includes Andre Malraux, Stephen Spender, Wil liam Faulkner. John Steinbeck as well as the inescapable Ernest Hemingway. The choices for the most part are of uniform high quality, giving the un familiar reader a chance to acquaint himself with the feel, of a large cross-section of literary styles. To bo totally honest In writing about this collection, one must add the caveat that there is precious little to be found in the wy of historical narrative. There is no time-line or chronology of events provided to make it easy for the reader to fit these excerpts Into some kind of historical framework. Irt a lesser collec tion, this might have been a fatal flaw, but the material presented transcends this hurdle arid succeeds in painting an atmospheric masterwork that retains its fairness while stirring the blood and tho conscienco.of the reader. Ihursday, sepWm'ber 19, 194 daily nebraskan