't 1 : - - .".-. I f, - "... f ; r f y y y Mil tfc'Oo k u r Photos by Gail Folda pageS daily nebraskan i V 1 ' V. M fr ! -Wo VJ t A (V . wrl - if J 11 Former cartoonist at 'Rolling Stone' By Lynn Silhasek Not everyone can make Mickey Mouse-like char acters out of personalities like former President Nixon, Chancellor James Zumberge, the NU Board of Regents or the average UNLsJudent. Greg ! Scott, former Daily nebraskan cartoon ist did it for five years, from 1969-73, gracing the newspaper's editorial and news pages with carica tures of both national and local figures. Now Scott works as a paste-up artist in San Francisco for Rolling Stone, a national rock music-oriented bi-weekly newspaper. In that job, he helps put together the pages. No cartoon work is j involved in the job, but 'Scott said in an interview that he quit those draw ings when he quit school in 1973 to devote time to his main interests, paint ing and pencil drawing. "It (cartooning) was fun and a financial gesture to put myself through school," Scott said. "But I don't prefer to do it that much. Cartoons in them selves are not very con ducive to someone inter ested in detail' "If you're interested in detail," as Scott said he is, "you can enjoy Zap comics and enjoy.DaVinci, but you're leading a doub le life." - While in Lincoln, Scott worked in several forms of art. In 1971, Scott, along with other UNL students illustrated and produced three issues of "Can c'Beans", a comic maga zine. Scott's pencil draw ings of American Indians have been on exhibition In the Odyssey, a Lincoln interior design shop. Other works have been on exhibit in the Nebraska Union and in Sheldon Art Gallery. Until he left for San Francisco last month, Scott studied painting with Kent Bellows, an Omaha painter. Both Scott and Bellows studied ren aissance painters, Scott said. On the advice of friends, Scott said he decided to go to San Francisco to look for art jobs. Planning to stay there for ten days, he said he applied for a job at the Rolling Stone on the third day. The office was short handed at the time, need ing someone to do letter ing for a story, according to Scott. He was asked to come up with the lettering for ihe article that would look like "the writing in a high school girl's scrap book". Scott said he continued to show up at the office to help with production work and then "fell into the job" he has now. "But it's just a job," he said. "My objective is to eventually support myself here by painting and drawing. I don't know if I'll stay with Rolling Stone. A lot of things could happen." Like returning to Neb raska? "It's beautiful country out there, but I'd' have to have a very good reason why." 1 J fr idiy, September 13, 1974 A . ' 4 4 4.