P. n ' P i PInqq nnnrlri ittorQ Im I Lw3 Jf V V W Vrf -f KJ "W I W featured at Sheldon Two highly recommended documentary films are being shown by the Sheldon Film Theater today and Thursday. They are Woodcutters of the Deep South, by Lionel Rogosin, and Blues like Showers of Rain, by John Jeremy. Woodcutters of the Deep South is the saga of the formation of a cooperative union of woodcutters trying to work out from under the pressure of their employers, the pulp and paper companies. Emphasis is given to the ' setting aside of racial differences in favor of a common cause. Examples of Rogosin's work were shown at UNL during the Sheldon Film Theater's Filmmaker's Showcase last spring. On the same bill is Blues like Showers of Rain, featuring voice-over interviews with classic blues players set against a photographic montage of black history in America. The film also features performances by the bluesmen. The words, images and music blend to form a good atmospheric introduction to black culture for the neophyte, or a good refresher for those who perhaps have forgotten what was so painfully taught. Show times are 3, 7 and 9 p.m. in the Sheldon Art Gallery Auditorium. Admission is $1 .25. C 10 j Wednesday 9:30 a.m. Counseling Center-Career Assistance Board Nebraska Union 12:30 p.m. Dr. Phillip McVey, Luncheon Union 2 p.m. Financial Aids Workshop Union TWIN THEATRES Enjoy i prut film in air conditioned comfort) HOLLYWOOD and UlNEtt A OUE . 7nd LEVEL GLASS MENAGERIE PHONE 475-6628 M ir i i i e i v. DoublS'FSatljre in Theater 1 Teenage Hitchhikers Teenage Tramp Theater 2-The Ribald Tales of ROBIN HOOD See what Walt Disney , couldn't show! I i f J 1 I fUW8m Documentary Films fir i.v WOODCUTTERS OF THE DEEP SOUTH Directed by Lionel Rogosin Deep in the lush backwoods of Mississippi and Alabama, history is being made. Poor black and white working people are trying to overcome the forces of racism among themselves - rziZZ a wmr!iv association to dispel the bonds of 1'heTr TcononTic "captors the paper and the puipwood companies. , Though the eyes and minds of the workers and organizers who helped the woodcutters get staried In this venture into selfhelp, Rogosin's film reveals the basic needs and struggles encountered in the development of all social organizations of this nature. pujS A SECOND FEATURE BLUES LIKE SHOWERS OF RAIN Directed by John Jeremy With the voices and blues of Blind Arvella Gray, J.n. Lenoir. Willie Thoma3 and Edwin Buster Pickens, Wade Walton and Robert Curtis Smith. Sunnyland Slim and F-.ooert Lockwood. James Butch Cage, S. Louis Jimmy, bam Price, Speckled Red, Olis Spann, Little Brother Montgomery, Bi lie Pierce, Lonnie Johnson, Henry Townsend. Lightnln Hopkins, Blind James Brewer, Charies Love, James Stump Johnson. September 4 & 5-Wednesday & Thursday Screenings at 3, 7 & 9 p.m. Admission $1.25 Sheldon Art Gallery, 12th & R St. When fate talks, he listens Occasionally I run into a situation where I feel controlled. It seems as if the major deities realize my plans and their plans conflict. "See that kid down there?" Merc says to Zeus. "Wei!, he's gonna mess you up if you don't watch him." Soon after I feel a tightness in my shoulders, as if someone or something is communi cating directly with my body. I can sometimes almost hear a deep voice saying, "Okay, Bub, back off." CHUCK STRINZ F'YflSK (TIE I used to follow along, often with a silent nod. But as I grew older I began to look objectively at fate and Calvinism and all that rot. I even wondered if I hadn't simply created the shoulder ! pulling feeling in my own mind for some mysterious Freudian reason. ' When I was in tenth grade I rebelled. It was with Israel, my best friend. We ' were sitting on Izy's back porch. Something caught my attention out side; 1 can't remember exactly what it was, but I wanted to go out and investigate. Then that shoulder-pull hit me and I eased back into my chair. After a couple of minutes I changed my mind. ! was my own. man and, by gum, I was going outside. Stalwartly i marched into the back yard, fell down, and broke my wrist. Years have passed. I. learned my lesson that day. I became the sub servient beast. But certain things will lead a person to defy powers he knows will tolerate no impudence; certain things like money. I've been trying to sell my trumpet for years. I posted cute little signs around campus. I told people my trumpet was once played by Miles Davis and Doc Severinsen at the same time. I drove all the way out to Mister Donut for a copy Of Ads only to find out the newspaper is out of business. I even paid for an ad in the Lincoln Journal. Nothing. For nearly seven years, nothing. So now I conclude that the Fates want me to keep the trumpet. I don't know why I play the sousaphone and my nose. Maybe I'm chair trumpet harmofi'ie.- destined to play first in the NewYork Phil- the contemporary comedy of n . in CONERT plus The incredible RICKY JAY V WHHODUCLD tiY H.U. UANNINU rHuUUO I lUNo, iNUUhfUMMitu Wednesday, September 4, 1974 daily nebraskan I page 13