doilu .frw t . . op fXiS Soprano Roberta Peters performs tonight at Pershing ,...a A V " .1 I. I iff The Lincoln Commnnitv Concerts Assoc. is featuring soprano Roberta Peters Thursday at 8 p.m. By Vol McPhcrson F.ivch year- the Lincoln Community Concerts Assoc. sponsors visits by sevorol internationally known porfurmers. Tonight ,tt Ppishing it wilt piesent soprano Roberta Peters. A native of te Bt-hx, Ne Ycik. Pvtots bt-riuP '0iC: ?tuc!y i'i New York City :u gc 13 ijndor te.rcher Wiilicm. H-'tiru-nii. She also n(d private turorint) in ha'lt.t, drnrtifitirs ar-d Sf'Vi' r n I kincjuijoes. impresario So1 Huruk hoard her one dny in In-r teacher's studio and itTi'tit.-diutely put her under contract, although she had neve appeal c-d proff ssionally. Hor Metropolitan Ciera audition result"d in a oebut as I he Queen of the Mifjht in Moatt's 7)? Magc f'-lufj. Two months after her audi lion she was a:.krd on a few hours notice to sifiq i'edina m -.'? Giovanni. Tttis performanco thru-.t I'M ieto ih.; .pot!igl)i of the onr-ra woi id Since that debut in 1950, Peters has appeared in 37 rois at the Metropolitan Opera. Although usually asoci jtod with the fjieat classical and romantic heroineti of Women absent new from movies What is happenma to women in the movie'; ' Never, it see!i h.iv men dominated the seieen more than in the past months. In a time when rrvie cops are hdvina a b'oodfe'it, eon nva are screwiiu The system, and seagulls v" wingi'uj their vv.jy tu fame, nedriy ail tii.n dCtrnsses and stail (.Ik liave mn m-k.A'i! intu he back seat. Earlier, everyone was heaping piaise on latum O'Neal's portray, il n '.'.,"" Moon, even suc.cjestMi'j thet she shoukl get an Oscar for her bad mouthing, if we wero only half joking .it ihe time, it now appears that she could win by default. One is hard pr.';,..il t,i com,' up wth even a handful of nvmoiatjie women's roll's -this year-liv UMn..inn in Thf Vew Lund, KaMiarir.e Hepburn in A o!icate Bal.mcc and Glenua Jackson in A Tooth of Cfasz talented tares of Cyl.nl! Shepard, Diana Ror.5. AM MacGt aw, Kafherino Rous and evei! .Jane Fonda? A-1 nt re rising stars, bui '.I'i" pa.U moi'ihs I'.avn been wi thout them., as w-e'i js any .e.w, promi: mc fumale face; (,'on'inn tiu's to the emergence o! young sffiis like Rcben De Niro, Keith Qu i adint. and Michel Monarw. and thf blossoming of others like Al '"ieino, T.nicihy' Bottoms and Jeff Budges,. S" .'V""N r t f-.j( J v. u OW Nine ye at -old hiKun ha? had -non., publicity during ihf vy,. year than anyone exenm i'-wo J rest's imria Lovelace. Whatever happened to the hcauti ml, V.... Sr.. Ulimarut wai in-', only consistently, recogmed actress of the ast year, earning descivnd American frtine as the Lx?sf Swedish mioort ince Greta Gat bo. It is too bad 'met her American movies (Lor.t lionon. 40 Canti) were bombs, ':ocnpircci with iter vuece ssUd foitign fiiniS) (Ciics unci Whi:;p"is. Top Now i.;mdi. opera, she created th5 leading role in Gian-Carlo Menotti's The Last Savage. She has performed for international audiences al the Royal Opera House, the Vienna State Opera and at Moscow's Bolshoi. in Russia she received a 15 minute standing ovation nnri in May 1972, was awarded the Bolshoi Meaai. She is the first American-born artist to receive this awaid. Besides her national and international tours, Peters lias performed on television and has recorded many complete operas. In 1968 her first book ano9ared entitled Debut at tfie Met. Pete rs rectttitly starred in the Musical The Kino and I in St. Louis and later repeated that role at the Wolf Trap Center. Of that pei formance, the Washington Pose wrote that her recreation of the ro'o "makes one almost forget Gertrude Lovveuce's original". Lincoln Community Concerts are open only to the season ticket holders. Tickets can tie purchased each spring for $10.50 and are good for five concerts. Students can purchase season tickets at half price. BarPra Strr.;sand had the only other it:al rif, 77;'? roy iVo Were. Mot that actress'-s are failing to do the ;cb, the rols just reen't there. Movies are in chaotic limes and producers are remembering tne audioiKe. Films aie o;ore entcftaining than srvious. That entei toihrnerp of ion ccmcs in violent f.Ims, mostly cop movies, and these often leave women cm.. Whether feminists liked it or not, many of the most ponuiar actresses were ixx stars, and tocenr pornography ruiings have tamed film jex considerably. Since a love or hate relationship is usually important to good cnUt tain meat, writers and directors almost all men themselves) are making them between men. Examples include Pan! Newman and Robert Radloid in The itivj. and Dustin Hoi f man and Sieva McQueen in Papillon. Pei haps i is only a passing phase. Regardless of whether it should be like this or not, 'he cm rent movie scene is definitely a ram's world. 8 t ! TIPS ON HOW TO APPROACH YOUR FIRST EMPLOYER PAY-POSITION: Demand a manjoi'tnent position bg'.nnina with your first day at woth. Insist on a startiitg sl;iry in th range of $9,000 -$10,600 with guaranteed increases to SI 5,000 $17,500 in four is) VACATION: RETIREMENT: 8 ft I.nsitt on 30 days paid vacation each ycof . Dmnand a contract providing for retiremt-tt within 20 yyars (usually at age 42 43) at 50 percent of lull pay or at Jf.) years with 7F percent of full priy. Insist on makiruj no paid contribu tions to the retirement plan. Require free medical care lor yotrcii and your entire family. Insist on woild-widti travel opportunity with moves of family end household good.; paid for i)y the company. Assert the desire to continue your education while you work. Require that your employer offer ptens for partially (at least 75) or fully paying for your schooling, plus paying your full salary while you attend school, THESE HELPFUL HINTS HAVE BEEN PROVIDED BY AIR FORCE ROTC. IF THE EMPLOYERS YOU HAVE TALKIED WITH CANNOT MEET THESE DEMANDS, WE CAN. AIR FORCE ROTC . . 209 M & N BuHdmtj X page 6 daily nebraskan llf For V- ; K? Feb- 11 ''; B 1074 MEDICAL CARE: TRAVEL: EDUCATIONAL OPPORTUNITY: E'i''-U.4,t-i,ittlti ' mm thu'-irlay, january 24, 1974