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-her 24, 1973
? J CIV I - .v;vi LrVTv "
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It used to Do te reason for buying
high fidelity equipment Those higher highs
and lower lows made A a'most like being
there.
' There" being the concert hall.
Because that-'? where music in those days
was mean! to be heard
Not so 10' lay
Today s music simply is not meant
to be heard in a .-oncort hall It's meant to
be heard in the ! ome On a record player
What is reality?
S p c ctacula1' developments in
recording and playback media have not
only marie ava iablo bettor sound for more
people, they've also had important
implicate is foi music itself.
The people making music today are
making it in recording studios And these
studios are i rammed :th electronic
equipment u"he ie j of ten or fifteen
years ago
Music makers, using techniques
based on this equipment, produce most of
the music we enjoy today.
So "concert tialt" now means ..'udio.
And "realism" now me, ins tfie sound a
music producer wants yen to hear on your
home mu';C y
The be:n.-r your equipment, the closer
you gel to that muMy
ELECTRONICS
Was the fi'St drum ,i h.nd,'.
N(;l once yn'iel Kjijy s'a''- : ; :
(Juad is a valid mu:,n i. u
(Ju.id i", cjiir'( thf! .
fernei rib'.'r when ste'(.o .v.r j
Rut i;iri ; i"-e;-: ; .
W they bought ', .!;, r t -i :
And C (!-.) The !-e ,r
I no iongr r a ')- y u
U,1..'I lillHl'.Cilp" :T SS"e ' !''
As With er-.t Or. 'i ,;
WtlMt you've gu' ' .
Software
Oil. If I USt '
way sjereu souniled .
'ieyoiid tfi.,1, i
a'e almady becoming
4-channei,i ova., .':
Commercial for TEAM
We (jot so r-K,i'- by quad. '
own bit of (juarj sotfw.He If. a reu n
M.ichine". It s not for su'e II s !
erui)morit. but fjuar) mu''.ic
"My Beaulilul Muse- fA.a fur e v..
up as a quad mu'iicai eprvidu.e li t,
a stereo recording We fve it And ,eu
riectronii S (."enter ;u'.i ! ' tl'
Commercial for a system
'.. .,. ql,n. J ' '
call il Ail higeiher ;r.t .';'
,'.U-; I ' i
I; 1 1 , --'li 1 !
, .HL t ; ..
I - r ,. Will . I
2 1st & 'O' 435-2959
daily nebraskan
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i.,n -nii 11 J,Jtdr.M&&Ll i 4-
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