OQliU
Wind, Gold
Tho?.'B of you attending the
-.hov.'hg of Gonp r) f7?e tV7r
this weekend at Henzlik shouid see
more of the film than you ever have
before.
The prints of the film circulated
to theaters in the past have had
their tops and bottoms chopped off
to fit 'vidf screen dimensions. The
16mm print used this weekend
ciou i hove- the vvMo picture
(proJJmu Hertz! ik can got it on
i r screen) and thjs ir; added
attraction.
A time change has been made in
13
7 jVt',r:H"
Charlie Chaplin in Gor ?ivs?
, , T-- -rri
iff jf i I . rr:i ? rxrz i
IS iioth 111 music and
the picture is a
con Li im inj; delmhl?
ARCHER WINS! EN, N Y. Pest
CfIm possibly
bcaulilul to the
eye. Visually
exquisite.
U f?A 11..
m vihuaiiv
exquisite film...
an unusual and
welcome
experience."
WILLIAM WOLF, Cue
COLUMBIA PICTURES PRESENTS A FILM BY CONRAD
Ztii etDDMATMA STARRING SHASHI KAPOOR SIMIGAHEWAL
PRODUCED, DIRECTED AND WRITTEN FOR THE SCREEN BY CONRAD ROOKS
.-TS
Rush to be
the Seven Lively Arts Fiim Series at
Sheldon this Sunday. Another
showing has been added at 3:45
p.m., immediately following the
regular showing at 3.
A new film group has cropped
up in Lincoln. It is called the
Lincoln Old Movie Soceity, and its
first showing was last night. I wish
them luck because knowing the fate
of similar ventures in the area, they
will need it.
Here is a bit of suggested reading
for those wanting a good laugh at
the current film scene. In a time
i-f v..
, 1"
STARTS TODAY!
'At 1:30 - 3:10 - 5:10 - 7:00 - 9:00
fA special film for special
aiHliences, lor nevqiees
of Hesse's Hovels, IVr
admirers of llie exotic
and for everyone
who wants
adventurous
in film iioinir.
GENE SHALIT, WNBC-TV
ROOKS HERMANN HESSE S
R
IISllKtIO
I Wl.t,,..,. ,.111111, J I. MmhMHitmmmjf j0Mif
11 III
daily nebraskan
s ho A7n " th i swe e ke n d
when many movies are becoming so
predictable, Newsweek's film
reviewer, Paul Zimmerman, has
written four hilarious reviews of
movies not made yet.
He lampoons sports films, black
films, westerns and the dirty cop
movies, but one realizes that the
way things are going, some of his
ridiculous stories might pop up on
the screen someday.
This is the third weekend of
Sheldon Art Gallery's Chaplin Film
Series, and th offerings should be
among the best of the entire series.
The program features The Gold
Rush (1925), which most critics
consider to be Chaplin's greatest
film. This is next to calling it the
greatest comedy ever put on film.
Showing with it is Pay Day,
(1922), the last short that Chaplin
ever made and a film seldom seen
anywheie since its original release.
Pay Day continues in the mold
of the Series' last five films, all
made while Chaplin was under
contract at First National between
1918 and 1923. In it, Chaplin plays
a construction worker who always
is getting into trouble with his work
or his wife.
The familial faces of Edna
Purviance, Mack Swain and
Chaplin's brother Syd (all seen in
the previous Chaplin films) appear
again.
055
REX REED, Syndicated Columnist
to In
v)
i
r J
in 1Q93 Chaolin directed, but.
did not star in A Woman In Pans.
Completely different from anything
he had ever done before, it was his
first successful attempt to make a
purely dramatic film. (It is a shame
that this brilliant film does not
appear in the Sheldon Series.)
Two years later, with The Gold
Rush, he was back into his familiar
tramp costume while making his
largest production up to that time.
Charlie plays a lone prospector
searching for gold amid the harsh
elements of the Alaskan Klondike.
greg lukow
key grip
All the best of Chaplin's art is
found in this movie, especially in
the scenes where Charlie
methodically eats his boot and
shoelaces like a three-course meal,
performs the famous "dance of the
rolls" at his New Year's Eve dinner
and hangs on for dear life while his
cabin totters precariously on the
edge of a cliff.
The films will be shown Friday
at 7 and 9 p.m. and Saturday at 3,
7 and 9 p.m. at Sheldon.
NWU to present
tragedy Antigone
Antigone, the story of a girl
who loses her life in defiance
of a tyrant, is being prqsented
by the Nebraska Wesleyan Lab
Theater this weekend.
The script is Jean Anouilh's
1941 version of Sophocles'
classic.
"Anouilh's play is a plea tor
individual freedom and rights,"
said David Clark, lab theater
director. Clark said enactment
and reading will be combined
onstage. The players will read
their parts as both actors and
oral interpreters.
Physical action in the play
will be shown in slide
projections above and around
the stage.
The free performances will
be at 8 p.m. Friday and
Saturday and at 2 p.m. Sunday
in the Loft Bldg. on the
Wesleyan campus.
Ill Person Tonight
ill llie
VIA Y-MOR
llAIAMOOM
LES ELGART
and his
Oruestra
4 Miles West of Lincoln
on V St.
MIXED DRINKS-BEER
2710 Vine
Antiques - Books
Collectables
Sat. - Sun.
10 am 6 pm
fnday, September 21, 1973
ti
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t Nook !
