n . k ;.v ' v' ivw" quentms 1229 R Street IblJ ji i: I" , . I. yip i j '.in i I IOC I. -If)? ... I .. VY? i . Lincoln, he said "There are a lot Of cats around who say they want to make It in jazz, but then they go home and watch television every night. That won't make it. " Because he likes jazz so much, it bothers Lewis that most people don't, or haven't heard enough to judge. "In the past, one of the reasons jazz wasn't popular was the life behind it' he said. It was bad for people to hang out in dark little clubs and to think about their emotions and express them honestly through music. . More people are getting into jazz now, Lewis said, possibly because this generation is freer to express itself and it's finding it needs more than one type of music to do that. "I think jazz is the most flexible music, you'll find more jazz players who play rock and classical music well than rock players who know jazz. That's because in striving to express yourself-which is what jazz is-who knows what technique you'll need?" 1 'Classical music is more convent loud. he said, and classical musicians tend to frown on those who don't play n instrument the way it was meant to be played. "You get some pretty strange sounds coming out ot jazz sorrwunwi, an'rl thaw'ra not Ilirfl thftV likt that." lit said, smiling. pock music tends to restrict the musician by trying to forge musicians into a group, a "sound," he said. 'Jazz improvisations keep the musician an individual-"He's got to be to be spontaneous." J hut all this expressing of emotion and spontaneous reacting to others' music means there are some pretty messed up jazi players, Lewis said. "They're always digging Into themselves; they have to get it together inside before they can play with others. "See, a drummer in a rock band might play' the same pattern for the whole song-but a jazz drummer will take off with the pattern, come back, but always keep relating to the other musicians." friday, december 8, 1972 Plane No. 1 Plane No. 2 Plane No. 3 Student Section ' December 29, 1972 - January 3, 1973 December 30, 1972 - January 4, 1973 December 31, 1972 - January 5, 1973 Plane and Hotel assignments will be made on a space available basis, for the above departures. S295.00 per person $320.00 per person (all taxes included) 3 people per room (all taxes Included) 2 people per room Only currently registered undergraduate and graduate students and their spouses are eligible for the studenrsectton of this trip. . Round trip Jet transportation LincolnFt. Lauderdale , Lincoln-Northwest Airlines 122 passenger "727" jet. Five nights hotel accommodations (Hilton, Gait, Ocean Manor and Schrafffi Transfers to and from airporthotelOrange Bowl Game Ticket to the Orange Bowl Gam Luggage tips , r Gratuities to hotel maid Services of tour escorts provided by Lincoln Tour It Travel ' , Insurance Sign up by Thursday, December 14, 1972 In the Program Office, Room 128, Nebraska Union. Full payment required upon signing of contract. Sponsored by the University of Nebraska-Lincoln Alumni Association For further Information, contact the Program Offlce-472-2454 j I - 1 Come to Quentin 's for those long and slinky Holiday 1 fashions. Open Thurs. till 8 thru Xmas. . . , .', .. . i ; I sv ' ,." V'LZ-il i 1 ' i.. I $kw71 -JmiyHmm -mi i.. ! ! f ' n 1 1 fjU ?;J 'WJ I 'mmmmtxmm r- mm- :m Eddi Harris Sings Tht Blues Long an innovator. Eddie Harris lakes his saxophone yet pnother siep beyond here. In addition lo his extraordinary work on electric sax. Eddie now sings through it. and the ctfect is nauntinp. This album is a watershed (or Eddie Harris, raising him to new heights as a perlormer and musical creator. Mountain In The CloudsMiroslav Vitous This album is a significant precursor to the music of Weather Report. A virtuoso of the bass. Miroslav con structs and develops the music around his instru ment with a group of fine and proficient musicians who create adventurous and beautiful music The Giants of Jazz Art DIakey, Dizzy Gillespie This is one of the all time greatest au groups ever assembled Art Blakey, Dizzy Gillespie, Al McKib-. bon, Thelomous Monk, Sonny Stitt and Kai Wind ing. This two record set was recorded live at the Victoria Theater in London. The performances are electric, the solos superb. Wild Flower Hubert Laws Hubert Laws, on a variety of flutes and piccolo, backed by a 23 piece string orchestra, displays complete virtuousily on all his instruments. Carefully crafted string arrange ments by John Murtaugh from a perfect setting for Laws' exceptional technique. The Legendary Pro fileThe Modern Jazz Quartet A new album by the Modern Jazz Quartet is al ways an event, and this new album, named for the lead song written by Milt Jackson, is undoubtedly one of their finest It con tains a wide variety of material, ranging from Jackson's original title song to two new tunes by John Lewis. Their perform ances demonstrate again why they have remained at the top of the jazz world for two decades. page 13 it- daily nebraskan