A reputable
REVIEW
by BILL WALLIS
The best that community
theatre can offer the public is
often good. The Lincoln Com
munity Playhouse's recent
production of Tennessee
William's "Night of the Ig
uana" was, in many respects,
quite good.
Williams, who is ranked se
cond to O'Neill in stature in
American playwrighting (and a
good deal ahead of cliche-ridden
Edward Albee, who oc
cupies third), writes his plays
about, to and for man; but man
for Williams is a sick creature.
He is isolated, frightened; his
life is like (in Williams' own
words) "a funny paper read
backward" not so funny. He
alternately scorns and paws his
fellow man. His lower nature
constantly leaps to the con
scious surface In the form of
"spooks," driving man to
commit selfish crimes, or go
insane with self-imposed
loneliness.
Union
cont'd, from p. I
ALADEN 31, Wid,erberg,
Sweden t .
Speakers:
WILLIAM F. BUCKLEY, T.V.
personality, politician
SENATOR TED KENNEDY
MARGARET, MEAD,
Anthropologist .
MAYOR JOHN LINDSAY
DESMOND MORRIS, Author,
The Naked Ape -PETER
FONDA, Actor, pro
ducer, director
CARL STOKES, Black mayor
of Cleveland
TRUMAN CAPOTE, Author
JOSEPH HELLER, Autlor,
Catch 22
TENNESSEE WILLI A MS,
Playwright
SENATOR GEORGE MC-
GOVERN
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Wom.n'i Amy Corpi Counnlor
US Army Main Station
44 Dltkman A perl Dm MoIkm
Dm Molrwi, 30315
PWat Mud mm mi Information e
Wata't Ary Corp I o'ficar.
Name
Address.
City
State
County
Date Graduated.
Phone
WiB
THURSDAYS APRIL 9 T970
Man is badgered, brutalized
and deprived by his fellow
man. Williams' heroes are
people not meant to win; they
are sometimes fragile spirits,
sometimes inmates of life
fleeing and old God. Primarily
a moral symbolist, Williams
makes myths of vices to bring
his characters and audiences to
terms with reality.
"Iguana" has been called the
playwright's most optimistic
play. It is primarily a study of
loneliness. Shannon, a
defrocked Episcopalian
minister, flees from his fear of
orthodox religion and self
knowledge into a nightmare
world where he seduces young
women In vague attempts at
communication and survives by
driving a touring bus through
Mexico.
The story is of Shannon and
the two women he encounters
in a low-class tourist villa in
the mountains of Mexico.
Maxine, an earthy widow of
results
THEODORE H. WHITE,
Author, Making of the
Presidents
KEN KESEY , Author, One
Flew Over the Cuckoo's Nest
DAVID SUSSKIND, TV.
Personality
NORMAN MAILER, Politician,
author, film maker
MARSHAL MCLUHAN
WILLIAM KUNSTLER,
Defense attorney Chicago
Seven
LEE WEINER, Chicago Seven
ABBIE HOFFMAN, Chicago
Seven, Yippie Leader
DENNIS HOPPER, Actor,
director
ALLEN GINSBERG, Poet,
author
NEIL ARMSTRONG, Astronaut
JOHN KENNETH
GALBRAITH, Economist
wtlv pportunlllM
-Age
Graduate Oil.
THE
'Night
one week, who owns the villa,
is played well by Leta Drake.
Her performance is generally
good, but not as consistant as
other major characters proved
to be in over-all impression.
She seemed to vacillate
between a naturalistic and a
realistic approach to acting her
character.
Consistency was, however,
the key work for Pat Dicken
son's portrayal of Hanna
Jelkes, a traveling artist-spinster
who has withdrawn from life
by caring for her poet-grandfather
as they journey around
the world peddling their wares.
She was fragile, vulnerable,
strangely innocent, and
puritanically strong her
performance was sensitive,
excellent and effective.
Andy Backer's portrayal of
Shannon was also very good.
The play is Shannon's story
when his character is well-
A
cleanses tne sou
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DAIL.V NEBRASKAN
of Iguana
done. Shannon is the type of
Williams character which
reflects his great gift for stage
writing. Such characters reveal
themselves for our sympathy
regardless of how repulsive
they are; they reveal a
remarkable insight into other
characters, and a sensitivity to
them.
"Backer's Shannon was
powerful and reckless, as the
script demands, yet the au
dience's power of empathy was
never turned from him. Backer
is primarily a vocal actor, and
this quality allowed him to ap
proach his character in a way
which much behooves Shannon,
an ex-minister.
The remarkable combination
of fear of and sensitivity to the
fear- and-guilt-ridden
personalities of others (as well
as to his own) makes the
character of Shannon a difficult
one to portray. He is the
good cry
is a compatible, "isotonic" solu
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catalyst of the play's major
characters. The fact that the
play was largely consistant
reflects upon Backer's
performance. The long section
of dialogue between Dickenson
and Backer in Act HI was quite
excellent.
Jim Lindsay as Nonno, the
ancient poet in the last throes
of creative activity was ef
fective, as was Dan Ryberg as
Jake Latta.
Scenic design by Arthur Kuhr
was the best so far of this
year's productions at the
playhouse. It was well-done and
proved very workable for the
actors. Lighting and costumes
were more than adequate,
neither being an excessive
challenge.
The production was over-all
very good community theatre.
Producer-director John Wilson
is to be congratulated on a
successful production.
ings permits the
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PAGE 7