WEDNESDAY, FEBRUARY 12, 1969 PAGE 2 THE DAILY NEBRASKAN i FBI ... I - 'v " i 'Ti 'A' 'A' 'A - . , (t'.imniiiiHuw. Freedom's train Editor's note: This is a personal sketch of a figure 1n history. It is taken from the book International Library of Negro Life and History and is offered toy the Nebraskan editorial staff In conjunction with Negro History Week. M Harriet Tubman (1823-1913), daring woman ponductor on the Underground Railroad, escaped from slavery and then dared to return to her former master's plantation to help others escape to freedom. One of 11 children, she was born in Dorchester County, Maryland. In 1857, at great personal risk, she helped three of her brothers and sisters escape from slavery. Later, she berated her mother and father. Harriet's early life on the slave-breeding plan tation in Maryland was a typical one, with the exception of an incident which made her incapabie hi being a "breeder." As a young girl, when she Jlad been hired out as a fieldhand, she received a severe blow on the head from a weight that Bad been thrown at another slave by an enraged overseer. The damage from the blow caused her to suffer from "sleeping seizures." AROUND 1844, she married a free Negro named John Tubman, but she remained a slave. When the master of her plantation died in 1949, the rumor spread among the slaves that they were to be sold in the Deep South. Harriet and two of her brothers decided to escape. Two years later, having escaped to Philadelphia, she returned to Maryland for her husband, but he had married another woman. This disappointing news gave her increased determination to help oth ers to escape bondage. She had already rescued a sister and brother in December 1950, and in Decem ber 1851, she had successfully led a party of 11 into Canada. By now, Harriet had developed the hard and dauntless characteristics of a "trail boss." If the fugitive became faint-hearted and wanted to return, she did not hesitate to level her pistol at the victim, saying, "You go on or die." Her reputation as a conductor on the Underground Railroad it best expressed in her own words:" ... I nebber run my train off de track and I nebber los' a passenger." - IT WAS in 1857 that she b r o u g h t her aged parents to freedom and settled them in Auburn, New York, where she purchased a modest home from William H. Seward. The antislavery workers of New England and New York helped her raise the funds for the home, which she turned into a home for elderly Negroes after the War. She Temarried and some authorities speak of ber as "Harriet Tubman Davis. '' ' " at1 " sSwa!" is- '' ' Harriet Tubman Campus opinion . . . Operating table : Dear Editor: Today's American society is on the operating table, dying. Dying from a disease which has prov ed to be eventually fatal to every great empire cr nation that man has ever founded. This disease originates and breeds ignorance and is accompanied -by prejudice, bigotry and hatred. It will gnaw away at the insides until only a thin hollow shell is left A shell easily crushed from any adverse force from without. EDUCATION, TRUTH and understanding are the cures. Today's young Americans are now demanding these cures. - Here at the University of Nebraska, the cures are slowly being made available. Among these, the Negro History course now being offered is of great import But it is only the first step and consequently a small one. Even so, many comments are being made. - One such comment is the mistaken idea that a Clack History course is about blacks and therefore must be attended by a large number -of black students. This is woefully untrue. IN THE FIRST instance, it was not the black students here who asked for this particular Black History course; it was the white students. And in doing so, they are to be con gratulated for wanting to find the truth about why black Americans feel and act the way they do. Therefore, this particular Black History course is not aimed at teaching the black student as much as it is at giving the non-black an insight Into how's and why's of America's race problem. In short, the course is being taught from a traditional white point of view. SECONDLY, MANY young black Americans are interested not in what happened three or four hundred years ago, but in what has happened in the past ten i.e., the growing civil rights move ment and how he can increase its growth to get for himself the rights and dignity bis forefather paid for many times over in tears, sweat and blood. Thirdly, purely as a point of observation, it is interesting to note that the percentage of black Odents enrolled in the Black History course is 'equal to, if sot greater than, the percentage of luck students found in other University courses. ' TEE BLACK MAN is using the tools vbici tsve proved most effective in getting his equality end civil rights, and will continue to do so until Le is indeed a free man or until this country America is dying. The cures are known. Will t5ey be made more available in lime, or will they prove to be too little and too late? Z Afro-American Collegiate Society Claude Boltea, Jr. If aynouse Editor's Note: The following is a review of The Quare Fellow, a play now being presented ai he Lincoln Community Playhouse. The Nehraskan's reviewer is Dennis Calandra, an English instructor at the University. Mr. Calandra has appeared on the Howell stage as Jean-Paul Marat in Marat Sacie, Pvt. Leslie Williams in The Hostage, and Teddy In The Homecoming. The Quare Fellow, the play Brendan Behan play considered his best, is presently appearing at the Community Playhouse in Lincoln. It is a , comedy, vaudevillean and grotesque by turns, which ex-. amines the effects an execution has on the inmates and wardens of an Irish prison, and which fornrs a rather strong Indictment of the hypocrisy at the heart of a society which tolerates capital punishment. The appropriate epilogue to the play shows several of the prisoners on burial detail bickering i 'P ..A-t.Wt ZJ.ST First, I'd like to point out the advantages of THIS system . . Relevant life and ASUN reason Dear Editor: A reflective person will find it necessary, sooner or later, to ask himself the question: "What is it that's really worth doing in life?" Somehow one gets the impression that there should be more than grades, degrees, position, money, etc. It took an atheist-orientation last Thursday at Hyde Park, but at least the essence of personal "priorities" was being dealt with to some extent FOR THOSE who find it necessary to avoid controversy, Thursday's Hyde Park was a landmark experience for the University o f Nebraska. Much to our unexpected delight, the attending students gave religion a long-needed boost Jn response to the provoked-theme of religious-relevance, the mood of the audience, and more importantly, those desiring to put themselves on the line, reflected a need and want for religion. Surprising? Ask yourself why it need be surpris ing. If the reaction there to "something sacred" in life was any indication of the overall feeling of the campus, one could imagine that the pursuit for "relevance" is as urgent here as any other campus. It seems that the identification with Religion reflected at Hyde Park would pan all el a trend on college campuses throughout the country. The trend being a genuine concern for people. A trend which emphasizes individual character, the development of personal integrity, and a sincere self -search for truth. FOB THOSE of you seeking meaningfulness amidst the obviously unfortunate void, I suggest we constantly question and analyze education end the direction in which it presently places us. (For one thing, that even means that you professors should take a stand once in a while.) Actually, the road should be quite simple: Be incessantly critical of all that is now offered by which we can be put in a situation to shape nr lives. More importantly, we must be possibility oriented, imagining what "could be" can many times lead to just that A real, living person, ought to exist as more than just a response to present procedures. You really are free to develop a happy, humane life, (honest). " " , Congratulations to those of you Thursday' and to all who have ever dared to put themselves before the world as a distinctly unique person, who desires to develop a meaningful existence. (Unlike the inability of animals, machines and vegetables to do so.) Ray Vavak, Jr. Dear Editor: The current panacea on campus is the rush toward reapportionment of the student senate. Although I agree that the present system of rerpesentation by colleges has little merit, the ef fectiveness of student senate cannot be altered much by any other system of representation unless we find the answer to a more basic question. The real issue is whether or not we actually need a student government. Are there viable stu dent interests that can only be represented and acted upon by a student government? If the answer is yes, then and only then should we be concerned with the best method to represent these interests. IF THE answer is no, then maybe we should just let the ASUIJ die gracefully when the current term expires and save us all a lot of worry. But to date the question has not been asked, let alone answered satisfactorily, either by our ASUN constitution or by the present senators. Untfl It is, and the answers acted upon, we are stuck with an ailing student senate. Sincerely, Timothy J. Etncald California Democratic party collapse by Rowland Evans and Robert Novak Washington The col lapse of a routine rebuilding effort by the shattered California Democratic party Indicates that the destructive fires of party factionalism there still burn fiercely. The continuing strife aborted a mission to Washington of California Democratic politicians to plan for the critical 1970 election. That, in itself, is no Irrevocable failure. But it chows that California Democrats remember only their ancient enmities and ceBvenieotly forget their succession of disastrous defeats. WHAT MAKES the pro spect of another defeat so critical is that California will gain at least four Con gressional seats in the 1970 census. If the State Legislature again goes Republican in 1970, it will re map the state's Con gressional districts to Republican advantage and a possible 12 -seat gain. Consequently, worried Democrats in the rival wings of the party, one associated with state Rep. Jesse Unruh and the other with former Gov. Edmund G. Brown began an unusual collabora tion to prepare for 1970. Their program, called "Project 70," was to begin with a scouting mission to Washington. Bernard Teitlebaum, a political pro associated with the Brown wing, assembled a 10-man delegation of legislative leaders and party pros with a varied representation of factional and geographical interests. Unruh gave his blessing. Appointments were arranged in Washington for Jan. 29 with Sen. Fred Harris of Oklahoma, the new Democratic chairman, Sen. Alan Cranston of California, and California's Democratir Congressmen. BUT, INEXPLICABLY, Teitlebaum failed to contact Carmen Warschaw, California's fiery Democratic National Com mitteewoman. When she got wind of the trip, Mrs. Warschaw telephoned state Rep. George Zenovkft, a state legislative leader and a sponsor of "Project 70." While expressing support for "Project 70," Mrs.' Warschaw was furionr that neither she nor National Committeeman Steve Reinhard had been informed. She specifically objected that one of her arch-enemies Charles Winner, a political pro in the Brown wing of the party was making the Washington trip. To appease Mrs. Warschaw, Teitlebaum on Jan. 25 cancelled the meeting with Harris so that she would not suspect an end run was being made around her to the National Chairman. But Mrs. Warschaw was not ap peaseable. So on Jan. 27, Teitlebaum called off the whole trip. "PROJECT 70" has not been abandoned. But now there is talk of splitting the effort wiih the State Dim ocrattc Committee, allied with Mrs.. Warschaw, and the state legislative leaders making separate ef forts. Thus continues the fragmentation so disastrous to the party in recent years. U) UM. ruhiiatun-lUil tratkmMU over who is to get possession of the freshly execuied "quare fellow's" personal effects, for it seems an Irish version of Parade Magazine is willing to pay dearly for them. '-;' ALTHOUGH the prisoners had shortly before expressed their righteous indignation at the brutality of the hanging, they realize, as Dunlavin says earlier in the play, that they're all basically selfish anyway, so with a buck to be made, indigna tion softens and the boys can jolly well leap into the grave to steal a few letters. The "quare fellows" mates, it turns out, are as crass as his keepers, and their attitudes toward the execution freely skip from righteous to cavalier. Behan's method is to portray contradictory at titudes in his characters, which an audience can quickly perceive and condemn, and at the same time to force the audience to become aware of similar contradictions in their own thinking. THIS IS clearly the purpose when Behan follows a lengthy description of the murder the "quare fellow" committed, putting his expert knowledge as a pig butcher to use "by killing his brother and dismembering the body", with an account of a hanging, equally as gruesome. The blood lust which cries out for vengeance on the demon-butcher should be satisfied by the execution, but the hanging is just as repulsive an act as the original crime and where do we seek retribution for it? Warder Regan, the closest thing to a raissoneaur in the play, lays responsibility on "every man or woman that pays taxes or votes in elections: If they don't like it (hanging), they needn't have it." The hypocrisy of the government, which reprieves one murderer while executing another because the first had the good taste to kill his wife with a silver-topped cane, is only a function of the people who elect that government. THE ABSURDITY of people's attitudes toward the criminality of various acts is portrayed in the prisoner Dunlavin, who doesn't mind having old "Silver Top" (the reprieved man) for a cell block mate, but who becomes highly indignant when he learns that another sort of "quare fellow' is also moving in. "Killing your wife is a natural class of a thing, could happen to the best of us," says Dunlavin, "But this other dirty animal on me left ..." This "other dirty animal", who is variously referred to as a certain "article" of "that persuasion" and, as Dunlavin says,,"a: sexual mechanic," leads me to a critique of the Communi ty Playhouse's production of Behan's play. All of the expectation in the play is built to have this "other fellow", as he is called, come mincing through the door as Dame Edith Sitwell disguised as a convict for a drag ball. The first thing "other fellow" does is express his horror at having to mix with murderers and thieves and God knows what, and then he quotes Carlisle on sell destruction. Prisoner A. notes that he sounds like a bit of an intellectual, and Dunlavin chimes in with "Is that what they call it now?" The broad humor of the whole scene is undercut by playing the "other fellow" straight, and things are made worse when the actor appreciates the humor of the whole scene by snickering at his " own jokes. - " ' '.. THIS IS an error in direction I think-, and a flaw in the acting. But with the exception of a few other dandies, easily remedied, like using a taped voice stage left for the voice ot a man in solitary, when all the actors communicate with him by shouting stage right or forcing some lame vaudevillean tricks with canes and brooms Into' -' the action to "liven things up," the production is enjoyable. The antics by Neighbor (James Lindsay) when he is trying to steal a few drops of rubbing alcohol to drink from the "methylated martyr" Dunlavin, and the expert clowning by Skip Lundby in the last act prove that broad comic effects can be appropriately used in the Quare Fellow. Tom Parks adequately captures Warder Regan's personal dilemma, as the man who loathes the very idea of executions and yet has to admit that his is a soft job between hangings. - I HAVE saved the character of Dunlavin for last, for it is he who gives the show its sparkle. Vaughn Border plays the role with just the right touch of the sprightly stock Irishman a la Bary Fitzgerald in a character realistic enough to poke fun at his own as well as society's hypocrisy. Border's hanisg of & IrUh dialect is an added Joy. Behan's plays art usually good entertainment, and the Community Playhouse's production is no exception. If you decide to set it, be sure to ask for a student discount The Dally Nebraskan is solely a student publication, independent of the University of Nebraska'- administra tion, faculty and student government Opinion expressed on the editorial page is that only of the Nebraskan'f editorial staff. DAILY NEBRASKAN , Editorial Staff jL mfZZL. M'jw. tvartM ws4 Curi-i TkZLfci7T? m ' ! w KMwr Uv Aran, i, ,ZZ:rr.':'ym'.. w-rfWrw, 14 iZTi 1Te., m Bcsmaai MtmmfmtnFH" Business Staff r. Ural K4 Kiuw M DnW : 4 i I. i