ulllllll,llll!,miiiiiiiiiiiiiiiiiiiiiiiiiiiiii'i n "'Him iniiuiiiimiiHi mmi'imint I CAMPUS MU I. Count. OPINION Jo Stohlman, editor 5. Mi&e Kirkman, business manager Page 2 Monday, March 14, 1966 An Open Letter to the Regents ASUN, In a special meeting Sunday, passed a resolution "respectfully request ing and strongly urging" that you, the Board of Regents, ask Gov. Morrison to call a special session of the Legislature "for the purpose of solving the current instructional-financial problem." We heartily endorse the student senators' action in passing the reso lution, and we ask that you will, with all due consideration, follow their re quest. The proposed "emergency fee," de signed to meet the funds which are neces sitated by errors in projected student en rollments, has been presented to students as a one-year charge only. But Chancellor Hardin has admitted that the fe "could very well" become a permanent addition to tuition costs. The Daily Nebraskan feels that any addition to the tuition at this time would pose an unfair burden on stu dents at the University. We especially . think that students should not be re quired to make up the deficit in funds needed for next year, in that students were in no way responsible for the misjudgments made regarding pro jected student enrollments. The Daily Nebraskan also feels, with the student senators, that some measure must be taken to provide more money for the University. The possibility of a de cline of the quality of instruction at the University is a very real one, and some thing must be done to prevent such a de terioration. Thus, we all realize that the Univer sity needs more money. The Daily Ne braskan feels that it should come from the Nebraska Legislature, and not from t h e students. We ask, with the senators, that you seek to aid the University's and the students' dilemma by asking Gov. Morrison to call a special session of the Legislature to appropriate the needed monies. Jo Stohlman Faculty-Student Relations "That a breech between students and faculty on this campus is presently occur ing is a fact generally admitted and ac knowledged by both students and faculty administrators alike." Thus begins the problem which a re port by an ASUN committee seeks to solve or to at least offer constructive suggestions for the lessening of the prob lem. The Committee, headed by Sen. JKathy Weber Frank, is the "Student Faculty Relations Committee." In the ten-page initial report of the group, " the problem of lack of communication . at the University between students and instructors is outlined in great de tail. Some of the committee's general conclusions, while they may be "com '. mon knowledge," are indeed interest ing: 1. "Students find their relations with professors perdominately only 'satisfac tor'y' and express some disappointment with 'aloof or 'pre-occupied' attitudes. 2. "While professors admittedly provide- adequate opportunities for out-of-class discussion, which students often fail to take advantage of, there are serious inhibiting factors which prevent students from being as open as possible in their relations with instructors. 3. "There exists a vital need for ac curate, easily accessible information re garding qualifications, educational back grounds and distinctions of instructors, regardless of rank. The report goes on and on itemizing it." and explaining student complaints which are never unusual to hear. (It makes one want to revise the cliche to "Everybody talks about student-faculty relations, but no one ever does anything about it.") We feel this report could have a pro found influence on the betterment of student-faculty relations at the University. But to mean something more than ten sheets of paper, much more work on the part of the committee must be done. First, the report should be printed in great numbers so that it may be read by anyone interested and we would hope not just a handful of ad ministrators and student senators. The information and analysis of the problem is well done in the report, but it must be brought to the attention of many, rather than few, if it is to have any ef fect. After the committee's initial evalua tion of the student-faculty relations prob lem, the committee plans to do further re searchto offer some constructive sug gestions. The suggestions of the commit tee will have no value unless the initial re port is publicized and assimilated by the University populace. We would suggest to the commit tee that before doing further research, they take steps to make their work widely known. We would like to see the cliche revised again to "Everyone talks about student-faculty relations, and people are doing something about Lost Cool By LIZ AITKEN Well, there it is. The motion has been passed and now it is up to the Regents to ask the Gover nor to call a special session of the Legislature. The question still stands though. Will they follow the stu dents' motion or not? At Thursday's meeting Chancellor Hardin was pes simistic in his prediction of the chance of a special ses sion being called because of 1966 being an election year. Well, it is my ques tion, is it the primary pur pose of the Board of Re gents to play politics or is it to consider the best in terest of the University? If I may point out the obvious, students constitute the major part of this Uni versity, by sheer numbers if nothing else. How then can the Regents ignore a motion passed by the repre sentatives of over 15,000 people? While this question may be politically naive, I think it is a valid one. If the Re- gents do follow the proce dure as outlined in ASUN Senate's motion they will be showing their backing of the students at Nebraska. What's more, they will be in effect passing the buck of responsibility. If the Re gents ask Governor Morri son to call a special ses sion they will have fulfilled their obligation and it will be Morrison who will have to answer to the students of voting age just why t h e Legislature wasn't called. On the other hand, if the Regents choose not to pe tition Governor Morrison, what are the students to think? Probably the average stu dent would assume that the Regents and-or the Admin istration do not want a spec ial session for fear of the facts that would be turned up. Now of course, this as sumption would not be val id (as Chancellor Hardin assured the Student Senate that the mistake in calcu lations was due to unfor seen "forces working against the administrators", but you must admit it would be a likely one for the stu dents to accept. All in all, It seems that there is only one feasible action for the Board of Re gents to take Tuesday and that is to show their back ing of the students on this campus by voting to re quest a special session of the Nebraska Legislature. gssc War Not Solution' Intra-Collegiate News Service The Vict Nam conflict can and must be solved without war, said Milan Beslac, editor in - chief of Vjesnik, a large Yugosla vian daily newspaper. Beslac, questioned by a panel of student journalists at California State Poly technic College, said there is no simple solution to the war,- but peace overtures should come from both sides. He rejected French Pres ident Charles de Gaulle's proposal to create a "third force" of neutral nations, among them Yugoslavia, to help Seattle the Viet Nam conflict. "The late President Ken nedy tried to conduct U.S. foreign policy in a way that excluded war as a solution of differences," he said, but "Lyndon Johnson's polices don't excuse war . . . they can create a world war." Beslac's paper, circula tion about 100,000, is con trolled by a 15-member edi torial board, 10 of whom) are Communists. The Communist Party only attempts to Influence the public, it does not order. But, fiie most progressive elements of social initiative take place within party ranks, Beslac said. Beslac has been touring the United States a a guest of he U.S. State Department (Just Slightly Korrect) After perusing the party scene last weekend, lit still seems nearly impossible that the rushees of spring and fall (the bubblegum mers) could turn into world wise freshmen so soon. But consider the question that one of these young inno cents is likely to ask you . . . "How can you tell a freshman?" Who can say what it is? In dress they soon look like everyone else in their groups (i.e. Geeks, Indepen dents, Radicals, etc.) Their attitudes are also typical, with the "I don't give a damn" most popular (by recent poll of eight stu dents). Then again, this new group is beginning to ap preciate some of the cam pus beauties, such as park ing area C-9, more often known as the Columnis. Sooner than can be be lieved, the freshmen (and fresih-women) will fade into the crowd and become such normal types as Sam Scared (of the draft) and Willa Wishing (for her Sorry About That! Being a compendium of farce, absurdity and comment, selected arbitrarily by the editor . . . Thought for the Day: Is Sgt. Barry Sadler really a member of the VC? About this time is about the time for tests. Well, we hate to be left out, so we've taken a small amount of our usual audaci ty to compose our very own test. If you've been doing your outside reading, you should have no problems. Part I. Multiple choice (3 points) The Editor is a. a boy, b. a girl, c. a fink. The Editor is a. bright, b. intelligent, c. apathetic. The Editor's favorite color is a. red, b. blue, c. candy. Part II: True or False: (59 points) History is bunk. Part II: Fill in the Blanks: (70 points) If the above is correct, is and . Part V. Essay (21 points) Are you now or have you ever been? I feel this test will offer a measure ment not only of the student's knowledge, but also upon whatever wisdon is accured. Upon completion of the exam, take it to the University Psychiatric Clinic and hand it to the first person you see. Try to act like you know what you're doing. A passing thought on Gen. Le wl i B. Hershey: And be these juggling fools no more be lieved. That palter with us in a double sense; That keep the word of promise to our ear, And break it to our hope. Macbeth Ode to the Red Hoods Spring is sprung, The grass is riz, I wonder where The Innocents is. I really wasn't going to say anything about it, and I really tried to constrain myself, but there comes a time when convertible tops just must come down. For all the delightful weather, we're not Sorry About That! :iiiiiiniiim mini iiiiiiiiiiiiiiiiiiiiiiiiinii luiuinuiiiiiiiiiiiiiiHHiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiuiiiiHiiimiiiiiiiiifliiiiiiiiiiiiiiiiiis Another Viewpoint Never Pass 'Go' (Editor's Note: The fol lowing editorial is re printed from the Daily Io wan. The problem which it discusses education and cheating poses a univer sal student dilemma.) The name of the game is education, and it's probab ly the greatest thing since the Parker Brothers hit up on Monopoly. Education is a game for the whole fam ily. As with all games, the idea is to win. Winning oc curs when one or more players is able to move his pawn into the circle marked "Success." There is something strange about the game, however. Somehow, in the heat of moving ahead, the players forget the rules or confuse the rules of educa tion with the rules of some other games. For instance, if a play er's pawn lands on a square marked "Exam," he Is giv en a chance to throw the dice. If the dice turn to double sixes, he is allowed to move his pawn to the square marked "A." If the dice turn up snake eyes, he must move three spaces backward. Those rules sound simple enough, but what often hap pens is that the players for get that two pawns may rest on a single "A" square, and one pla ar will p u a a another pawn off the square to make room for his own. This soon develops into a game of eagle-eyed obser vation. Each player must protect his pawn from the others. The originators of the game were careful to in clude provisions that would allow several people to reach "Success," in the same playing period. In the evolution of the game, how ever, this concept has been lost, and most players now seem to think only one can win there can be no suc cess left over for another. The whole situation of the game of education Is un fortunate in that, while It used to be a game played because they wanted to, it is now a game played out of compulsion. The test is the measure of the man. He either makes it or he doesn't, all on the basis of a test or two or three. His is never to rea son why. And how can he help feeling that he's one of the big losers in the game of education? Learning isn't the goal of the game; success is. It matters terribly wheth er you win or lose; how you play the game is a second ary consideration. Cheating is but one indication that s t u d e n t 8 are revolting against the System. As George Leonard writes in the current issue of Look magazine: "Students may be morally wrong, in cheat ing. Educationally they are right." If there were no tests, there would be no cheating, but how would our m a s s production universities ever evaluate their product? How would those universities wee out applicants for admis sion? How would the in structor ever instruct with out his exams? The rut is deep, but we are not resigned. Daily Nebraskan Mwnffer Associated Collegiate Press, National Advertising Service, Incorporated. Published at Room 51, Nebraska Union, Lincoln, Nebraska. Entered wnl cltu matter at the 4 elfloa la Lincoln, Nebraska, aader be set af Annul 4. UU. TELEPHONE: 477-8711, Ex tensions Z588, 2589 and 2590. tubscirtplloB rmtes are 14 per aemea. tar r M lor the aoadenilo yaar. Tha Daily Nebraska li publish Mondar, Wednesday, Thursday ana! Frldar during las school roar, aacopt during vacations and exam parloda, br SiudsBia si tha University of Ns braska undor la Jurisdiction ol tha Faculty Subcommittee on Student Pub Ucalloaa. Publications sbsll bo Iraa from ssnsorshlp br the Subcommittee or any person outside law University. Mem bers ol tha Nebraskan are rssponslbl lor what they oause to ba prints. EDITORIAL STAFF Editor, JO STOHLMANi maaaalna editor, STEVE HUNOEKFOHDi a'wi editor, WAYNE KREUSCHKBi aporls edllar, JIM PEABNti alaht news dltor, JON Kl IillNOIF i senior stall irltars, JAN ITK1N, BRUCE OII.KH. I LIE MORRIS l junior staff writers, AND IRfit, TONI VICTOB, NAN. CV MFMlKH KKON, photoKranhcri, TOM Kl BIN, RICH EISI.KRi copy edl an, POLLY BHVNOLDS, LOIS ttlllN-fiETT. AI Capp's Funnies Dear Editor, I've always considered myself something of an amateur philosopher. And one of the things I've learned is that it isn't the name that counts in a man, but rather, the im portarot thing is what's inside. I've got what they call a photogenic mind, and when troubles arise, or temptations tempt me I just close my eyes, lean back in my chair, and think of Al Capp s fun nies Sure, I know "Albert Capp" is a stupid name, but just remember - it's not the name that counts . . . etc. Remember this too: with Capp' answers, we dont need any questions. GERTRUDE ILLL Editor Easy To Figure Out? Dear Editor, ' . t I think I've finally figured out your attitude toward stu dent apathy. You figure that if you make references to student apa thy, then all the students who know deep down inside that they don't give a darn can get really mad at your calling them apathetic. And then these students who don t care can yell and scream and call you names because they don't like being called apathetic. And then what is the result? Well, in the action they took calling you names, criticizing your criticism, etc. then they are taking a stand and whoosh, apathy is gone. Well, at least it's gone in one way they aren't apa thetic and they do care where their self-image is involved. You're really pretty easy to figure out. (I've had a course in psychology) And see, I'm not apathetic either, because I wrote this letter. Mortimer Snerd spin iiiimiiiiiiiiniiii inn iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiii!iiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiii3 j Mother Courage ... 1 'Exciting Theatre' j By PETE CLARK Department of Englisfh An ambitious group of University actors and actresses have undertaken the most demanding theatrical enter prise in many a season. Under the skillfull direction of Dallas Williams, they have accepted and met the challenge of Bertolt Brecht and his "epic" theatre, and what is more significant, they have accepted this challenge in full view of Brechtian dramaturgy. The result if Mother Courage, which had its initial performance at the Howell Theatre Friday. One must applaud the effort; it is a highly commend able and successful attempt at struggling with a tough assignment. Although this production is not free from flaws, it would seem impossible to make a perfect merger of Brecht's unorthodox theatrical beliefs with bis social philosophy when dealing with Mother Courage. To quibble over the "major" flaws of the University production length and episodic structure is to quibble with Brecht and not Williams. Mother Courage was written prior to World War II in 1939, and hag for Its background the 17th century Thirty Years War between Catholics and Protestants. Working within this historical framework, Brecht reveals himself as a militant pacifist who would teach a horrible object lesson on war. This unrelentling and antagonistic sweep of history is confronted on its own base terms by Brecht's protagonist, Mother Courage, a vulturous peddler who feeds on the car nage of war. Being neither highborn nor high-minded, this anti-hero has no illusions or delusions of what life is about. Life is a never-ending, no-holds-barred struggle for survival, recognizing no code of honor or justice. Mother Courage's religion, though she would strongly deny the ex istence of any such thing, consists in but one dogma: the continued welfare of herself and her three children at any and all costs. With her canteen wagon of goods, Courage plays, con nives and barters with the world for existence. No deal is too underhanded, no price is too dear to pay, if self-advancement can be achieved. Brecht clearly points out that her own lust for survival never becomes subordinate to anything, not even her ma ternal love. And it is this very fervent and persistent af firmation of Life in the midst of the death and desolation that makes Mother Courage one of the few great modern tragedies. In a tour de force performance, Marceine Sweetser brings to the character of Mother Courage the necessary mixture of restraint and vitality which underlies this powerful yet heart-breaking symbol of human indomita bility. From the light frivolity which she shows with the Cook and the Chaplain to the consciously repressed sorrow at the loss of two of her children, Swiss Cheese and Kattrin, Miss Sweetser is superbly triumphant. In fact, it is in these latter moments of the play that Miss Sweetser achives a rare theatrical quality of pure, unadulterated emotion, without clouding the air with sentimental claptrap. Her unexpected collapse stemming from stifled emo tions is extremely effective. Dallas Williams hag been successful In conveying Brecht'g notion of the necegsity of toughnesg in a world which holds no worth in idle tears. Although Mother Courage dominates the stage, Jan Healey's portrayal of Kattrin, the mute daughter, stood out in a generally noteworthy cast. Forced by a previous war to live her life in muted silence, Kattrin can give no voice to the affection and tenderness which pervades her inner beige. Throughout most of the play she is a figure of brood ing and whimpering Ineffectiveness, aptly underplayed by Miss Healey. Other actors whose performances come quickly to mind were Dean Tschetter as the "Peter-Piper" Cook, John Guinty as the hypocritical Protestant Chaplain, and Susan Nohr as Yvette, the girl who "fraternized behind the trees." Director Williams and set designer, Charles Howard, have done their best to execute an "alienation effect". Many Brechtian devices are employed to detach the audi ence from any emotional attachment to Mother Courage. Each episode scene is preceded by a brief description of the setting and action that will follow. These descriptions are projected onto a stage-front screen. In addition to these stage techniques, Williams makes significant use of Paul Dessau's atonal and dissonant musi cal score. The disarming music seems to be mocking the attempts of the actors to reach the audience. However, these valuable attempts to "alienate" the audience were doomed to failure. No matter how much Brecht would have hoped, we cannot detach ourselves and view Mother Courage as a petty and despicable offspring of a war-mongering society. Those who are familiar with Brecht will see him here in all his glory and all his failure. Those who ttre unfa miliar with Brecht will see exciting theatre.