Sunclay, November 26, 1944
THE NEBRASKAN
3
Lesourd
(Continued from Page 1.)
LeSourd conducts a regular radio
broadcast from a Boston station,
is chairman of a committee on so
cial values in motion pictures and
is author of a book on "The Use
of Motion Pictures for Religious
Education." His doctorate degree
was granted by Union Theology
in New York, a school connected
with Columbia university.
Mrs. LeSourd, who is accom
panying her husband, will make
several informal addresses at
women's meetings on the campus.
She is the national sponsor of
Kappa Phi club, national organ
ization for Methodist university
women.
Sunday night at St. Paul Meth
odist church, Dr. LeSourd will
speak on "A Christian Looks at
Zionism." At a Wesleyan univer
sity convocation on Tuesday
morning ne will discuss "Amer
ica's Stake in Palestine," and
Tuesday evening at the Univer
sity club, under the sponsorship
cf Altrusa club, he will address
members of civic and service
groups of Lincoln on the subject,
--.raiesune as a Test of Democ
racy."
Hopp
(Continued from Page 1.)
Before that he had established
and directed ROTC units in high
schools and colleges.
Regarding the time he spent at
the university, Colonel Murphy
said: "My stay at the University
of Nebraska over a period of two
and a half years has been most
pleasant. I did not seek this
transfer, but, like a good soldier,
will move on to my duty. It is
my desire that the students, fac
ulty and authorities of the univer
sity will extend to my successor
the same co-operation that they
have extended to me. I feel, in
leaving, that we have conducted
in a most successful manner, the
army specialized training pro
gram on the campus,' which at
one time reached an enrollment
of 2,500."
Colonel Murphy's new duties in
Omaha will consist of directing
the ROTC and ASTP in schools
and colleges in the nine states
included in the Seventh service
command. Eighty-three high
schools with junior ROTC units,
43 colleges and universities, six
military schools, and two govern
ment aid schools will come under
his authority.
Art . .
(Continued from Page 1.)
drouth years, and a feeling of the
force of the elements.
Dale Nichols, former Nebraskan
from David City, represents the
state of Illinois m this exhibit by
a threshing scene entitled "Grains
of Wheat" which features his us
ual intense blues.
"Tops" in art excellence in the
U. S. A. section are paintings by
several of the artists whose work
is known to Lincoln people who
have attended the Nebraska Art
association shows annually in
March. These include works by
Boardman Robinson, Lemar Dodd,
Grant Wood, Stephen Etnier, Paul
Sample, Georgia O'Keefe and Al
exandre Hogue. Among the Amer
ican artists not formerly known
here are the following "tops" in
this show: Lew Davis of Arizona,
with his "Little Boy Lives in Cop
per Camp;" Nan Watson of Wash
ington, D. C, who has a fine quiet
portrait "Modern Puritan;" Fred
erick Shane of Missouri who
painted "Log Sawing."
A striking difference sets in as
the painter's eye moves southward
into the Latin American work.
Here, without the aid of a trans
lator, one sees Indians and the
later Spaniards and Portuguese
who, brought with them the tra
ditions, the language and the arch
itecture of Europe to its shores.
Interested in portraiture and fig
ure painting, the artists have
drawn a. poet, a musician, a cof
fee picker, an Indian dance, an
Indian funeral procession. Tech
niques range from the bold for
forms of the Indians to the more
polished stroke of her Europe
trained painters. The hot colors of
the tropics are found in these can
vases again and again.
Mexico Represented.
Mexico is represented by a fine
big mountain landscape by "Dr.
All, known as the "father of
modern Mexican art," done in a
medium of his own invention
called "Atl-color." Guatemala's
painting is by Carlos Merida, most
abstract and provocative painting
in the show. Titled "Projections
of a Hunt," it suggests a fresh
blend of modern surrealism and
ancient Maya symbolism. The re
sult is a series of shapes suggest
ing comparative embryology that
is unforgettable in design and
glowing in color. Bolivia's artist,
Pabon, has an Indian dance of
powerful rhythm and rich color:
Argentina's Berni- has painted a
strongly modeled Latin-American
"Sweater Girl" in fascinating tex
tures. I. B. M.'s assembling of this ex
tensive collection is the direct
outcome of a concept envisaged
several years ago by Thomas J.
Watson. Believing that both art
and business would benefit from
a closer relationship, Mr. Watson
set to the task of collecting con
temporary art from 79 countries
for his company's exhibits at the
New York world fair and Golden
Gate international exposition of
1939.
Two Cornhusker coaches of the
golden Rose Bowl era were press
box kibitzers. Col. Harold Browne,
former Husker end coach and
head basketball tutor, was on a
short pass from Washington, D. C.
Lt. (j. g.) Glen Presnell, former
head grid coach, is furloughlng
from North Carolina Pre-Flight
where he is head backfield coach.
Everyone saw action except the
official "ball-wiper-offer" as
Lewandowski gave all his kids a
fling.
Foolball . . .
(Continued from Page 1.)
injuries for three weeks, was the
indirect result of both conclud
ing touchdowns. After Bill Per
dew had broken loose down to
the K-State 43-yard line, Knight
broke loose to the 12 where he
lateraled to Buzz Hollins.
Three enemy tacklers who had
closed in on Knight were com
pletely baffled and Hollins had a
clear path to the goal line. Bur
key's placement again missed fire.
Nebraska 28, K-State 0.
Perdew intercepted Ungles pass
and ran the ball to the K-State
27-yard line ten minutes later.
From there. Knight again broke
loose and, in a direct repetition
of the action ten minutes earlier,
lateraled to Perdew for another
touchdown. Burkey's placement
clicked. Nebraska 35, K-State 0.
Doyle Good.
Keith Doyle, hard - working
Husker center, was the top de
fensive performer on the field.
thought End Jack Bryant bottled
the K-State attack on several oc
casions, belzer, Kessler and
Knight were the backfield sparks.
Hollins' punting, especially dur
ing the second period, was a
bright spot.
FLOWERS
for
Thanksgiving
HILTNER'S
FLOWERS
135 So. 12th
Have a"Coke"iAdelante con la musical
(GET IN THE GROOVE 1 )
- is r-f - ' ji m ...v r a k r .tiwv tHftem p
...or getting along in Guatemala
Music and Coca-Cola spell friendship among our Latin-American
neighbor! just as tbey do hire at borne. Have a "Cole" is an invi
tation of welcome as quickly understood in Guatemala as in
Georgia. In many lands around tbe globe, Coca-Cola faas become
tbe same symbol of friendliness (bat it is in your own living room.
(OTTUO UNDU AUTHORITY Of THE COCA-COU COMPANY BY
Lincoln Coi-a-C'ola Bottling Co.
2120 G
5
a
"Coke" Coca-Cola
It'i natural for popular nana
to acquire himUy abbrevia
tion. Thae'i whr ton hear
' locaola called "(Joke".
a HAS CARDS
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STAT! QUERY
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