i ' Mar ines May Swear Profanity aiul Belleau Wood Sounds July as Well When Brought Little Nearer Home v_/ By PERCY HAMMOND. New York. Oct. 4. THE army, ttie navy, the district attorney, the mayor and the po lice all were mobilized last week Ip make publicity for “What Price tilery.'' As the result of their min istrations the newspapers printed reams diout the play, and at least three ,,f its numerous cusswords were banished from the dialogue. It was raid that the navy objected to the entertainment because it defamed the Halted States Marine corps, picturing that ."/lire legion as a band of un vi very vagabonds given to strong dr nk and bad language. Through Its influence recruiting had been halted, nr I so it hail’ become a menace to our national defense. . . . “What Price Olory” is, of course, a little con t aiptuous of the Marine corps. But the navy itself is noted for its de rision of the "soldiers of the sea," and you probably have heard the army express Its low opinion of what Hie Marines did in Belleau wood. However, the drama, as usual, em erged victorious from Its little shindy with the authorities', and “What Price Olory’’ continues to distend the civil ian voculabory with what Bret Harte called “new and startling forms of objurgation.'' Miss Eda Ferber's story of “Old Man Minick," ns dramatized by the authefl- and Oeorge S. Kaufman, is the most delightful comedy of the season. Very cheerily it tells of what happened after Mr. Minick, aged 70, went to live with his son and daugh ter-in-lnw in their modest flat on the South Side of Chicago. Mr. Minick (O. P. Heggie) is not a teary patriarch thrust upon the charity of his son. He is, rather, a vivacious old young ster with no idea whatsoever that he is lagging superfluous. Blithely un aware that there is a difference be l ween his times and those in which he finds ltimself, he becomes a med dlesome nuisance. He dabbles in the lives of the young folks and upsets all their domestic arrangements. He stays too long in the bathroom of mornings, and he interferes in his son's business affairs and in a meet ing of his daughter-in-law's funny wo man’s club. Though a likable fellow, neither officious nor a busybody, he is—old—and doesn't know It. Mr. Heggie in an admirable performance acts him Just that way. Mr. Mtnlck’s children love him pa tiently and Insist that he remain with them, but the old fellow finally comes to understand the Impossibilities of the situation. Does he shuffle path etically over the hills to tha poor house? Not at all. He packs his straw mitoase, calls a taxi and moves across Washington Park to a luxuri ous old man's home—where among Ids ancient cronies he can lead his nvn life. . . . The comedy Is full >f humorous, natural detail, and It Is played by Miss Phyiiss Povah, Miss Antoinette Perry, Frederic Burt and Jlhers in a way to make you proud -. of the Actors’ Equity association. Perhaps, in the words of a great Title, who died in a German insane sylum. It is "human, all too hu man.’’ Nevertheless, they tell me that it is "selling out” every night. I .ope so. Miss Tna Claire Is having a grand lime breezing through the pretty shallows of "Grounds for Divorce" ill the Empire. This Is 10 comedy by Earnest Vnjda, the Hungarian, who is telling us so many naughty stories these days that he threatens to be eome wiiat Mrs. Oliver Herford classi fies as a "Room-clearer.” Miss Claire, as a lovely young divorcee, stirs up the sexly tepldtties of the play like a swizzle-stick In flat champagne, and makes them effervescent. Now that Mrs. Fiske Is about to furl her sails In the restful harbor of Mrs. Malaprop, Miss Clarle, .1 think, be comesour First Comedienne. At least she is the first of the comediennes now operating in this lugubrious vi cinity. Tn "Fata Morgana" this same Mr. Vnjda tells of an Innocent country lad who wa-s betrayed by a wicked city-woman with store clothes and evil Instincts. In "The Little Angel," his new play, he reverses the situation and relates how a Hungarian ingenue was overcome by a sophistlcicated man of the world. The circumstances of that dehacle are a bit phenomenal. Anita has been reared by her virginal aunt (Miss Claire Eames) to know nothing of biology. Though flower like, she Is not familiar with the habits of the flowers. Thus ill-equip ped to go to the Mayor's ball, she does so, and with obstetric conse quences. Overcome by heat between the dances, she swoorns in the eonser vatory. just after a handsome young baronet Introduces himself to her. . . . Soon after the ball It Is discover ed that unconsciously Anita has be come a little enceinte. The ensuing comedy Impinges on the question whether her Indelicate condition Is the result of Innocence or the cos mic urge. Since the time of "The Little Angel," In 1S40, and the place a suburb of Budapest, few of us New York, first-nighters were aide to solve the problem. The play is a production uf Brock Pembefton, snd advansed Kansan; and it is estimated by the experts as so-so. •-—•<$, - ■ ■ — Historical dramas ouch as "That Awful Mrs. Eton!" bewilder me. and so I am not competent to assay their supposed charms. This Is another collaboration by Mr. Farrar, editor of "The Bookman." and Mr. Benct, one of the most assiduous contrib utor*. It illustrates In florid, picture book fashion how President Andrew Jackson stood by the flirtatious Peggv Eaton in the face of venomous attacks from Mrs, John F. Calhoun and others. An awkard. childish, tin lid'- pa rude of ridiculous effigies, p gives me what used to he known as a deep and abiding pain. To me it Is mb false ns synthetic liquor and much less stimulating. However, Mr. Frank McOlynn, who acted Lincoln In Mr. Drink water’a play. Is a lie Movable counterfeit, of Old Hickory —gust>, vulgar, vehement and be nign. Miss Katherine Alexander lm uersonates the calumniated Mrs. ftHieators* T H a. isiefen L>ynd AT THE OftPHEUM_ Ul(Serb cl I Cur/iss at the BRANDE.I5 C*, ^Paufine cVmcen/t ' ^ at the WORLD \ Jriae . \ Gertrude \ \ CtCennis # &a(ston \ - AT THE t AT THE s EMPRESS ; GAYETY ^ f American Folk Song Is Being Neglected Says Gus Edwards k __ f "What America needs most, musi cally,” says Gus Edwards, producer of the annual song revue which keeps the musical comedy stage plentifully supplied with stars, "Is a more gen uine type of original, national folk songs. We have too few of these, and they are aot justly appreciated. "I consider Stephen Foster the greatest writer of this class of song, with Paul Dresser next and then Ethelbert Nevin. I can't put myself in this category, though I have at tempted to do a little along this line. The United States has such great ideals, its patriotism is so pronounced, that the spirit of song and music, which is one of the greatest means of increasing patriotism, should be made a national art. Song writers should get busy on this theme and bring into the world music just as famous as ‘Star-Spangled Banner, 'Suwanee River' and 'Dixie.' ’’ Gus Edwards, besides having an nually produced such attractive song revues as that which he is present ing at the Orpheum theater tilts week, is also a well-known composer of such hits as "School Days,” "Sun bonnet Sue," "Mamie” and “Goodby, Little Girl, Goodby.” In his theories of American music he does not mean that It must come from the conBerva torles and opera houses. Ih fact, the old Bowery of his early days was the cradle for the typical American song of the period. Mr. Edwards spent many of his boyhood days on the Bowery. He was a poor little lad working In a cigar factory on the east side when he first conceived the Idea of writing songs. Strange tunes used to flit through his mind, and he decided to turn the haunting strains Into money. His first song, "Stella,” after having been refused by every publisher In the city, was finally sold for the Im mense sum of $7.50. His great song. "School Days,” which has come to be an American classic, has been trans lated Into many foreign tongues— even the Chinese school children sing it. It Is estimated that Mr. Edwards has earned nearly a million dollars from his song royalties. F \ Syncopation Dominates World Vaudeville Bill During the Week V__S Lillian Hertz and her Moro Castle orchestra, of 15 syncopated enter tainers, Is the headline attraction In. the current vaudeville bill at the World theater. Novelty melody num bers, syncopation and Instrumental and vocal harmony are Introduced. Scenic and lighting effects add to the attractiveness of the offering. In ad dition to the syncepatcd orchestra of men and women the act carries a number of special entertainers. Wills and Robins, well known fun makers, are an Important added at traction. Their laugh coaxer, "The Wrong Impression," Is said to be productive of one long around of fun. Right talented artists, seven women and one man. appear In the Amer ican Dance Revue, a novel fantasy, cleverly staged and costumed. A ver satile comedy entertainer Is Buddy Wnlker. Character song, whistling, comedy chatter and a series of Im personations make up the routine of this young man. Pierlert and Scofield call their offering "Helping Hubby.” In this Is a variety of entertainment. Arthur Hays Introduces another organ originality as his portion of the current bill. "Bohemian Nights," a spectacular singing, dancing and musical act and Joe Fanton and company, one of the biggest thrill offerings of present day vaudeville, are dual headliners of the show starting next Saturday. REEL REMARKS By the M. P. Editor, v _/ Before she became a film star Mar guerite de la Motte was a dancer of considerable prominence, having stud led under Pavlowa and other artists. In "The Beloved Brute.” Vltagraph’s forthcoming special, she has the role of a professional dancer. Alice Calhoun, who had scored heavily In "The Man From Brod ney's,” "The Midnight Alarm” and other features, Is increasing her popu larity In the current Vitugraph suc cess, "The Code of the Wilderness.” Vltagraph's big special production, "Cajftaln Blood,” from Rafael Saha tlnl'e novel, Is now running simulta neously at the Astor theater, New York, and the Orpheum, f'ltlcago. The Astor run, having Ihe start by a few days, was the world premiere. The success of the Broadway opening night allowing wns repeated on Htste street. Raton, with a mischievous Irish brogue and other staplo merchandise of the theater. But otherwise Ihe play and its perfoi manes Is ludicrous beyond belief. Talhot Gives Full Measure in “Wine, Woman and Song" '-——' Irfw Talbot believes In "selling" Columbia burlesque from the most potent angles of entertainment, ns witness his announcement that tills week he will present at the Gayety theater five comedians, a company of 24 dancing and singing girls, a con tingent of feminine principals that In cludes Gertrude Ralston and Dottle Hates and a scenlo equipment that surpasses his previous efforts In stag ing "Wine, Woman and Song." The quintet of merrymakers are Bert Bertrand, Harry S. Da Van, Nate Busby, Ken Christy nnd Charles Cole. Two popular members of Talbots show^are Gertrude Halston and Dotty Bates, singing "Play In Your Own Bark Yard," a crooning melody re vived In scenic elaborateness this season. Vaudeville Interludes will form the usual Interesting portions of the musical revue—the Bindley trio, Alice Smith, the Misses Ralston and Bates and nil five of the comedians having personal specialties of Interest and blg tlrr.e class. All In all, "Wine, Woman and Song" will bo a new show under an old title—a title that hna always suggested the beat enter tainment that there Is a good reason to believe that 1a>w Talbot will this year add another success to his record of achievement. Today's matinee starts at 3. Indies' bargain matinee at 2:15 dally all week. Street parade tomorrow noon, weather permitting. Tito Schlpa, who opena the 1924 1925 aeason for the Tuesday Musical club on Wednesday evening, October 22, opens his musical season as lend It.g tenor with the San Francisco’ Grand Opera company at San Fran cisco and Bos Angeles the weeks of September 29 nnd October 8, respec tively. Immediately following thin be opena the first of two extensive con cert tours. The first tour, In tho mlddlewest nnd east, will oceupy Ids entlr^ time up to the opening of the Chicago Civic Opera company's sea son on December 1, during which for eight weeks he will sing as lending tenor. At the close of that engage ment a second tour begins, extending from coast to mast nnd as fnr south ns the gulf states. Demands this sea. son for concert* by this noted artist surpass even those of the preceding one, when within eight months lie traveled 32,000 miles and sang 31 limes In concert and opera. Kehltia will be presented by the TU'v-day Musical club at the Benmlets theater at 8:15 o/lock. The member ship Sale of seats will open Thursday morning, Octobsr 18. The public sale on the morning of October 20. k r---' Joseph Regan, Street Singer of Irish Songs, Native of Boston ___/ Attention Is now focused on Joseph Regfin, the young singing actor whom Augustus Pitou has secured on a long term contract and will present here a new three-act romantic drama, "Heart O' Mine,’’ written by Harry Chapman Ford. Joseph Regan was born In Boston, 27 years ago. He is a graduate of the Sherwin school and in his senior year took part in an amateur minstrel show given at Boston college hall. He literally "stopped the show” with his beautiful voice, and having always had a strong liking for the theater he then and there decided to adopt the stage as his profession. He placed himself under the tutelage of Big. Gilliaume Novello, Boston vocal teachdb, with whom he made rapid strides. Subsequently, he studied at the Goldenburg school of music and dramatic art, in Cincinnati, later go ing to Italy, to Naples, and took a course In opera with Sig. Jose Niohle, one of Italy's foremost maestri. Upon his return to America. Mr. Regan for a time engaged In concert work, singing In concerts, recitals, oratorios and with orchestras through the United States and Canada, In the New York production of "Silks and Satins" he assumed the leading tenor role and scored an instantaneous suc cess. Next came two seasons over the Keith and Orpheum circuits, and then he came under the notice of Augustus Pitou. Mr. Regan's voice Is a pure, dra matic tenor, and Is beyond question the finest that has ever been heard In the field of Irish drama. His glorious voice, with Its beauty of tone, wonderfully smooth, full and rich, and tempered to the mood of his song. Is one to which the heart can open. He has a singular rich endowment in personal poise, magnetic stago pres ence, expressive sympathy and, above all. has that Important requisite, youth, combined with a virile style of acting that is in keeping with hla excellent physique and will make him good to look upon when he appears as the hero of a romantic inel< dy play. Recently In one delivery 176,0(10 feet of dressed lumber was brought to Universal City by train of 40 six ton motor trucks. The company from which It was obtained declares that this is a national record for one shipment. It is to be used for com pleting the steel stage nnd sets being constructed at Universal City for "The Phantom of the Opera." in which Lon Chaney will play the prin cipal role. Anna Q. Nilsson Is featured with Lewis H. Stone in “Inez From Holly wood,” the Ham K. Itork production soon to be released. t - “ - ^ i WO AW Radio Programs bufiday. October 5. | 9 A. M. Radio chapel service. con-' lyted by Rev. R B Brown, pastor of Omaha Gospel tabernncle W the Chris tian and Missionary alliantj; ‘2006 Doug last street. "Billy Sunday nf the air." 9 P. M.— Musical chapel servl-e. Trinity I.utheran church; Rev. Wilbur N. Palm-! quist, pastor. Mrs. Theresa BJornberg, organist. Piano Prelude.. Miss Edytlie Anderson. Hymn—"Father, Merciful and Holy" .. Schop Trinity Choir. Prayer—<3 lor in—Scripture—Creed. Pastor and Choir. Anthem—"Holy. Holy. Holy".Dykes Trinity Choir. Sermon .... Rev. Wilbur N Palmquist. Anthem—"O, Rest in the Lord".... Morse Eheresa Blornberg. Roland Rudeen and Choir. Tenor Solo—"Not Understood"..Houghton P. c. Holmes. I Soprano Solo—"Abode of Peace"...... . . .Prince Gustaf . Mrs. Wilbur N. Patmqulst. La dies' Choir— (a) "My God. My Father".Marston fb) lleavjn Is Our Home".... Ambrose Tenor Solo—"How Long Wilt thou Forget Me?".Pfltfeger Roland Rudeen. Vocal Duet—"Come to Me".Parks Miss Theresa BJornberg. Mrs. Elsie Howe Swanson. Baritone Solo—"I Think When I Read That Sweet Story".Moore Wilbur N. Palmquist. Hymn—"Lord, the Twilight Now Hath Vanished" . Schop Trinity Choir. Closing Prayer and Nunc Dlmlttls. Pastor and Choir. I Benediction ... Monday, October 6. 6 P. M.—Dramatic hour, Davis 8tudio of Expression. Readings— , (a) "Columbus”. (b) "Mr. Napoleon".. Jackie King. Ralston’s 12-year-old. Selected Readings.. Louise Smith. Ten minutes of readings requested by WO AW listeners. Ellen Kllse Davis and J. Simmons Davis. 6:30 P. M.--Dinner program. Randall's Royal orchestra of Brandeis store restau rants. 9 P. if.—De lux® program, dance or chestra. Soprano Solos. Mrs. Margaret R. Burns. Plano Polos— fa) "Elegy”. Nollet fb) Prelude, G minor.... Rachmaninoff fc) Nocturno.Grieg fd) Lento.Cyril Scott fe) "To a Water Lily".McDowell Talk—"My Nauvoo Trip". Rev. Henry De Long (nge 90). (Uncle Henry of Council Bluffs, la.) Tuesday. October 7. 6 P M—"Advice to Ix>veiorn" period, conducted by Cyntnia Grey of Omaha Daily News. 6:25 P. M.—Dinner program by May’s mandolin musicians. transmitted from WOAW’s studio in the Mav Seed and Nursery company building. Shenandoah, la. A ranged by EL E. May. "And Idyl Ideal” .H. F. Odell "Flag of Liberty" .William Stahl Short talk. "Flowers and Their Influence on the Home." Mrs. Helen Fisher. "Laughing Eyes" ..H. F Odell "Hat Yam Rag" .A. J. Wright Short talk. Earl E. Mav. president May Seed and Nursery company. "The Guardsman" .Higgs "Roy Sceptre" .Oustafson "Hashed Brown" .Thomas S. Allen 9 P. M.—Program by courtesy of the Knight* of Columbus. Omaha Council I No. 6 52. (a) "Back Porch." fb) "Sunrise.” Father Flanagan's Boys’ Home bind. Vocal Solo—-Selected. Miss Helen Gerln. Henry J. Block, accompanist. fa) "Down on the Farm." fb) "California. Here I Come.” Father Flanagans Boys’ Home band. Violin solo. "Mediation." fom "Thais" . .J. Massenet Rev J. H. Ostdick. Charles Maxwell, accompanist. Zither solo. "The Midwest Patrol." Henrv J. Rchaber. fa) "Barney Google.” fb) "Get In Line.” Father Flanagans Bovs’ Home band. Character sketches and interpretations. Richard Maher and Clare Mulvihill. Violin solo. "Ave Maria". .. Sohubert-Wllhelmj Rev. J. H Ostdick. Charles Maxwell, accompanist. Zither -olo. "Maris" .Schaber (a) "Fool.” fb) "Riddle Dum-Dum.” Father Flanagans Boys’ TTome band. Vocal Solo—Selected Miss Helen Gerln. Henry J Bock, accompanist. fa) "Peanuts." fb) "Bmlles.” Father Flanagan's Bovs' Home hand 10 30 P. M.—Midnlte Wowl frolic by Frank W. Hodek. Ir. and his Omaha Nightingales. transmitted from Wowl Roost at Roseland gardens. Thursday. October 0. 6:00 P. M.—Kvery child’s story hour, conducted by Grate Sorenson, editor ana publisher of Kvery Child's Magazine. § 6:80 P. M.—Dinner program, G. R. a Radio orchestra. 9:00 P. M—Musical program under aus pices of t lie Lighting Educations! com mittee. suplamented by talks descriptive of local participation In the national cam paign for better home lighting Talks of unusual interest to citizens of the middle western atktes will be given by J. K Davidson, chairman of the International Lighting Educational committee, and A. D. Barber, president of the Omaha Elec trical league. Music furnished by the Ne braska Power company orchestra and ■ quartet. 10:30 P. M.— Midnlte Wowl frolic by Frank W. Hodek. Jr., and his Omaha Nightingales, transmitted from Wowl Roost at Roseland Gardens. Friday. October 10. 6:00 P. M.— Dinner program by Ted s Dance orchestra of Seward. Neb. 1. ■•Mindin’ My Business," fox trot. 2. "Red Hot Mamma,” fox trot. 3 Doodle-Doo-Doo," fox trot, 4. "I'm Just a Weaver of Dretms,” 5. “June Night,” fox trot. 6. "Mandalay.” fox trot. 7. "Walt Until You See My Gal,” fox trot. ft. "Oh. for a Pal Like You.” waltz. 9. "There's Yes, Yes In Your Eyes,” fox trot. 10. 'Sweet Little You.” fox trot. 11. "Peck to Sweet Sixteen and You,” fox trot. 12. “Prairie Rose." waltz. 13. "Nobody's Child." fox trot. 14. "Savannah,” (The Georgianna), fox trot. 15. "Riddle-Dum-Dum,” fox trot. 16. ’'Adoration,'’ waltz. 17 .‘"’Spain,” fox trot. 16. “Never Again,” fox trot. 19. “My Sweetheart.” fox trot. 20. "Blue Grass Blues,” fox trot. Personal: Ted Hughes, piano; Lester Ost, saxophone; Orville Ramsey, trom bone; W. A Dowding, banjo; C. Wiegerdt, drums; Clem Ragan, bass. 9:00 P. M—Community program. Sew ard, Neb . Municipal band and soloists. Arranged by I). M. Hildebrand.” 1. “Washington Gray's March” Grafulla 2. Overture, "Jupiter’s Carnival”. . Barnard 3. Vocal solos: (a» Selected. (bj Selected. Mrs. D. M. Hildebrand. 4. "Valse Danseuse’’.Miles 3. Fantasia on "My Old Kenutcky Horne” .Dalbey 6. Readings (a) Let Me Hear the Corn Grow In the Night.” (b) “The West Wind.” Mrs. Myrtle Anderson. 7. Plano solos: (b) ‘Fantasia and Fugue In D Minor’’ ...Ba< h (b) "Mazurka'' .Chopin (b) “My Delight".Chopin-List Robert Reuter (child pianist and winner of the gold medal. Pupil of his father). 6. "Nobles of the Mystic Shrine”.. Sousa 9. "Grandfather's Clock Paraphrase".. . Amsden 10. Vo«al solos (a) Selected. (b) Selected. Carl Rosenlof. ill. "Atlantia” (The Lost Continent).... .j. fcafranek 12. Valse. 'Moonlight On the Nile”..King 13. Violin solos: (a) “EFgy’’ .................Hubay (b) "Hungarian Dance".Haesche Ruth Reuter (pupil of August Molzer, Lincoln). j 14. "Song* from the old Fonts”.I.<-ke 15. Intermezzo from “Cavallerta Rustl rana" ...... .Mascagni 16. "U. S- Field Artillery".Sous* Personnel of band: Don Logan, Charle* Burns. Joseph Foster, cornets; W. A. Dowding. piccolo and flut*. Lester Ost. saxophone- Ed Trute. oboe: falter Thomas, bassoon; Charles Marshall. Art Schroeder. Lester Paul Schick. Henry Brader.kemp. horns; Ray Besse. Kelly Porter, baritones. Art Trute, B. W Tatlow, Sumner Anderson, trombones Will Zim merman. tuba; Frank Stovirk. bass violin; Paul Bek. Ward Green, drums. Saturday, October 11. 6PM —“Uncle Rr.se” story hour, con ducted by his daughter. Doris Clair* Sword, regularly broadcast Friday eve nings 6:30 P M—Dinner program. Qlrls* Tech HI quintet. * P, M —Program by First Christian church orchestra, Joseph F. Wool try, Jr., director. Selection—"May time”.. Romberg Egyptian Intermezzo— "Zal is h”. ...William Loraine Preheat r*. Soprano Soloi—• (a> "London Bridge i» Falling Down on the Isle of Childhood Dreams Movie Notes. ___ Phil Itosen, the director of the fa mous “Abraham Lincoln’’ picture, hae signed ^ contract to direct another picture for Warner Bros. His next production will be “The Bridge of Sighs" from the popular book by Charles K. Harris. Phil Rosen’s next picture for War ner Bros., “The Bridge of Sighs,'* vvill be written in continuity form by Hope Loring and Louis Duryea Leighton. The remarkable work of the Loring and Leighton team on Rosen's last picture, "This Woman," brought forth the heartiest prabe i from the director. / Bottles used by bootleggers are no more the “real thing" than are th«.r contents. J. Stuart Blackton, who is producing “The Beloved Brute" for Vitagraph, has discovered this. He is experiencing difficulty in finding real liquor containers and authentic bar fixtures with which to picture the frontier cafe scene*. Free Radio Map ! Every one who visit* oar new radio store tbi* week will receive a radio log chart free. Those who purchase one dollar or more will be given a standard radio map showing wave lengths, distances and call letter* of the principal sending station* of the United State* and Canada. The Omaha Radio Co. “THE HANDY SHOP** Redio Part*, Supplies and Service 1507 F&rnam St. Tel. JA 2892 J Standard Vaudeville—First Run Photoplays 1-;-: A Great Organization, 1 LILLIAN I HERTZ ||i and her | Moro Castle ft Orchestra Syncopators Supreme With p CAST OF FIFTEEN A Bold Screen Story of Modem Life, m Thote Premier Funmakers WILLS & ROBINS i The Wrong Impression AMERICAN REVUE A Novel and Unique Dance Fan tasy with Company of Eight BUDDY WALKER Character Comedian pierlertVscofielo In “Helping Hubby” ARTHUR HAYS Playing “Sally” 1 “The Spitfire I BETTY BLYTHE ELLIOTT BEXTER PAULINE BARON ROBT. WARWICK -i.j.i M.jjrg TONI6HT wae'elk Bargain Mat. Wednea- d* 1 day. Beat Seata .Ol AUGUSTUS PITOU /°*ssr#rs I tub youNCr ^s/ag-inqt actors JN THE ROMANTIC M£LOPy'D/Wf/T JSi/ AEmrrtf OMomurt EZ>rd lIFF LOVF yOUTH SONG ROMANCE HUMOR CHARM ‘Ayan’s neu) songs are those of year/antiHumor, theyrnc/ude "HEART OAf/HE;’ ’THE HEARfST PLACE TO HEAVEW,‘ 'Love Will lead The wax’ a/otherWsthqre.' ’/love a ivee s/r of/r/sh’&lvwrle t/hkle /Sett* DDlfCC Spaclal IImt gain Matinr* Wadnaaday -Bait Saati $1.00 ri\l\^>LJ Saturday Matlnaa .Wc, $1 OO and $1.(10 Lv.ninf. ,.v.BOc, $100. $1.80 and $2 OO—Plui Ta* t Week Starting ^ v u.ur.mn MraiiMmMiM Today’s Mat ^ \ A SMART SHOW OF SUPER-EXCELLENCE ^ 1 Joe Keno & J £ $7?H f Rosie Green 5 5 Kjr&& | "A HILARIOUS HODGE-PODGE" ^ CRAIG § CAMPBELL $ Distinguished American Tenor jj Assisted by ALLAH STUART ^ THE PICKFORDS \ -In- \ "FIX IX A RESTAUR AST" ^ GUS '"DWARDS Present* \ Ha/el Doris V JOHNSON and WALKER \ Those Two Sweet Voiced Girl* \ - O America s Foremost Monoloirist ^ * WALTER C. KELLY $ THK VIRGIXIA JUDGE ^i ^ AKMH-S I U»I I> IOP1US OF I HE DAY PA1HE ' Matinees: 15c, 25c. 5©c—Niehts: 15c. 25c, 75c. $1.00 (F.kffpl Su»dn>e and HolW*j«) ^ _fjffj*jirjir*r*r*r*rzrjr*r*ry He’s Back! “The Boy icith the Smile” » tt« . k i . . . . *U* J I RUDY WINTNER ! "««> JVL Kntcrfnlnrr* EMPRESS PLAYERS Offer thr Tlnslenl Show of ■ Hundred l.snsha “THIS IS THE LIFE” With Jot Marion, IHsn Itrnnka, May Kenttia. Hrlrn Itnrkr. Whiter Holt man. tier! Ktaaa, Itohhlr Whalen. Southern Harmon* Roar and' Thoar ? TWEI.VB DA.ICITii t.lltla Hero’s thr Story of thr Sheer »t:T WITH Ml SIC AMI RI.ABOH ATK COSTl MRS It you detotrdly lo*rd year wife and she laird yea. and year ship Was aalllna smoothly on thr ara of matrimony, then aaddraly roar mother-in-law arrlted. and with a nr** papa. too, the l' ro reed a to ttrrrh year ship—tthat eroald yon dot Come and are tor yent arlf. A Iraaon for married mra. Ifn a arrraa. ON THE SCREEN I 1 HI III I'llltlTII'l. IT I ttlltll hTtlllY “DESIRE” “INTO THE NET” Ralrllr Taylor John Hottrla A Thrtltlna lair of the Martiarrilr Hr l.a Mottr t adrrworld .4 S-lltnir-nnd-SO-Mlnutt> Shot* at Imprest lianrain friers Mats., 10c and 35c—Eves., 10c and 50c