JO ELLEN 1 By ALEXANDER BLACK. Copyright, 1124. I l - - * (Owntinned From Saturday.) •Tve telephoned home.” he aal(L “that we’re going to bat around. Thle part of It’s our affair. I don’t want either your mother or mine In It Jdst r.ow. Until we get an angle. We'll find a nice quiet table at Mallory’*.” Bogert had a New Yorker’s feeling that anything could be done at a res taurant table. Jo Ellen was less as sured. She was glad to have Uncle Ben to herself for the period of his report. That was quite practical, per haps. Yet she wished it might not have been a restaurant. "What I was thinking," he said ns they walked, "is that it’s a mighty good thing you have a Job. Ain’t that so? A Job that keeps you going. You’d be crazy, sitting around. And you’d go dippy down on that roof— all day of it. Fine view. too. Won derful view. I didn't realize what a swing there was to It. I didn’t look at it much this morning. You’ll guess that. But I saw K, because Marty was outside. He was my man. I went straight for him. Mrs. Gloom looked at me as if I was a sneak thief caught in the act. O yes! She gave me a goshawful look, and I had to find a way of telling her that I wasn’t interested in her conversation a little bit. Of course. I did it in a nice enough way. I even asked how she was. And how Simms was. She didn't ask how anybody was. Nat urally. She was Just putting the fear oi God into me. Anyway, that’s the way I felt at the beginning. I don’t say a person could get used to her. That would be going pretty far. But she’s a human being. We've got to remember that.” "It’s rather hard to remember,” re marked Jo Ellen. "O well—but, say, let’s get some thing to eat before we start chin ning." Yet Bogert permitted few pauses after they had reached his chosen corner in Mallory’s. He had ostonishlng suggestions about food. He would have liked to build a food trench in which they might hid# from the missiles of misfortune. The fact that this was not a lunch, and need not be hurried, became some thing to consider and point out. Jo Ellen s announcement that she was not hungry, disappointed him. He would have preferred to see her eat a fortifying meal. The fact that she ordered little and ate less gave her an effect of fragility. She was not fragile and he hated any such sug gestion. "My notion is.” he held forth to her, "when things are going wrong, stoke up. When In doubt, eat. People without enough food inside don’t think right.” Jo Ellen smiled at him with a fair imitation of patience. "I’m trying not to think,” she said. "Maybe that isn't bad, either. A r~---“ ' Neu) York -•Day by Day _y By O. O. MTNTYRE. New York, Aug. 25.—A page from the diary of a modern Samuel Pepys: Up to breakfast with Houdinl and looked through his library as brave as ever I saw and he gave me an au tographed copy of his book "A Mag ician Among the Spirits. Back to my chambers and worked awhile and then with my wife, poor wretch, to the dressmaking places and enjoyed it too, seeking ail the fine ladies in their fine feathered frocks. But. I-ord, the prices! Then to Will Hogg’s and talked awhile, but he fell asleep in the midst of an adventure I was relating so away to play bottle pool with some roysterers and won almost a pound. In evening to see Eva Tanguay whom I had not seen in 10 years and still enjoyed her screeching and mus cular flibbergibbets, but do not for the life of me know why, unless be cause it is such jovial vulgarity. So home and to bed. A keen woman reviewer recently went by appointment to talk to one of the glorified movie queens. The movie star failed to keep not only this appointment but another. The third was finally made and the Inter viewer waited for two hours and fin ally sent In a caustic note. The star came out with profuse apologies: "You know, my dear," she cooed, "I'm just a temperamental actress." “You are neither temperamental nor an actress, and goodby,” said the interviewer and departed, Tt seems to me less ability is re quired in movie acting than almost anything I know save perhaps wash ing dishes, or writing newspaper col umns. Yet around no class of people do more false assumptions cluster than movie folks. The director pulls the string and they become mere automatons. All that Is needed to ex pose the hollowness of the ancient delusion that movie players show or iginality is to visit a few motion pic ture studios while films are being made. Not that I believe all movie play ers are morons and cretins. Quits a number of them are good friend* of mins. I have found any number un usually bright, witty and well educa ted. Yet I have never found one who didn't somehow or other acquire an exaggerated idea of hi* or her acting value. In the end it becomes a sort of immaculate aloofness toward ordi nary people—the people who really make up their audiences and pay the high salaries. The player doesn't be lie vs there Is any other art but his ■—the female of the species suffers the same delusions of grandeur. She pit ies the rabble from on high. "Camqo" McWorthy for years made a good living selling jewelry on the instillment plat* to burlesque girls J>ater ho expanded his business to girls of musical comedy and vaude ville nnd in the past. 10 years has amassed a fori one. Ormind is now being broken on Seventh avenue for the McWorthy building which is a monument to the honesty of stage girls. McWorthy is building it on the profits accruing from trusting them. He says he has rarely been defraud ed. Sometimes there would he lapses of payments for five years, but in most Instances the girl* would hunt him up and settle the score. Me Worthy, te a dapper fellow about 60. He wears the smartest clothes of Broadway pattern and Is given to wearing cameos, a custom which gave him hi* nickname He has mar. rted three women of the stage but dlvoreed eaeh. "They are fine friends, but poor wlvee I found," he said. (Copyright, l*5(.) person can think themselves Into— into most anything. But I don't need to say that to you. I don’t say It to hear myself talk either. What I mean Is that—well', we've got to think about something, haven't we? I guess that's so. We can’t just stop the machinery. The wheels get to going round whether we want them to or not. Mine went whizzing this morning on the train. Hell’s bells, I said, this girl—O I was oft for fair, I can tell you. And when I got at him—there he was, out on the roof with a story magazine. I said to my self. he's reading some fool yarn about love—and him, what a mess he's made, of it. That's what I thought—for a second. Then when he looked at me —God! what a W'ay of looking! How could he change so? Why, he looks —you know, he knocked me off my pins. It seems to me he has the same eyes. Maybe that's It—the same eyes, but—anyway, he Isn't there. Sounds as If I was describing him—as If you didn't know. Not seeing him for a while makes a difference. Sort of hits you. The worst was the way he looked at me—as if he was afraid. Not exactly plain fright. I don’t sup pose he was really afraid. It wasn't that. It might be lt wasn’t seeing me when he didn’t expect to, but some thing I made him think of, auddenly. Afterward, when he was shaking hands, and I was pulling up one of those roof chairs beside him, he seemed more like himself. And I didn’t waste any time. It was a man toman thing, I told him. We'd bet ter have it out. Somehow I knew he'd lay his cards down. I didn't need any tricks. I didn't spring any surprise—any more than telling him I’d heard something, and how about It? Al nr!fi ne oiinKea. xviubi ji«? icn me? Was it all up? I could see that. Perhaps he'd stopped going back to that affair—going back to say it. He couldn’t help going back. The ghost of it he carried around would keep reminding him. Hut he might have thought he was through telling the story. You would expect It to hurt, and you would expect a man to wish he could shovel the dirt over it and he through—through with all but the ghost. I understand that. I told him ao. But there was one telling he had left out. If you hod to live with the ghost you had a right to be told. It was bad business to let you get it from somebody else. And this had happened. " ‘Not? Arnold?’ he gasped at me. You would think that skyscraper had begun to crack open. "No, not Arnold I said. He ought to know there were plenty of others. Anyway, you had been told, and it was pretty rough to get it that way. He sat there blinking, with the tears running down and dropping off his chin." "Tell me this,” asked Jo Ellen. "Does she know?" "Yes. She knows. She didn't know nt first. He told the old man. There was no way out of that. But they fixed it up not to tell her. That didn't work at all. When she began talk ing about what the government ought to do, and having Arnold go after the records so they could put in a claim, and so on, never letting up on what an outrage it was, there was nothing else to do but tell her. And there's where you got the mother of it. She stuck to him. You have to give her credit for that. A lot of credit. She's no weak sister. Of course, she would stick to him. Why not? He was smashed, wasn't he? A mother doesn't ask how the son Is smashed before she does anything." Jo Ellen detected a moral. Her eyes were fixed absently upon the smoky vista of the restaurant. “A wife might be mean enough to ask," she said. “O the mother asked! I guess she asked enough. But it wasn’t a bar gain. See? Not a bargain. She was bound to be for him—-all the sadder case. No matter how it happened, there he was, smashed, finished. If he hadn't had that fall, in Just that way, on the day he was married—'' "Then she wouldn’t have hated me.” Bngert faltered and gathered him self again. "I don't say she hates anybody—unless It might be that Frenchman.” “And the French girl.” Jo Ellen flung the words, and Bogert gazed uneasily at the disturbed lips "She'd have to hate them Sure. It’s so easy to got up a ha’e. But how do we know—about anything? That girl. What do we know about her? You might say she was to blame, because she knew something and didn't tell It—she knew something the father had said. If she had told Marty, he might—well, he might slm ply not have been there. He wouldn't have been there, he says. He doesn't rharge it all up to the girl. I'll say that for him He takes his man s share. I guess he knows he has to. Anyway, he takes It. He aeted like a fool. She wasn't even pretty, he says. . . . 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CvrujICHT AN- AH OcNT POWPOSE To STAN' Fc* NO MONktV SHINES IF HE AUCVnS To CHANGE HiS MinD * DEN Fl* OP A OCCAMMENT IUHAhGV AM CHALLENGE SPAMK. PloG To u.ac-e mv Fo O' OF WOULD.’ PPIltlCIAir1 IIP FATWFP R.«ut«r«d see jiggs and MAGGIE in full Drawn for The Omaha Bee by McManus DlxlllUinU Ul r JT\ 1 I IJUI\ U. S. Patent OINn PAGE OF COLORS IN THE SUNDAY BEE (Copyright 1924) _ ________. - - - 1 —1 — I ) ILL SURPRISE MAC.CIE THIS MORNtN’ OT C'TTIN UPBEroRE SHE DOES* SHE WOl ASLEEP.WHEN I COT Its LAST NICHT an* OTCITTlN'UP ' \ NOW SHE'LL Ks U Think i wu'Z in earlt: ^ OH! t>0 IT 1*3 'YOU - _ u ; raun M 1 SHOT up: v/hat do too mew er coming v— HOME AT TEWS HOOR OF MORr-vtso? p | © ' 921 »Y IwT'C JERRY ON THE JOB honor where honor is due. Urawn for«i"!Ur?£» y _, ___^ ~ -■ - •. ■ »__ _ _ - - - ~ Vi