The Omaha Sunday Lee H:hotop'->v 1
VOU M- NO. 47 OMAHA. SUNDAY MOHNINU. MAY 4. IWM» fl\\ ns\
I Ethel in o
Shocker
Will Hmrstnm*! <JWFift
•/ M(ii4arW f Md ••
Ini4+**lmg Mnmrnt•
«■ - ..— - —*
AM Irwlel ef Ball# Aiful teltdil*
#Mt t# la iter* fee tA#
ittA Will aeaamM* Ml IAA Ai*ed»>*
tl**1»f MMr I* MAd IT, I* WtfMMM
Ml at RfAal Ra> rrmor## perform# no#
n IA# Alfred Bo ire# eem*d», "TA#
I e'llMltt lAdf"
IM N#« Tork l*#» #a##en AdiA IMA
pier, under lAe dIr#rtIon of Arthur
llepktn#, Ml** Rirrvtnor# Armed A re
amtndlng puree#*, And fee month#
TAe 1 anihtng iRdr" W## placed he
fore audience* I Kit !M«ed the re pertly
»f the T^ngacr# tAeeter,
The der following Miee Barry ora r#'a
flrei New Turk #pp»*r#nr# in thte
Butrn rnmedy, the Bun «pok# of "The
laughing t,ady’* ea "« delightful Alih
comedy that haa tha moat arlntlltatlnB
dtalngii# of the aeaaon." and 3. Rankin
Tonne In tha Kvenlng Poat, eatd that
tha pier waa "exceptionally amuelng.
abounding In airokea of broad humor
and fieqnently aparktlng with the
keener flaahea of genuine Wit.” Tha
critic# one end all reflected the en
thnataam of tha opening night audi
ence In thla particular that the fav
orlta actreea wa* appearing In a
comedy that would and did delight her
(•'follower*. "Tha audience,” wrota .tohn
' Corbin In Tha Time#, "waa glad to
have her back, and eald ao to the ex
tent of vnrlfaronily demanding a
*paach. Mien Barrymore'* adorer*
were delighted."
Aa for the plot of Butro'e comedy,
It la fhu* recounted by the Time# re
viewer: “ Th# lounging I^dy' haa
Juat been divorced becaua# of an ap
parently flagrant midnight encounter
with a young rub In pajama* and at
her trial haa been rather roughly
handled by her huahand'a attorney.
Of courae aha I* Innocent, and, of
codrae, everyone think* !h# worat.
Kveryone, that 1*. except the brilliant
nod charming attorney. Farr, who
fella In love with her on the epot, and
her very dull huaband, whoa* love re
vlve* aa auddenly. A* It happen*, ahe
fall* In love with Farr. But her new
divorce doe* not help much hecauae
he I* married to a moat worthy wife
and mother who adore# him.
"What ehall he th# upahot? Tn a
aerie* of brilliantly epigrammatic
ecenee, admirably played, are th"
iiaiuil poaaibllltle* canvaaaed, from
th# flat of a London mtatreaa to a
free-Iov# ranch tn Bouth America.
Kveryone acta quite humanly on the
plan# of dignified folk of fh# world.
"After having been atartled, In
lrlgued (th# word I* Butro’#) and
Bc.matlmca almoat ahocked, good aenaa
prevail*—th# afor*#aId normalcy. And
*11 who delight In the real, original
and dlrnnn pure Kthel Barrymor# ara
delighted.”
Mr. Hopkln* bn* provided a fine
eupportlng company, Including Henry
i/aolell, Wallla Clark. Monel Pape,
Kdward Martyn, Virginia Chauvanel,
Kiliel Inlropldl and Jan# Wheatley.
Robert Kdmond Jonea ha* oontrlbuted
netting* that are modal# of atmpllfled
rcallam and beanly.
I'Ainor (ilyrit
"Three Weeks" Otiens
__/
One nf th* molt compelling love
tun Ice In the world'* llteratur* I* of
fered at the Hun—Kllnor fllyn'a
••Three Week*.” Th# novel created
e eeoeatioti upon tta publication II
yeara ago by Ha daring gnalyala of
the love pasalon. It ha* continued
to he a big teller through all th#
year# that hav# lino* alapaed.
The novella! waa brought to tha
atodio* In culver City, Cal., to aid
Director Alan Oroaland In plcturlr.lng
fh# noval, Th# reault la an tngro**
Ing Inva romance, depleted with all
th# fire, vivid coloring, pletureanu#
rh*ra< irrigation and Incident# which
made th# novel inch a great aucceae.
Th# two leading character*, Paul
Verdayne. th# young Englishman,
and the TAdy, whoa# identity aa th#
Oiieen of Bardalta Paul doe# not
learn until aeveral yeara l#t#r, bear
almoat the entire, brunt of th* action,
and nereaaltated a moat careful aelee
tlon of the pieyera engaged for thoae
■•art*. Allean Pringle waa aelected for
th* I-ady, after meny more widely
known actreeeee were teated for th*
part, beenuaa ah* I* tha very Image
of tha f|ue»n deecrlbed by th# nov
Vtlat. Conrad Nagel waa glvaa th#
role of Paul.
Others tn the cast era John Bain
poll*, H. Itcevea-Bmlth, Helen Dun
i>»r, Btuart Holmea, Mitchell Lawla,
Robert Cain, Nigel d* Brulller, Dale
Fuller, Alan Ooaland, Jr., William
Ilalngg, Joan Btandlng and other*.
In addition to the feature th* Bun
la showing * novelty comedy reel of
Will Rogers, "Two Wagon*, ‘Both
Covered.”
Billy Van Allan Will
Work Without Makaup
v——■- — ■ ■ J
Billy Van Allen, on# of Iha featured
comedian# with the Bert Smith Play
«ia, now In thalr eighth weak at. the
\#w Kmpreaa, la to appear mlntia
"makeup" In tha current production,
' Stolen Sweet*."
Heretofore A'an Allan has been do
ing old men of various type* and
l,oul> characterization*, to hi* appear
ance In evening dreaa and light come
dy la certain I* aurprla* those who
have been accuatomed to *»elng him
lr> other role*.
Ne*t week , when ' Pap* lovtt
Mamma” la th* hill, Van Allan doe*
jl colored porter that I* aura to result
In another credit mark for thl* veraa
til* laugh producer.
Jo# Marlon I* aeen thl* week aa (he
io partner In nrlm* with Van Allen,
th* two Impersonating a. brae* of
-rook* who are slicker than a flock
of "Jimmy Valentine*.”
Th* Bert Smith Player* continue to
■ gain friend* for themaOlv#* and the
tbaatir.
Hlalmar Bargrnann, noted gwedlah
novelist and playwright, ha* com
plated th* Sim adaptation of Kdward
yt/ir.t n'f Flngllah novel, "Th# Tree of
th* rtarden." Th* a'ory I* to ba direct
M by Victor laaatrom.
Co ft 14 d
A NO Jr 1194 H
IN
fn4 |i \V» IM*
Al TM» sijr^i
Sylvia earner ^
in ‘The Woman on
the Jury " at the
RIALTO .
-— '
Sex Rule Over Man
Hrinuhvay Return* to Title. of llliril Love,
Heveling in Old Xio**ip Made Over Into
Comedy-Dramax of Uncertain Art or Worth.
Hr I'KKCY MAMMONI).
New York, May X.
- NCK upon a time, lha Broadway
gossips say, a New York
woman fell In love with her
husband's heat friend.
Her affection, so the atrange elory
goes, waa not of the excusable type,
but that of a wanton—carnal and
licentious. The man, a handsome,
muscular and well meaning fellow,
had no desire to betray hla pal. He
much preferred lo be true to him, for
they had been comrade* *t lha uni
varalty, sharing each other's sorrows,
aharlng each other's Joy*.
But, although a gymnast, wearing
many athletic Initiate upon hla col
lage sweater, this man waa weak. The
rad of hla blood had a habit of over
corning the white of hla soul. Its waa
rasll.v tempted to th# liaison* sod the
rnndeavnus. YVhen, therefore, the wife
of hla closest fraternity brother *ug
gested an assignation In a question
able hotel ha succumbed, reluctantly.
goon after ha had left her alone
and untarnished In this scarlet tavern
It caught fire and burned down, Hhe
waa among the unidentified victim*
of th# holocaust. Whereupon ha was
confronted with a problem of conduct.
Hhould he let hla frantic, partner re
main In mors or leag blissful Ignor
ance aa to tha whereabouts of hla
Wlf». or should ha be etralghtforward
and confess her guilt and his?
■ ' O —
T'pon tbs foregoing well known and
much-talked about Item In the sex
tragedies Mr. Martin Brown has bu'lt
hla play entitled “Cobra.” The
venomous cobra la Mr. Brown'#
synonym for passion. H first faacln
ates. and than It strikes with fatal
fangs. True to tradition, "Cobra”
proves once mors that It la tha erring
woman who peva and pays, while the
man marrlea hla blond and rhaale
Stenographer. . . . The story of
“Cobra” la exciting and founded upon
fact; tt la fairly wall told by Mr.
Brown, and It la acted perfectly by
Mr. I»ula Calharn aa tha While Bull,
Mlae Judth Anderson aa the flrkhly
snake, Mr. Ralph Morgan aa tha un
aealng husband and Mlaa Clara
Moores aa tha pious stenographer.
The beat that can be said of “Oar
dan of Weeds,“ I/eon Gordon's new
study of eaxllfe tn Greater N*w
Tork, la that It la a gingerbread
obituary of a fabulous devil among
woman and Wall glreet. Mr. T#«
Baker, representing a aalanle volup
tuary and financier, ruins, as tha anv
lug Is, a noble Broadway show girl
(MIM Phneha Foster), and la mur
dered thereafter by her aristocratic
husband. Impersonated galubrlonaly
by Mr. Warburton Gambia. . , , Vary
bad, but not so bad aa “White
washed,” the moat terrible comedy
that T heva aver seen. . . Of “The
Dust. II»ap" It may he reported that
It la a franxled tats of th# Tukon,
wild eyed, fevsrleh, tineane and be
longing behind the bar* of th»h dr*
me tic booby-hatch
■■ y I a
Mr. fcarouel Khlpman'a crltlrlarn of
my imfornrabla review of hie laleat
auceaea, "r'heaper to Marry," may
aerve to ahow that, although a play
wright, ha haa aoma human Inatlnrta
‘'Kir," h« wrltea, "In your review of
Vheaper to Marry' you point Out
faulta that at a not In tha play, hut
In your own Imagination, which la
rich In dramaliata* ahnrtrnrnlnga. All
you hava to do la to arcatch your
Head to deatroy not only a Hhlpman
but an Ibaen,
"Ton aay that 'Cheaper fn Marty,'
'though alncara, la rambling.' Even
• child could aea tha maanlng of the'
play. If tha play appeared rambling
to you It may have been berauaa you
ware aearchlng your rich Imagination
for flawa ralher than llatenlng to I ha
tegt.
"The purpoae of Ilia plav ta to
ahow that a man who rnarrlea the
girl ha lovaa haa more chance of he
Ing happy, deaplle tha reeponelbllltlra
and hardablpe of marrl«d Ufa. Ihan
tha one who aWrke them hy living
with her In free love I ha turner at
It with every line and altoatlon
Thera la not a alngla alrav Wow
Where do 1 ramble?
"Too aay that people go off the
ataga without any roaaon. I defy
you lo point out on* Inatanr*. I m*y
r.ot 11* *• great a thinker aa you are,
but 1 am a better dramatist.
"Again, you arouse me of preposter
ous situation*. (It* some that eoiifd
not happen In life. I dare you.
"The gravest charge In your erltl
cal Indictment of 'Cheaper to Marry'
la that I am making pretty phrases,
springing too many epigram*. To
this charge 1 plead guilty.
"Why haven't l aa much right to
Imaginative phrasing a* has Menard
Shaw, or even yourself, 'Shipman'*
peacock phraaee,' you write. Why
not ‘showy phrase*,’ to he natural and
• Ollnqulnl? Any on* who fhvea alyl*
would prefer 'peayork phrase*' ar.d
let naturalness go hang.
"I enjoy vour epigrams. Why
can't you enjoy mine’’ True, rharao
tera In a play should talk aa they do
In life, hut think how dull a play
would be If It attempted to reproduce
th* natural conversation of Ilf*. I
would rather be untrue to <h*renter
then a bore.
"All Hhaw'e character* *r* **
brilliant, a* Shaw himself. W* Ameri
can plavwrleht* are not allowad to
l>* bright.’ W* nniat be dull ss life
Itself.
"As a flagrant Instance of my
sacrificing naturalness or common
placeneas to atyle, you quota: 'He*
Is the curse of man and the currency
of woman. Indeed, I could have ex
pressed the same Idea In a more
pedestrian way, and then you might
have applauded me. I don’t think!
"I believe you are eor* that you
are not th* author of the epigram.
JhiI me tseur* you, however, that I
rrnalder you coauthor of any epi
gram I write, hecaua* I contracted
th# habtt from reeding you.
"I know that you appreciate my
work much more than, you any fn
your review*. Ton Juat love to *»t
my goaf. I don't mind your having
fun at my expense, but when a re
view of your* may keep a lot of
people out of work ind the public
from enjoying a very good *how Ilk**
'Cheaper lo Marry,’ I ddn't think It. I*
nice of you.
“for th# lovely thing* (ele) you
hay* said of ‘Cheaper to Marry' I
thank yoti. Tour sincerely,
"SAMI'EI. SHIPMAN."
——4* — —
Very well, Samuel - you know bet
ter then i do what your frtendg
ye#rn for. And you are hoapllsblg
when you permit me to alt In the
grandstand and hiss your had play*
and applaud your good once If any.
JSebrtuha't Hoot
in Comedy Hole
\!J
'T/#i t go over to the rtlhaon Kedg
w|rk let," we* • ■uggeetlon heard
dally whlla "4ft More# Hawklfta" wa*
lielng filmed »t T’nlvereel City. The
r#a»on for It wag that, on Olhaon'a
vet there would ha a lot to laugh at.
Hoot nihgoii, a Nebraaka hoy, la
•ha alar, and Kdward gedgwlck di
rector. Advance Information from
tha atudlo la to tha effect that tha
production la on* of the moat humor
one ever erreened by thla director
end alar.
Kedgwlek, who ha* directed Olheoti
In all of hla recent auccMMa, wrol#
40 lloraa llawlilni," In collalKtrallon
with Raymond I.. Hchrock.
Anna Cornwall, Helen Holme* and
Richard 'linker, all well known
ar reen leloA, aupport. They play a
• barn atormlng" company playing an
ancient melodrama In tha amall vil
lage, where (lllreon la the entire work
in* force of the opera houae. • Kaat
l.ynne,” wllh emollonal verlatlona, it
(he vehicle In which they appear.
Complicating allimllona arli-e, and on
tha epur of a moment. Hoot leave*
tor New Tnrk In een the fair lady
of hla heart, creating dr cm* and In
lereellng prohlema at every turn.
"Forty lloraa llawklne" and
Round * of ’ lj*atherpci*her« 1 are al
the Moon thle Week
PI* wld»lv eepera'ed location* were
vlal'ea In the making of Paramount a
’The Cod# of the gea, ’ which I* now
nearing completion. Rod l«o Rocrpte
and J*i|uellne la-gen or on-featured.
Joy in "Triumph at the strand
Qt/ie/ danyniore
COMING _
TO TMf f
IBRANDE is
% CortTpsert
* and Chvt
'Utooki <1*
•woman re woman
At rHf MUSE
I. --- *NP J(utri (/«1-rut f li1WC S5 CSC itte Halt lSlid si WORLD
--a
Heart In ter rut
Movie at World
* . J
Tim** chatig** ail thing*. Tenth
and heautjr p**a. Th* young and
litrong of yoe'erday ar* th* Oft amt
weak of today. Th* daada of old
h*ro*a aro puahed Into oblivion hy
tho deed* of young on**
Ara tho*o who did greet thing* In
their you'h merely In lha way wh*n
they grow old and no langer hay* tho
power to do great thing*? Wh*h
they dwell on ihe grand and gtOrlnua
day* nf old (he dara of tholr youth
that meant *n flinch to them -are
they Juat old foola?
The Nieelo family *n*w*r*d theaa
1'iea'lona In tlio affirmative. In hla
youth Garland Hteele waa a hero un
d»r General ttrant. and ha navorilred
of tolling of (hoe* doya. Hla *nn and
hla family had no patlenc* with hint.
H* waa a burden. llo waa In tha
way, and an thoy planned to put him
In an aavlurn. Only Johnny, hi*
youngeet grendenn, loved him and
varad for him, and Grandad proved
that, although ho waa an old man, ha
could otlll he nf ua* In th* world.
"Th* Old Fool," th* atory af
flrandad H'**la, I* a picture with
p*itin*, laughter, thrill*, leva, action
anti a mighty lnl*re*tlng theme. It
I* at th# World today.
REEL REMARKS
Hr tha M. r. Etutor.
- -- J
flarana* O Radgar ha* raturltad to
tha Matro Ntudlna In Hollywood,
"Mgrtnn of tha Mnvlaa " atarrlng
Olann Huntar, will ha Jama* t’ru*# a
nail Paramount plrlur*.
A Iha Tarry and h*r lit 11# Arab
ward, Kad* Ah dal K'adar, hat* *1
rlvad In l,oa Angalaa for a ahorl t lalt
with Mlaa Tarry'* mot bar.
Taniratta Taylor will airlv* In T,oa
Angalaa In about two waaka In atari
work on "f»na Night In Roma"*
William Farnum will l>agln work In
about two waaka for Paramount on
"Tha Man Who Klght* Along."
"Tha Hot nog ftp*' lal" la Iha now
tat nnmbar of tha • Faat Ntrppara"
aorta* In whtah Hilly Hulllvan I*
atarrlng
Oarald Raaumont baa baon aalarlad
by trnlvara*l to writ* tb* atnrlaa
for tha aarlaa «f two raalar# for Jaak
D» m paar
Ford fttarling baa ti*an addad ' tha
raat of "W* Ar* Frattoh " Tha r*at
Inrluda* Ma.1gn Hallamv, Cliarla* da
Rorha, lilbauu (lowland, Prlarlllal
n*a n Moran and Wall*'# Mar Don
*'* ,
Alma Bennett in
‘Why Men Leave Home’
» -
Alnm l»*nm>tt. n*wf lumlnn v in 'h*
mnvl* «nrl<1, M* mm nf hit fir*
M« vy p»rt* In ' W hr M«n I.»av#
Hum*" n»«f H,in'l*r »t in* KIhIIo
lh»»t*r Ml** Hmim-lt it** tr*rln»l*i|
frnm fh* iv>ni*AI<>» »n4 w»#;*rn» !nl
lm»ry mamttla *"ir
ft oman i Ware on
Jurist Di*ru»*ed
- .
Th* courtroom I* crowded; th* hun
di«l» of *pc< tatott »r* tana* with
*upt>r***r<r **rlt*m»nt, Th* Judi*
»<*rntjr watch** for anr nuthr**k «f
• motion But everythin* M *o quid
that th* droppln* of * pin would ha
aiidlhl* In *v*f) **ction of th* Im
n»n*» room
Th* prl*on*r, • nt«r* dirt hu*|rln*
r hahr in h»r irtnl, *it* h**ld« h*r
moth*r, tr*tnl>iin*ly waltln* for th*
v»nUrl that undmjbl*dly will *p*ll
doom, for ah* l» th*r**d with murd*r.
Th»r* I* • *ln«I* r*v *f hop* for h*r
on th* jury I* * wt>tn*n. »’*thap*
• h* will uml*r*t*nd.
Thl* la th* dramatic *tmo#ph*r* In
which Harry O. Mnyf dtr*cl»d "Th*
Woman «n th* Jury," on th* ttialto
at r*on
ftylvbt Br*»m*r la f**tur*d, with
Frank Mart* playln* oppoalt* h*r.
(Hh#r not*t,l*a In th* cast ar* Myrll*
Htodtnan, Hahart Borworth, Hatirf t*.
Walthall, Mcaaia l<nra, Mary Carr,
Arthur l.ubln, l«#w Cody, ttoy BttW
art, Ford Btcrllnf, Bunion tl*ck,
,t*an H*r*holt and l«*o Whit*.
•‘Th* Woman nn th* Jury’*
• haorfr** th*t woman waa tnad* fnr
Inv*. to lov* and of lava, >»» ah*
moat h# truat*d In r*tnrn.
Aftar a lapaa of 14 y**ra, •vlri*
Br*atn#r and Itohnrt Bnaworth.
•rr**n favorit**. h*»* h**n r*unU*d
in "Th* Woman on th* Jury." In
1101 th»y *pp«ar*d tof*th*r in Jack
tendon * • Th* Valiay of th* Moon,”
in which Ml** Mr**m*r w*« chotwn tn
play lb* f»mlnlu* lead only *fi*r Mr
idindon and Mr. Ro»worth had »p*rt
month* looklna for th* rlfhl t>p# for
i h* ml*.
r —-—
hi u nr (Ifimn W it It
Hoot Gibnon Film
Forty lloran ltnwklna" with Moot
■ iiltaon In tha land opana at tha Mima
ihaatar today and la followad Mon
day ami Ttiandav wtlh annthar aomady
drama, "Hlmy Youf l»wn Horn."
Manhall N'allan'n malodrama. "Thn
llnndaivoua," la bnnkad for Wadnaaday
and Thuraday and Ilia (Inal bonking
Ilf tha waak will bn Hatty Compann'a
ntwoat ona "Woman To Woman •
\t I hr (>rgnd.
Anita Rtawait in "Tha Htnat Whim
Way, a novnlty In fllmn, tolling of thn
Ufa of Hroadwav la at thn ftrand. to
day, Monday and Tuaadav, Tom Ml*
Id "Kyaa of tha l>annrl" In whlah thn
waatarn atyr haa a nutnbor of n»w
• tunta !* hookah for Wadnaaday and
Thuraday and I ha final hooking fur tha
waak la Hud In Hoanua and Katalla
Ti’-tnr In Phantom itgy»‘*
7/ool Gtbson in Foo t v
HoCSF HdwKiNS * a t
T Mf V>00 A»
r-—.— - ■ “ “ 1 '
Villain on, He ff ant*
to Be Hero Off Stage
Th* Irony of !lf* In »h* “movlM"
!* !n*tenc*d In th# career af Robert
M' Kim, famnu* villain of ih* aoreen,
who i# to appear In p*r»on at’fh*
World theater heir Saturday In a
comedy playlet, “Th# Bachelor a
Bride.” M Kirn believe* ha ha* a
legitimate kick romlng *nd har# #re
hi* teaaona:
“Million* of people have aeen m#
and remember mv far# alnca I left
Ih* legitimate ataye In go Into th*
movlaa. To them I am the chap who
I* alwn\» peraerutlng beautiful girl*.
I n l.o.1 /I n| mean I II rata* cheek*.
■Windle widow* and burn down
home* a* cheerfully aa you would
llaht a match I'll kidnap baMea,
cheat at card# and take penttl*# from
a blind beggar.
“But I n really not had I am a
man of page* and I wl*h th# world
wall, and when people who aea me
Ip picture* hate me. I wlah they would
remember:
"That I »a taken mane a pnneh
on th« Jaw from a ’ending man. Juat
to earn a living, and t wouldn't lat
#om* of these puncher# look croa* at
m# Off th* lot.’ I've been a pel to
thug* that offatag# 1 would he afraid
to meet in the dark And I'v# met
more violent death*. Including two
hanging*, than any man tn etlatenc*
I h»t# to h* hung. #v*n In th#
movie*.
*'I'd Ilk* to he a hero, but th# dl
rector* won t let me So when people
r*cognls# me on th# aldewalk they
don't need to edge oyer toward the
Curb r wouldn't hWrm a antil,"
MvKlm I* conatantly th# "ytllatn''
l»er#u** he can iummen to ht» coun
tenance the meanest a cow I that aver
disgraced th# brow Of a scoundrel
ISut on acouatntane*. It Is aald. he
I* aa congenial aa a man running for
office.
t.rnnrr t 'trir in
Brlntrf) Pirturr
y >
j,#rnr# rirta, !n tha T>ar1d K»'.a#cn
>t«r* »uoo**a "Tltaf Knaa" mad# on
tha ma»t In dim foftn \ind*r th# par
annal atiparvialon of Mr. Balaam
ooma» to tha Strand navt waah.
Mr. Balaam nrohahly vaoalvad mar#
offer* tta hava hi# atata playa put Into
motion plrttir*# than any athar pra
dK>-»ra and for yaar# ha rafnaad to
•*II th# rlchtt to any of fham. Tha
B'arnnr Km* finally parattadad tha
famona prodttoar to com# out to rail
forttla hlmarlf and tnaka aavaral of
th*m
Mia* Vlrtr, who la now appaartna
In "KIM," wa# obtained for tha Irad
In "Titer Koaa" attd pfovad to ba aa
aiiroaaaftil on tha aoraan aa aha had
baan on tha atata
\t ihf Bonlrvtrd.
"H*a th# World flon# Mad*" with
Fllnor Fair. That la# Ktohman and
Mary Aldrn In tha oaat head* tha
Hat of attraction* at th# Boulevard
It will ha ahown toilav and Monday
Barbara I* Marf, In "Tha Elernal
fltjr." a picture which hoaat a larper
on#t ahnat than SO par cant of tha
film# tnada ihla mar. will h* ahown
Ttieodrr. Br#dn*#d*r and Thttraday.
Korn# nf today and .«f cenntrte# ayn
ta dnptofnd fn tha film ‘ Th# ton
ahtna Trail," anoihar nf TViua'a# Me
l ean'* Ittht comedy dram**, la hooked
for Friday and Saturday, with tha
addition of vaudavtlla
f firmjt
t.irh M tk* 0 wM |
Vw**"1,*1*™-*-*
Iwa irM PoetH te»" N«n«|
,M r(» mm •« tha WO' «l
,,I tm|iu •« M Ih# ««*H pratewthm#
eg«#*.(’■• it tha hat •>***•*
ia wtMil »(*iM fM «*M id II
! fell, *M MUtn il in !»•* Hip ft
IN mttHral pfeMli MHIiWA and
•fe» alee wei Pl»" pf!b<~tt*"l ltt|‘p el
l «na Mile OwW**e aM ePhar
lie* Th* MMeti fevtie !• (tee, ft feed
la ife* pen#-am •• "An Atneflrgn
Mita« Wl'h I'fWiii lu^aath* TM
lamt !**»»#• rapidly and eoiertaia
ingi* aM »• featured kt clave#
da twee, aprtglHlr «■»*#* *M ju#t a
Ml of Pt timer
(eeral IPlefet (1 iHlfhel P# IM
hill he IM api>*aranc" r»P Ackerman #
rr f b el r a mat mg I help t a ltd* *111# <ta
|,il* after a »ea», Wi engagement *1 a
local da«*» palace The peraofine! ef
Iha PraM tnc'udaa th# hfreera Acker
min, Weir, Robert#. Pl»l>rr, Avert,
f arrell and forte*#, Myron Pearl and
compin' , with Mabella Thnmpeonaad
Harry Pair), offer the fan*e»ltc pro
duction, * trance Krhne# “ Their
whirlwind danrea are eeld lo be a
revelation. In fact their entire pro
gram (• carried nut at top epeed. Die
covered and brought to thl* country
by Alexander Pantagea, Omaha tudl.
encea will hear for Ihe flrat ttm# An
tonin RoaaOto. Italian tenor Tha
alnglng atar la aald tn poeaen a mice
of remarkable brilliance and power.
Raymond Wylie and Marie Hartman,
added attraction", offer a aparkllng
comedy art called "Refora and After,
In which witty chatter la lnter#i»raed
With comedy aonga. Arthur Haya of
fer# a mueleal eplaod* Introducing’
"When Light# Are bow" and "Linger
Awhile."
Robert MrKlm, famttua elllam of
the moviea, appear# in perron at tha
headline feature of the all act bill
atarting next Saturday. MrKlm ap
pear" In a comedy playlet. "Th#
Bachalor'a Bride."
r -t”,
Mimical Comedy at the
Em pro** Promises Fun ^
Two emooth. iliek gentlemanly
crooks ara at large In Omaha thia
week. They call themeelvee Jimmy
and Jerk, but In raallty they ere
Hated In the musical eemedy ea Billy
Van Allen and Joe Marlon. They play
the important laugh rolea In the new
Bert Smith production. 'Stolen
Sweets.” at *he Empreaa thia week.
All tha featured playera. Van Allen.
Marlon. Vi Shaffer, Stella Wataon.
Helen Curtla. Bert F.vani the new
lending man; Tommy Wama and War
ren Fabian. are given splendid rolea
in "Stolen Sweeta." while tha ever
popular eouthern dancing chorus
forma a fitting background for the
varioue apectacular musical number*.
Tha local* la tha egtarlor of a rural
tavern and the time la right now.
"Papa Lovea Mamma’” la tha title
of the musical fare* announced for
the week beginning next Saturday,
which will etart tha ninth week of
the Bert Smith Playera' indefinite en
gagement at tha Empreaa.
Cecil de Mille t
“Triumph” at Strand
In hie lateet motion picture. '‘Tri
umph," at th# Birand, Cedi B. De-;
Mitt* return* to tho typ* of modern
aorlety drama In which ha ecored hi#
earlier and moot decided awciaaea
Film fan* who recall "Manalaughter.''
"Why Chan** Tour Wife?” and "Mai#
and Female" *r# aaaured that In "Tri
umph" Mr. DeMIll* offer* them the
arm* frlpptn*. *y#-fllilng comhlnation
of dazzling ladle* and gown* that
mad* thoa* picture* ao popular.
"Triumph" la th# atory of a girl
and two men who lor# her. Th*
girl ttarta at a humble factory fora
lady and hecom*# a fa.moti* opera
ainger with two world# at her fee*
Tat* tumble# on* man from a mil
lionaire’* fortune to a park bench.
F*t# aweep# tha other man from over
all* to a Hmouetn* and perfumed
pajama*.
(Irene* filmed amid th# cog* of a
great factory, a fight between th#
r eal lover* in a Hmouatno going $0
mile* an hour, apectacular oaf# and
tnodfat# ahop acene*. a daring fir#
eren# are aom# of th# delight* await
ing you In 'Triumph.”
c — \
Emprett Film
Shmvt Net* Stylet
- - - J
liovtahnea* of draaatng la becoming
more and more a hey not* of aaanr
of th# meet important photoplay# of
th# v#*r.
Now come* ‘*A1lm#oy" with hun
dred* of dollar* tavtahed en th* gowye
worn hy th# women member* of th#
ra*t alone
Ruby Miller, noted young Rrttlab
etar. wh* make# her debut In ''Ali
mony,” haa brotitb* with her a fund
of continental Idea* which have twen
worked out IB th# faehloalng nf her
clothe* in tht# production.
St'«* Stiller win preeenf on# Mack
velvet gown which ha# already b*#n
hailed by many modletee aa on* of
th* mo*t ##n*atlona! of th* year.
Other* who*# attire tend# a n*t# of
M Barra diet; net Ion t# ''Alimony'' are
Voi* Vale and .Tackia (launder*
Orac* narmond, who portray* th#
rol# of wife will be #e»n tn a fetch
ing layout of frock*, all of which rep
reeeot th# very lateet Fatlatettn*
el rle*
(fioorfria Min$trtl» Aim to
I Mako Omaha Another Cetll
i- >
Th* F\amou* 0»or*t* Mlnlatr*!* Wtl
mah# lh*tr dim dir** p»rad# an
nptincing th*tr *rp**mn.-* at fh*
|trand*i* th*at*r on W*dn*w*a* and
Thuradav, May 14 and U, with a
popular priori ntailn** ->n Th ira-tav.
With th* Fatnoua ilrorgla M.natr*!*
#r* aaao-laird *r» 40 p*. pi*, a"
mnalatlnt of th* »*ry e-a*n> of th*
n**ro mlnato*) pi-nfnaton and aft*r
all Ih* n*aro ,« •'■* rsv it a
and wliiatrrt of th# h.u an rao* and
during th* *nme*n'.'n- h*o* v f
*prin« *-m* m a at :a*.r floating
nffrt***