BEHIND THE SCREEN
By SAMUEL GOLDWYN
^-—_____ j
(Continued from Yesterday.)
Of course, 1 may be mistaken, but
it seemed to me that Mary' was con
veying the impression that she would
not he awfully offended if 1 made her
an offer from the Lasky company.
However, as this impression was cre
ated after Hhe had praised Zukor in
the highest possible terms—indeed,
she always spoke well uf him—it
avoided all the disadvantages of a
direct statement.
1 may mention incidentally that
she did have offers from many pro
ducers. Therefore when she was
ready to make a new contract with
Zukor she had a very firm foundation
of argument. "So-and-so's willing to
give me so much. Also So-and-so"—
this was tlie lever applied by her
mother and her lawyer.
There was another revelation made
by that first evening. She and her
mother were living at the time In a
little apartment on One Hundred and
Fifth street. When i entered it I
was never more surprised in my life,
for the room into which I was ush
ered contained only a few plain pieces
of furniture, and in its center stood
an inexpensive-looking trunk.
As I waited for Miss Pickford I
wondered to myself, "What in tiie
world is this girl doing with her thou
sand a week?"
For you must remember this was
no transient abode. Here in these
quarters, where Japanese ideas of
elimination hail been applied so thor
oughly, the famous star had been
living for months. As l thus specu
lated upon the destiny of Mary’s dol
lars the door opened and 1 looked
up to see a short, rather stout figure
and a face where could lie traced
some resemblance to that of the eeteb
lity for whom I waited, it was Mrs.
Pickford.
She greeted me cordially and then
she turned to the trunk. From it 1
saw her take the gown her daughter
was going to wear that evening, and
I could not help observing tho sim
plicity of this garment. Many a girl
who makes $5(1 a week would have
considered it too plain for herself.
On another occasion when Mrs.
Pickford accompanied us to dinner 1
heard the answer to my unspoken
query in the meager little room. She
was investing Mary’s savings. Most
of these investments were made in
Canada, where Mary was horn and
brought up, and I was surprised to
learn the extent they had already
attained.
I have spoken of the famous star
as being, in reality, a captain of in
dustry. Tn the thrift to which I
was Introduced this first evening you
find a reinforcement of the state
ment. T was soon to discover that
I'aste of any kind offends Mary pick
ford as much as it does John D.
Rockefeller.
But if Mary is controlled in her
general expenditure, if she h(is never
been able to rebound front the fear
of poverty impressed upon her by
the straitened days of her childhood
and early youth, she displays rto
similar restraint in one particular in
stance. Her family! Not only to her
mother, but to her brother Jack and
her Bister Lottie she has been the
so til of generosity.
In manner she is perfectly simple
snd unaffected. Fnlike many other
screen actresses whom 1 have known,
she does not act nfter working hours.
*nd when she is in the studio she
is always courteous and considerate.
There on the set, where the soul
meter registers so true, Mary Pick
ford never indulges in the spasms of
ego which the afflicted themselves
are wont to call their temperament.
Methodically as If she were Mary
Jones arriving in the omnia ffflr dic
tation, she appears on the Fairbanks
lot.
There Is absolutely no swank about
her. An Illustration of the quality
which has so endeared her to many
other members of her profession is
found in a benefit performance given
last year at Hollywood. Space was
limited and when the dressing rooms
were assigned no such poignant eiy
of outraged property rights has been
littered since the little hear whim
pered. “Who’s been sitting in my
chair?”
"What!” cried one of the motion
When in Omaha
Stop at
Hotel Rome
I Aches and Pains I
y Quickly Relieved by
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Apply hot wet towel and then rub
pert* with the ma;ic Cemphcrub
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Say "Phillips"- Protect Your
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prmnnd genuine '*I*l»llit|»Milk o!
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fifty year** Itefuse Imitations lhe
genuine “Phillips."
25-cent bottles. 111 wo larger hire, con
tain directions and lists—any drug
store.
AllVtK riMKMKNT.
Reduce Your Fat
Without Dieting
Yen in ;iio th** form Ufa for fnt reduHloo
w,in T 'i■ \i*i ( lai" Today ll Im "Taka
I MmmolH Prwrlptlon TuhleiM" I’rli
to|| frinndo- them* frlandM tall nth«*ra.
'I h»-y i .it mil.atuntini food. Ilvi *■ they
like and mill r.-dii* •* Mtamlllv an.I canny
vil ht»ui going through long *!"•<■ * of tiro
hi 1111 a axnnlru a lid si.rvall.il diet. Mar
ino!* Prrarrlptloii Tablet* am nold hy all
drtiggiMim llif win Id "Vi at ona drdhir
order'4 direct from th* Mm mol* Co., 4§I2
Woodward Av« , Detroit, Ml'h i
picture duchesses only just recently
elevated to the peerage. "Do you
mean to say that I have to dress in
a room with three other people?"
Mary Pickford, however, whose
audiences number 25 to this other
star s one, sat down good humoredly
m a room with several other per
formers.
Mow Jolly!" said she, according to
report. "This reminds me of the old
days at the Biograph when J was
getting twenty-five a week."
If Miss Pickford has. indeed, any
vanity, it is focussed more upon her
aense of being a good business
woman than it is upon her ability
as an actress. All or her friends
realize this, and Charlie Chaplin,
upon whose warm personal friendship
witti Douglas Fairbanks and his wife
I shall dwell In a later chapter, is
very fond of teasing her upon this
one vulnerable point.
"Where do you get this dea that
you're such a tine huslnesa woman,
Mury. Charlie asked her laughingly
one evening.
"Why, i am,” she retorted indig
nantly. "Everybody knows it.”
"I can't see it,” announced Charlie.
“You have something the public
wants and you get the market price
for It.”
"And then," recounts Charlie glee
fully, "I wish you had seen Doug.
Me looked as if ho were going to
hit me.”
A year or so ago I was at one of
the big hotels in Hollywood with an
author making his first visit to the
place, lie looked around at tlge din
ing room with the faces of so many
famous motion picture folks, and
then he turned to me.
"I don't see Mary and Doug,” he
remarked. “Where are they?”
"So. ’ said I, "and if you live in
Hollywood for a year you'll probably
never see them—unless you go to
their home."
Poor chap! If he had gone to
Switzerland and been told that the
Alps never came out he could not
have looked more disappointed.
One evening I was invited to din
ner at the beautiful home of Mary
and Doug in Beverly Hills. The idol
of the screen, arrayed in a beautiful
evening gown, met me with a manu
script in her hand.
"Well, well, what are you doing?”
I asked her.
"Oh," she said, “I'm working on
my story."
W.e ate a dinner where the talk
was all dedicated to pictures. Then
as soon as it was over Mary turned
to me. *‘|'d like you to see my new
picture this evening,” she announced.
"I'm awfully anxious to know what
you think of it and to find out If you1
have any suggestion^ to make."
I smiled a little as I wan led into
the projection room, where almost
every evening the star and her hus
band turn on their consistent diet of
amusement, for I realized that In this
clever way Mary was going on with
her work under cover of entertain- !
ing me.
I ms incident is typical of the
whole smiled concentration which I \
am trying to point out Kvery night
after dinner the star and her husband !
see some picture—either one of their
own or that of somebody else. in
order to accomplish this they have
Installed in their home a machine
and. Just as in the ordinary house
hold you turn on the phonograph,
one of their men servants tunes up
the silver sheet. This home, by the
way, presents in its luxury a very
different setting from the little room
where the star first entertained me,
for since her mart'll ge to Douglas
Fairbanks there has been a marked
expansion in her mode of living.
At 8 o'clock In the morning Miss
Pickford appears In the studio. It is
often late in the evening when she
leaves it. As to her working environ
ment, this has been so often repro
duced that I shall pass over the up
roar, the glaring lights, the heat,
the long waits, the monotonous repe
titions of every scene—all those fea
tures which make a motion picture
day the most wearing in the world.
Nor Is the work less exacting when
she Is not engaged in actual repro
duction. For, after the careful sift
ing of hundreds of stories, her final
choice demands innumerable prelimi
naries of costume, lighting, directing,
scenario writing and casting. And
always, always she Is thinking up
bits of business for her next play.
Blit, the reader may protest, you
have given us Mary Pickford chiefly
in the terms of work. Can this he
all? Is It merely a captain of indus
try who, in the guise of the wistful,
appealing, dark-eyed slip of a girl,
has played upon the heart strings
of the world? Decidedly not! On the
screen you can not humbug any of
the people any of the time. The
camera shows, as the speaking stage
does not, the fundamental quality of
the human soul. It has not deceived
you, therefore, when you exclaim in
voluntarily. “Isn't she sweet?" the
minute you see Mary s lace on the
screen.
Mary Pickford has a real sweet
ness of spirit. Furthermore, it is a
woman s sweetness. You And it in
the look she bends upon her mother.
In her greetings to those who work
with her. in her love fhr children and
of animals. It was that which led
her to write to Mr. Zuknr when,
after their long career of contract
making, she finally left his organiza
tion. the most affectionate and ap
preciative of letters. It was certainly
that which made the first words I
ever heard her utter seem not Just
a commercial inquiry, hut the appeal
ing wonder of a child.
Not only this. Khe possesses all a
woman's capacity for lyric response
fused with her man's cnpnelty for
epic response. The great romance
of Mary Pick ford's life Is undoubted
ly Douglas Fairbanks, and upon thia
I shall touch when I come to speak
of Fairbanks himself.
rilAPTKK TOUR.
Fascinating Fanny Ward.
Before I happened into Adolph Zu
kor's offh »• that evening, of which
l hud spoken previously, when Mary
Pick ford \ytis consulting hhti about
the pro|M*r recompense for her en
dorsement of the cold cream, 1 was.
of course, already launched on toy
own adventures with ihc stellar
world.
Through my account of the dim
cultles exjK»rlenced by Mr. Zukor and
Mary Pick ford aniving at a mutual
understanding of a satisfactory wage,
the reader may perhaps have gath
erotl that the Intercourse between
producer and star Ih often clouded
by the Individual v iewpoint. A story |
of my own contract/* will not weaken
that impression, in fact, before the
hanky company was six months old
1 had discovered that the need for
adjustment between these two mi
p rente functionaries of the motion
picture world covers a wide ground,
where salary represents only a lint
ited space.
Among the first of the Mars whom
T engaged was Hanny Ward It was
shortly after we made our first pic
ture that I chanced to meet tills wide
ly known actress in tin- elevator o'
the Hotel t’larldge, New York. Karin/
whs not in her first youth. There
was nothing, however. ex< * pt her
birth certificate to Indicate this fact.
If Ponce de i.eori In his search for
the fountain of vouth had seen her
that day he surely would hove cried,
“Ho, man, we're getting warin'*
EDDIE’S FRIENDS The Sleepy Gujr
^UOW'T LET ME 'BfEEAK^iy^
y\ UP T^E £»AME JUST BECAUSE \'/
Yl T'M LEAVIM& - I'M So SLEEPV
y\} cfM’.T Keep mw enesopelI j
x^MEA, t KMOW - u
/ EuMKiH UouU A 6uV
1 AUaJXvs c-aETS T4At
1 KX16/N' FOE. A FED
'] wvteM he's etOT
S\ ^LL “We. SAOKiEN^y
/ STiCK Af^oUMD
AwMiut -Mou
WUfcMT OaFT J
OUR. OV/EE -
COATS' AMD ) ,
t ’ WATCKtS / •
m: too y ^
A cup
BLACK COPPEfc.
POE.TiAlS^i
I 0 1924 my Imt l FcAnmt Stwvice^lNcj|
I was so struck by that air of
youthful witchery which she has so
often conveyed on the screen that I
ultimately asked her if she would not
make some pictures for us. Up to
that time her fame had been confined
to the speaking stage. But she was
at once enthusiastic about the oppor
tunity I presented to her, and in a
short time we concluded arrange
ments for her trip.
(Continued In The
Dear Miss Allen: My sister goes
with a young man who is splendid in
every way, hut there mi one blight on
him which I am afraid of. yet am not
quite sure about, it is this. Ills
mother is insane. There is alio some
Insanity in our family, my uncle, on
mother's side, having (lied insane af
ter being so for many years. Maybe
tills would be more a question for a
doctor but it seems I can't get a
chance to ask a doctor so therefore
come to you, as I know you have
many- sources of information.
Supposing they would get married,
what would the chances be of their
children having sound minds? Is not
the law of hereditary rather cruel
sometimes In this resta-ct? Would it
la- safe to take such an awful chance?
My sister, though well educated,
seems to be blinded to all this. Please
answer In The Bee ms soon as you can
for I worry myself almost sick over
tills at times. HKK &1HTKU.
Yours is a question for a doctor. I
would not undertake to answer it.
Insanity conies from different causes.
Some of them, 1 believe, are not her
editary: some are. Ho you see it all
depends%jpon the history of the case.
There are few families which do not
have some case of insanity mixed up
somewhere, so it is not a matter for
you to become unduly agitated
about. Insanity often comes with old
age. and is more a physical than a
mental failure. There are people
with bad “histories" physically, who
should not marry, bu* I deubt very
much If this would be true In the case
of your sister. Have her see a re
liable expert on mental diseases. N'o
one else can advise ner wisely.
Alice: Tan is the natural color for
pongee. It takes dye beautifully and
can be made any shade you wish.
There is an oyster white in pongee.
This material does make effective win
dow draperies, especially for summer.
Why not write some store for samples
of material. There are regular drape
silks, somewhat heavier than pongee,
which you might like.
L B.: A tea room should be named
appropriately, not Just given any
name which strikes the fancy. If it
is a cozy, Intimate little place, the
name should suggest that. "The
Green Teapot," "Brown Betty,” are
friendly and carry the thought of a
cool salad and a cup of daintily serv
ed tea. If waffles are to be the spe
ctality, a different sort of name would
be better, "Grannie's Griddle Cakes,"
for Instance. Study your place and
find a name to suit the place.
Rue—Consult a druggist about the
many patent cleaners to clean spots
from your dress. It might he more
satisfactory to send the dress to a re
liable cleaner.
A wardrobe trunk built especially
for children, and with all the com
partments adapted for children's
clothes, has much to commend it to
the careful packer
Children Gy for
w\ VV WVWWWWW VWWWWVW \ \\ mWWVWVWWVWWWWW WWN-VS. V v\W'U\M\P
MOTHERFletcher’s Castoria is
a pleasant, harmless Substitute for
Castor Oil, Paregoric, Teeth
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Syrups, prepared for Infants
and Children all ages.
To avoid imitations, always look for the signature of
Proven directions on each package Physician* every where recommend it.
It’s 80° above in
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son for starting nou>.
Only Solid Thru Train
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The De Luxe Train Daily—Fastest and Finest to Florida
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7:20 A. M.
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Obtcrradon, club and dining cart; drawing room, compartment
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REEL REMARKS
By the M. P. Editor.
Jack Hoxie will make "Ridgeway
of Montana."
Jack Plckford ha* changed the
"Valley of the Wolf ’ to "The Hill
Billy."
Gerald Beaumont's stories of rac
ing which have been running in the
Red Book are to be placed in films
by Universal.
_____ •
Ye editor is In receipt of the first
advance publicity on J. Stuart Black
ton’s “Let Not Man Put Asunder."
Lou Tellegan and Pauline Frederick
have the leads and Vltagraph should
have a wonderful picture In It if It’s
as good as the advertising photos
Indicate.
"Abraham Lincoln." the life story
of the great president, which the
Rocketts have completed in film form,
is to be Rent out to the public as a
road show.
"Technicolor.” the patented color
film process which nas used in "Toll
of the Sea,” in Cecil de Mille's "The
Tew Commandments,” and In the Zane
Grey story, "Wanderer of the Waste
land,” has established a plant in Hol
lywood.
Vincente is the latest "discovery.”
Arthur Sawyer claims the honor of
finding him and he's supposed to
have the combined facial character
istics and screen appeal of Rudolph
Valentino and Ramon Navarro. To
what lengths a press agent will go!
Madeline Traverse was awarded a
judgment of 572,489 for breach of con
tract against Herbert Lyon Smith.
Tom Mix threatens us with a book,
"The West of Yesterday." Tom better
lav off that author stuff or some poor
writer may want to be a film actor.
Oh, Boy! Try and censor this one.
For be it known that Royal A.
Baker, censor of pictures in Detroit,
has written a scenario, "When a Wo
man Reaches Forty," which will be
made by Sehulberg.
Madge Bellamy, Bull Montana and
Anna Q. Nilsson are booked for the
leads in "The Fire Patrol.”
Barbara La Marr is to have the
O-M-A-H-A
Taken by Storm
The Season’s Sensation
Classic
Magnificently Produced by
Carl Laemmle
Starring Lon Chaney
with Ernest Torrence, Norman
Kerry, Patsy Ruth Miller
Symphony Orchestra
—Choir—
Two Presentations Daily
Matinee, 2:30 Evenings, 8:30
Matinees 50c, 75c, $1.00
Evenings . 50c, $1.00. $1.50
500 RESERVED 50c
500 SEATS $1.00
Omaha's Laughing Success
Haiton Powell Players in the
High-Powered Musical
Farce
‘PRETTY PAPA’
On the Screen
MAE MARSH in
“PADDY"
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for Haiton Powell
DANCE NIGHT
Empress Rustic Gardens
FRIDAY EVENING
Music by Ackerman
I’ntertainment by Members of
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w w
GEORGE ARLISS
In
‘THE
GREEN GODDESS’
With
ALICE JOYCE
DAVID POWELL and
HARRY T. MORLEY
Pretented With ■ Special
Prologue Featuring
GLADYS MULLEN
| lead In Maurice Tourneur'* "The
White Moth.”
1/--->
Radio Programs
^-'
By Associated Press,
i Program To Hr Broadcast Wednesday.
(Central Stand^-d Time.)
(By Courtesy of Hadio Digest.)
Note All times given sis P. M, un
less otheiwise noted.
KDKA. F Pittsburgh (326)—5:30. con
cert; 6:45 children's hour; 7:15 talk; 7 30
quartet.
J KKKX. Hastings Bebroadcasts program
of KI>KA.
‘ KHJ, Los Angeles (39.1) — 8:45 children's
I program; 10, concert; 12. orchestra
KPO, San Francisco (433) —10. pro
gram; 31. orchestra.
K8I). St. Louis Post Dispatch (646) —
8. program.
KYW. Chicago (530)—6 30 children’s
story; 7. concert: *:uH concert: t:06,
Book review; 10. midnight revue
WBAP. Fort Worth Star Telegram
(476)—7:30. concert; 9:30. orchestra.
WDAF, Kansas City Star «411> — 6.
•chool of air; 8. concert; 31:45, night
hawks.
WDAP, Chicago (360)—10, program, or
c hestra.
WEAF. New York (492)—6. program;
6.30. sport talk; % 40. music; 7:10, talk;
7:30. program. 7:30. concert
WJO. Buffalo (319) — 5:30, orchestra;
6:30. news. 8. concert: !0:30, orchestra.
WJAZ. Chicago (447.7)—10. program;
13. program.
WJAX Cleveland (3)0)—7:30, bedtime
story; 7:45, concert.
WJY. New York (401)—6:30. program;
8:15. band.
WJZ. New York (456)—6. program.
WLAG. Minneapolia-St. Paul (417)—6.
lesson; 7:30. lecture; 9:15. talk; 9:30, con
cert
WLW. Cincinnati (309)—8. concert
WMAQ Chicago News (447 6)—7:8©.
French lesson; 7 30. le tore; 8:30. orrhea
trrt; 9. talks: 9 15. recital.__
WOO. Davenport (484)—7, lecture;
program. , ,
WOK. Newark (40.*>)-—G :1E, musi<; * <"
music: 9. dance music.
W08. Jefferson Pity (440 9)—8, ad
dr*1**. >t:20. orchestra.
WTAM. Cleveland (390)—8. orchestra,
soloists.
WWJ, Detroit News (517)-—7. orchestra.
Roosevelt was a brilliant man In a
multitude of ways, lie never tried a
third party more than once.—at.
Louis Globe-Democrat.
RADIO! WOWEE!
1.000 miles on a crystal set. Have
heard 20 stations, including Atlanta,
Ga. Make one like mine for $2 or $3.
Over 300 miles guaranteed or mon**y
back. Send $1.00 for instructions or
2c for facts.
O E. WESTLUND I
5015 Pine St. Omaha, Neb
AUDITORIUM
TONIGHT 8:i5r m
The Tuesday Musical Club
Presents
The Minneapolis
Symphony Orchestra
Good Seats Still Available at
$1 00 to $2.50.
Now
Piaylng
See It
Today
You’ve read about
sensational divorce
cases in the
newspapers
But wait!
Here’s the inside story
the truth about divorce told on the
screen for the first time.
It's frank and fearless and dramatic—a photoplay
crammed with startling situations, a story that
winds a madcap course over all America, ending
in a sensational climax on the perilous crater of the
boiling Giant Geyser of Yellowstone Park. All
aboard for
dim
RENO
Was She
to Blame
?
■
Goldwvn Prtwnt*
ran Iffiffie
BifteManf
■JjJtfjjlll 4da.pt e d frrmt
Wi*r ™ * ^'nlot HAS'
Ejjlf SirHall Caine
flL282TL9 Screen adoptaUcn by Fhul Evrtl
Directed by WctcV Sfjstront
Kill ACddwvH Pictur#
JINK MATHIS
tditor%*t Procter
Starts
SUNDAY
__ _ I;
2:10—NOW PLAYING—8:20
DE LYLE ALDA
With Edward Tiarnay A Jtmrt Donnaily
“fompllmfnti of tha Saaaon**
Krnnay A Hollia 3 Danotaa Statara
FENTON A FIELD
Catharma Sinclair A Co.
WHITE SISTERS
- NEW WEEK DAY PRICES;
(Monday to Saturday, tncluaiva)
Ev'naa. 22c, 45*. 6A«, $t 00. Plua Tam
Matinaaa ... 23c and SOc, Plua Tam
EDNA PURVIANCE
In
A WOMAN OF PARIS’
Written and Ditvdrd kr
CHARLIE CHAPLIN
Ckitdrvn'a PHcra Diacontmutd
44 Whit#* Piuftiu Dm.
"■■■^“ *'altar# R*r,r
^TS^r tumsMul Gi'Pttfti
B ■»**■ Matt M**ra
* MOWN Ol inT 1 ‘Nr** HU OH! t»
N
O 1
W |
N
O
W
I
Rialto
Famous
Orchestra
Exit Caeser
Kinosrrama
Vaudeville - Photoplays
pro ti
Now Playing
SAUCY BABY
MUSICAL EXTRAVAGANZA
M ith Cast of 30
( BIG SUPPORTING BILL |
On the Screen
AGNES AYRES
.n "THE HEART RAIDER"
-silk Stocks, R..-*.“
NEIGHBORHOOD THEATERS
BOl I FARD * • .VM tnd l th
' -'Mw Moor* to ’RAMING >(V.'TU‘
!'•»» el DttiiM Roo«*~ Ne. T. oxwWy
GRAND. 1*r* m.,4 IV •try I
Ru»ft*ll 5»mp*vo
le ol t .'« ■ -n,.
RutH RoU*«l <n Rvth nl R* > 3
I*-—---1