I '
Model 440
$150
Model 540
$175
Model 550
$200
Model 140
$50
QheNEW
Columbia
USIC experts in passing judgment on the New
Columbia unhesitatingly pronounce it "great"_
great in the sense that any masterpiece is great—
great because its marvelous performance as a
music-reproducing instrument sets it apart from
all other instruments of its kind.
Five enthusiastic years have gone into the
making of the New Columbia, and a technical
knowledge and skill founded on the deepest and
broadest experience. The best engineering talent the world affords
directed its concentrated effort month after month toward the elimi
nation of certain musical defects which have been common heretofore
to all phonographs.
How successful this effort has been is demonstrated by every
New Columbia Phonograph. Go to any Columbia Dealer and ask him
to play any records you choose on any New Columbia Phonograph.
You will hear phonograph music faithful to the original rendition.
The flawless purity of tone of the New Columbia, its fidelity to the
original is amazing. Violin, piano, cello, orchestral instruments of
every kind, and the human voice—all come to you clearly and truly
in their full natural beauty of tone.
For the first time you will really enjoy phonograph music with the
keen appreciation of which only a true lover of music is capable. Let
your ears take in the subtle phrasing, the delicate shades of tone
which the Columbia alone can reproduce.
Of course, you will want your family to share in this enjoyment.
So, this Christmas, let your gift to your nearest and dearest be a
New Columbia. You may rest assured that it is the finest phonograph
your money can buy, whatever the price you wish to pay.
Technically and mechanically the New Columbia is a perfect
instrument. The new reproducer (the “voice” of a phonograph) is
a marvel of ingenuity. 491 experimental reproducers were made
before one was accepted. Now, because of this new reproducer, we
have a phonograph in which there is not the least trace of blast,
vibration, metallic tinniness, nasal intonation, false pitch, woody
boxed-in tones, or any other faults which have been characteristic
of previous phonographs.
“Shock absorbers” supporting the needle arm have conquered
vibration just as shock absorbers absorb the pounding of the road
against a car.
The new motor of the New Columbia is a mechanical marvel.
700 patents protect it both here and abroad and insure it to the ex
clusive use of Columbia. The evenness of speed in a phonograph
motor is a factor in control of pitch—and in the New Columbia motor
the speed is as rhythmic, regular, and smooth as the flight of Time
itself. Unquestionably it is the quietest, smoothest running, most
dependable motor ever put in a phonograph!
Other features exclusive to the New Columbia are the automatic
start and non-set automatic stop, a patented device tested 10,000
times before it was deemed worthy of the New Columbia. With this
device the motor starts when the tone-arm is moved over to place the
needle on the record. The record stops revolving when the music
stops. You can put on a record, go into the next room, or finish a
dance, knowing that when the music stops the record will no longer
revolve. And you don’t have to set it to make it stop exactly when
the music stops.
The New Columbia has the pipe-organ tone-control leaves (exclu
sive to Columbia) which throw the tone freely and fully instead of
straining it through interrupting fabric or lattice work
Cabinets and consoles in which the New Columbia is encased are
made of rich woods, fashioned into a simple elegance of design that
makes them exceedingly desirable from adecorative standpoint. You
will be truly proud to have any one of them in your home.
Make a visit to the establishment of any Columbia Dealer and hear
a New Columbia Phonograph—whether or not you now wish to buy.
Satisfy yourself of its merit, then when the time comes for purchase
convenient terms can be arranged or your old phonograph taken in
part payment.
Prices, $SO to $600
COLUMBIA PHONOGRAPH COMPANY, 1819 Broadway, New York
BUY COLUMBIA NEW PROCESS RECORDS, and notice their superiority
Buy the Special Demonstration Columbia New Process Record, 25c
Heaturing Schubert's Serenade sung by Charles Hackett, the greatest American tenor
—played by Toscha Seidel, the famous violinist, and the Columbia Symphony Or
chestra on one side; on the other side, Ted Lewis and His Hand playing a medley ol
fox-trot favorites.
This record is sold for 25c solely for the purpose of convincing you of the superiority
of all Columbia New Process Records which are regularly priced at 75c and up
b
Now on Sale
New Process Records
DANCE MUSIC
You Darling You. (Brock
man)
Melancholy. (Friend and
Carr) Fox-Trots. Cali
fornia Ramblers. 9 D 75c
Last Night on the Back Porch.
(Brown and Schraubstra
der) (Incidental chorus
by Billy Jones)
Walk, Jenny, Walk! (Wood
ing and Schafer) (Inci
dental chorus by Billy
Jones) Fox-Trots.
Memphis Five. 7 D 75c
Just A Girl That Men Forget.
(Dubin, Rath and Garren)
I'm Drifting Back to Dream
land. (Charlesworth, Har
rison and Sadler) Waltzes
Columbia Dance O r -
chestra. I D 75c
So This Is Love. From "Little
Miss Bluebeard " (Goetz)
7 he Waltz of Long Ago. From
"Music Box Revue 1923
24" (Berlin) Waltzes.
Paul Specbt and His Or
chestra 13 D 75c
I'm Sitting Pretty in a Pretty
Little City. (Davis, Baer
and Santly)
Learn To Do the Strut. From
"Music Box Revue 1923
24.” (Berlin) Fox-Trots.
The Georgians. 11 D 75c
Oh You Little Sun-uv-er-Gun.
(Solman) Fox-Trot Ray
Miller and His Orchestra
The Arkansas*' Mule (Clark)
Fox-Trot. Jimmy Carr and
Hts Orchestra. 10 D 75c
What Do You Do Sunday,
Mary? From "Poppy.”
(Jones and Caesar)
Moonlight Kisses. From
"The Greenwich Village
Follies” (Conrad) Fox
Trots.
California Ramblers.
_15 D 75c
Mississippi Ripples. (Hanley
and Earl)
Wedding Bells. (Pether
Eatherley) Waltzes Co
lumbia Dance Orchestra
8 D 75c
POPULAR VOCAL SELECTIONS
Wonderful One. (Whiteman
and Grofe) Tenor Solo.
Lewis James.
I'm Drifting Back to Dream
land (Charlesworth, Har
rison and Sadler) Male
Quartette. Shannon Four
14 D 75c
I've Done What You Told Me
to Do.
You May Carry Me, You May
Bury Me in the Cornin' Day.
Male Quartettes.
Fisk University Jubilee
Singers. 2 D 75c
When it's Night-Time in Italy,
it's Wednesday Over Here.
(.Kendis and Brown)
Hoi Roasted Peanuts. ( Breau,
Tobias and Tobias) Tenor
and Baritone Duets. Fur
man and Nash. 5 D 75c
You Didn't Care When You
Brckr My Heart. (Johnson
and Russell) Tenor Duet.
Lewis James and Charles
Hart.
I Wish I Had Someone to Cry
Over Me. (Young and
Squires) Tenor Solo
Lewis Jam**. 4 D 75c
COMEDY SELECTIONS
Siltin' in a Corner. (Meyer)
That Bran' New Gal o' Mine.
(Van and Schenck. Davis
and Akst)
Van and Schenck. Come
dians. 6 D 75c
Cohen 'Phonca Mra. Le*i
(Regarding a Matter-o'
Monr* > (Hayman)
Cohen 'Phonea (or a ‘Phone
(Havman) comedy Mono
logues. Joe Hayman
3D 75c
SYMPHONY AND CONCERT SELECTIONS
Norwegian Dance*, No*. 1
and 2. (Grieg) Op 3S.
Ro*e* From the South.
(Strauss) New York
Symphony Orchestra.
Walter Pamrosch, Con
ductor. 6(tOOI D $2 00
Le Prophetr "Ah. mon fil»!"
(Ah. my son!) (Meyer
beer)
Samson and Delilah. "Prin
temp* qui commence.'"
(Spring with her dower)
(Saint-Saens) Contralto
0 Solos. Cyrena Van Gordon
60000 D $1 SO
V
(.'African* ( L’ A f r icame )
"Fiflio del sol.*' (Son of
the Sun) Act II. (Meyer
beer)
(-* Bolirme. “Mi chiamano
Mimi " ( Mimi they call me )
Act I. (Puccini) Soprano
Solos. Rosa Ponsellr
68000 D $2 00
Legende Op. 17. (Wieni
awski)
Souvenir de Moscow (Wie
niawski) Violin Solos
Duei dr Krrrkisrto ^
60001 D $1 SO ]
