THE VOICE A NEGRO WEEKLY “Dedicated to the promotion of the cultural, social and spiritual life of a great people” Rev. Melvin L. Shakespeare Publisher and Owner 2225 S Street Phone 5-64S1 If no answer call 5-7508 Rubie W. Shakespeare Advertising & Business Manager Mrs. Joe Green Circulation Mgr. Dorothy Green Reporter Lynnwood Parker Special Writer Member of the Assoc. Negro Press Subscription rate $2.00 per year 10c per copy THE FUTURE IS YOURS What are you doing about it? John L. Wilson—Architect, New York City was an anxious host when the United Nations moved in: neither its housing situation nor the disposition of some if its citizens were exactly beaming in welcome to its peace guests. But the City was determined and its desire to offer UN its best, select ed the “World of Tomorrow” Building in Flushing Meadow Park, and graciously lent its arch itect, John L. Wilson to coordinate the work of the private firms who won the rebuilding bid. This special assignment was only one of several Mr. Wilson has in the course of his work as arch itect with New York City’s De partment of Parks. Another, which recent visitors to New York will remember, is the newly com pleted “Harlem Meer” at the 110th end of Central Park. The work, started by WPA was taken over by the city, and completion and design of both the building and the lake fell to Mr. Wilson. Another of his assignments is the Vanderbilt Gates and fence mark-' ing the beautiful, formal Conser vatory Gardens entrance at 104th and 105th streets on 5th Avenue. The buildings and gardens of the Bronx Zoo (“The Greatest Zoo in the World”) and Bronx Botanical Gardens are his special charges. John L. Wilson was fourteen years old, living in Birmingham, Alabama, when he decided to be come an architect. “I remember very well,” he says, “a Negro architect named Rayfield who was building a CME church in Birmingham. He used to come around with blue-prints under his arms and I was fascin ated-— “I liked to draw—I liked math ematics—and these were two im portant points in my favor. “From the moment I decided to become an architect, it was never out of my mind. I began reading everything I could find in Juanita Hanger and Jeanne Malone had the honor of being nominated for membership to two of the governing student bodies of the university. Miss Hanger has been nominated for sopho more membership to the AWS board, which regulates the activi ties of coeds living in organized houses on the campus. The duties of the Coed Counselor board to which Miss Malone was nominat ed are to acquaint freshmen and new students with the university. These girls may not be elected to these responsible offices, but their mere nomination is a step toward true democracy on thg^ university campus. Although you might guess it by her name Miss Robbie Powell is one of the new coeds on the cam pus this semester. Four years ago, Robbie, her parents, Rev. and Mrs. R. H. Powell and her sister Freddie, moved to Lincoln from St. Joseph, Missouri. Since then Robbie has attended school from eighth grade through high school. To illustrate some of her mental ability, Miss Powell graduated from high school in only two and one half years and merited mem bership to the National Honor Society. Robbie is enrolled in teachers college and is majoring in history and French, both of which she plans to teach. For later in her future she plans marriage. the libraries. My father’s work as a Methodist minister took us to New Orleans, Louisiana, where I finished high school and college at New Orleans University. There were no architectural courses to take—but there were mathemat ics courses, and I kept up with my drawing. The librarians there savec^ for me every, book they could find on the subject. I was so obsessed with my ambition that everybody in the community knew John L. Wilson was going to be an architect one day. “I taught mathematics for a year at Philander Smith College in Arkansas when I finished col lege, and after that year, with money saved, I came to New York and entered Columbia Uni versity School of Architecture. Af ter two years my money gave out and I had to leave school for two and a half years. I worked at all kinds of jobs, mainly as drafts man in architectural offices until I had enough money to finish studying for my degree.” "One of the most encouraging signs I see now," he observes, "is the readiness with which archi tectural firms will take trained, efficient, creative minds—without regard to race. But a youngster going into the field must remem ber an architect must be both an artist and a business man he must be able to draw, and he must know mathematics he must know the building trades he must have patience and tact he must be well trained he must work hard." 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