The Loup City northwestern. (Loup City, Neb.) 189?-1917, March 12, 1897, Image 5
Kroni Godey’s Magazine: When a woman takes up a new line of work and makes a success of It, the first wonder at her temerity soon merges into the wonder that no one ever tlfbught of It before. This is es pecially true in the case of photog raphy, which Is so adapted to the abili ties of women that it seems strange lh*it they did not adopt It from the be ginning. The only serious objection that to make a success of photography, as of any other commercial undertak ing. requires business qualifications which women do not possess Is being tally proved groundless by experience. There are several woman photogra phers In the United States who have won more than local renown. Perhaps one of the earliest to receive full public recognition in the convincing form of financial success, was Miss Garrity, who as early as 188K opened a studio in Ixyulsvllie, Ky. She had previously assisted In the operating room of Henry Rocher, then one of the most t, prominent photographers In Chicago, ami for a year she had free access to the studio and material*. Her friend*, who were many, came and sat for her in all sorts of costumes and attitudes, with all sorts of accessories by way of scenery. Mile took their pictures, de veloped the negatives herself, retouch ed them, printed them, and finally dis tributed them as proof* of her ud- , vanclng skill. It I* safe to say that , there was not a more popular young 1 woman In her circle at that time, for there Is scarcely anything which ap- I peals to youth more than having Its picture taken. There was, therefore, a general wall of dismay when Miss Ton nesen announced her Intention of set ting up her first studio In Menominee, Mich., where lived a widowed sister. The house which the sisters were to occupy had. of course, no arrangements for photographic work, and the first test of Ml” Tonnexen’s practical fit ness for the profession she had chosen came In remodeling It to suit her pur pose. There was no one In the place who had any experience In this line. ONE OK MISS TONNESEN'S BEST. and, without any formal teaching, ac quired by experience anti observation all that was necessary for her work. Khe soon opened a second studio In Bowling Green, Ky., and with the as sistance of her brother managed both that and the Louisville studio- a re markable performance when the fact Is taken mto consideration that in Lou isville alone she Is known to have given sittings to as many as one hundred and fifty people in one day. She oversaw the developing and finishing of every picture herself, and even with this im mense output succeeded in producing work which bore no evidence of haste. Encouraged by her success In Louis ville, she moved to Chicago, and with her brother opened a studio on the . outer of Wabash avenue and Jackson street. The size of her business may be esti mated from the fact that she found it necessary to employ sixteen assistants. Site was one of the few successful World's Fair photographers. Among other things she made an album of the Catholic educational exhibit, for which the Columbus Club paid $800. It was bound in white morocco, the largest piece obtainable, and wus presented by the club to the Pope. Child ran'a picture* received her spe Y <lal attention, There is in them .1 quality as Individual and artistic as work d..ne with the pencil or the brush. Her World's Fair work wa*. how. ter Mu. hint she did for at the fair -die met a Mr. Rothery. who wooed her to taw Altgele* ittul matrimony. -ibe H--w wrt latle* the deelre to do work that i» her very own by making III narration* for the law Angelo* Herald. Aftet an Interim of two or iltiee yearn, ('blrtgu now ha* another notable woman photographer. Hhe I* Mia* lleairlre Tunneeen, and *he baa «>«ght toe buatneea and entire oiiigt of a man a bo ha<l one of ihr targe*! >i rnletea In the tily. Mhe I* ugly twenty-two year* old and began a* an many girla do with dabbling a Utile It. art ith« irbd her hand at palming both In nil and water ««Um» at >rayon wtirba abetr-klng. ami eta* m -deling It |i h*r li n belief 'fen in be an am tleti* phoiograplker a man or woman am bate h.nl ymlmn wton- irai-r* lag. nthetwlae the *o»k be> «m»e pnmiy i tu«< h tai- al It b «l awniM p-walble in- t-on-ed- 4 >• train to 4 •••*! work b being appiemned In n ibnr*-tgkiy i*inU» man bn* ike bam** toe ike poptl I* tin abate Ike m eater am * i it ik« i>ifi let bad a v>• tnlabtf lit Ike mnlai *1 k*» art eiodUna Mine , Tobn-mn began ■« «m the pneaibill , live of pbw!«a>epkt and Wgge>l Ml fat k« i, a bo te i retired mere bam uf i gmat* wean*. in let bei ga liln a and learn Ike mi done by yodmita % f h -i , at* a » M* ft ki •• fc * I and the young woman had to make her own plans and measurements for sky light. dark room, operating and finish ing room. Some of the best of her work was done in Menominee; the Il lustrations, "Portrait of a Young Girl,” and "A Modern Cherub,” are from her Menominee pictures. These early efforts already show the quick eye for light and shade, for line, for artistic sketchiness which mark her later work. There arc several branches of pro fessional photgoraphy outside of regu lar portraiture, in all of which Miss Tonnesen is ambitious to excel. There is the posing of professional models for advertising and art purposes. Next to portraiture, this branch of the work is most remunerative. The large art pub lishing companies have agents all over the country who promptly buy up at tractive pictures without reference to any particular subject. “A Hundred m tMHltKH HV MINI KWtNKtt.* Years Ago" Is an example of such a negative. A picture of this kind may be reproduced as a photogravure, fram ed. and sold at the Ion prices which continually surprise the shopper; or It may he used In any of the hundred and one ways In which advertisers make use of attractive feminine figures. The making and posing of single figures In the free and picturesque fashion de manded by the commercial branch of photography, oddly enough gives the operator his best chance to us* his artistic perceptions. Another fascinating branch of the work Ik the reproduction of celebrated portraits by the old masters, the mod els being patrons blessed with long purses and s romantic turn of mind. If It Is legitimate to copy the greatest pictures In a gallery, either with brush or camera, it Is hard to see why It Is not legitimate to copy the exquisite pose, the light and shade, and Ihe ef fective background of* such pictures. Yet there Is something about It which sensitive people may not quite enjoy, however clever the work of the pho tographer. At the same time Its fas cination for the worker cannot he de nied. There Is a growing desire among peo ple who have beautiful homes, to have themselves pictured in the midst of their wonted surroundlnge. To do such work properly requires an almost *n tirely different training and experi ence from regular portrait photogra phy. Herein woman's admitted facil ity in home-making ought to make her particularly successful. Her quick eye should be able to catch the gentle at titudes, the graceful groups of mother urwl in tii« mrvvnnnf ulll most, appeal to the heart of the be holder. These pictures are seldom made In any number, and an mainly Intend ed to keep the home vividly In the minds of absent dear ones. 'There Is much more to Hie practical side of the life of a successful pho tographer than Is usually Imagined. In the minds of most persons, he occu pies a rank a good deal below an ar tist, and a little above a hook-agent. He Is shabby genteel, the man who serves mammon, and misses the true artistic inspiration. He is regarded by painters much as the family doctor re gards the quack who advertises, or as the churchman In England regards the dissenter. The truth Is, that these estimates do him less than Jus tice. To succeed, he must have artis tic perception, combined with a me chanic’s deftness of touch and the busi ness man's shrewd management. As an arttist, he must study the effetrt of light and shade, of massed or diaphan ous drapery, of pose, of background and accessories. If he would make good por traits he must possess nearly all the qualifications of the good portrait painter, including as much of a knowl edge of color as will enable him to know how certain shades will take. He must be able to Interpret charac ter, to catch each face at its character istic best. Miss Tonnesen boasts that all her sitters are beautiful, a declara tion which is borne out by an inspec tion of her studio. A young woman has a beautiful forehead, but a retreat ing chin. Posed with her face bent downward over her book, the beauty shows, tile defect is concealed, and her friends discover her beautiful feature for the first time. Another has exquis Its arms and wrists; she Is pictured with her elbow* leaning upon a table of highly polished wrxxl. which reflect* the lovely curves, and call* attention to them. The devices by whieh these points of beauty may be caught and emphasized, tax tIn- ingenuity of the operator; but, first, he must have the artistic eye to see them, or his ingenu ity will be of no avail. The necessity of a skilled mechanic's touch and readiness of resource can ; be appreciated only by those who : have watched the maturing negative through all Its stages the treatment with chemicals in tin dark room: the 1 retouching, under a single ray of day j light from a narrow aperture; the | printing, partly in sunlight, partly in | clear light without sunshine, the time of exposure to each most carefully reg ulated; the washing. In baths of pure running water, until every particle of acid has lieen carried away; and, Anal ly, the flnlahlng. by the various pro cesses now In use Those who snap a plot lire Into a kodak and send tip the Alms to be Anlsbed and mounted, have a most Incorrect Idea of what is re <1 it I red from the professional operator, who must know every step of the pro cess, If lie would not have his best work spoiled In the gloomy regions be hind the bright operating room. If. In addition to all this knowledge the photographer has not sound busi ness judgment; If he does not know what, location will bring hint the most trade; If ho cannot bid for, and get. orders from the big advertising Arms; If he does not know how to advertise himself, without making his work so common that the fastidious will not have his name oh the cards of their pictures; If he does not know bow to get hold of a few famous people, and "do'' them thoroughly to their liking and his betterment: If he does not know how to buy his materials In the cheapest market, considering quality, and sell the finished product In the dearest, considering numbers; If, In short, he Is not a first-rate business man. as well as Hitlst and artisan, he will not succeed. It is probably be cause ho few who have attempted thlH work have at all appreciated the multi plicity of IN requirements, that ho few, comparatively, have succeeded, and that the general estimation of the profession is ho low. It Im not a little to the credit of women that several of them have been able to achieve a con spicuous miiccckh in a line of work where the demand upon versatility anil steadfast application Is so great. LIFE OF A WARSHIP. A < elrhraH-il French of tin tears Ago Now Mold for Olil Iron. The hulk of the French warship Ma rengo tells the story of the tremendou* costliness of naval armaments. At th* time the czar was received In '#ter hour* by the most powerful Heel tip French government could gather to gether. this old wreck lay unobservet In a corner of the harbor. Home thoughtful person has called attention to it In order to provide a skeleton at the lovefeast between France and Rus sia It reminds the French that though It is a fine thing to lie able to tight the rest of Europe,It Is painfully expensive Only five years ago. In 1891, the Ma rongo was the flagship of the French squadron which went to ('roustadi and received a tremendous welcome from (he Russians. It was this recep tion which initiated the Franco-Rus slan alliance, and It is the czar's laic visit to France which has published it to the world as an established fact. I'p to that time France had been iso lafed in Europe. On land she was threatened by the triple alliance, tin sole purpose of whose existence was to keep her in check On the sea her hereditary enemy, England, was always watching her coasts. Under these con ditions it is no wonder that she wel comed with almost hysterical delight an alliance with the mightiest empire In Europe. Hut the price she lias to pay is great. In order not to be Iso lated. she places her resources at the disposal of Russia, and as the receiver of a favor is necessarily a subordinate In the alliance. A great .army is an essential part of the national policy of Russia but a navy Is somewhat super fluous and (cry expensive luxury. f* ranee is therefore allowed to provide this. She must keep up » ruinous competition in shipbuilding »|ih Hug land, in order thgt HiiksIh. who Is rgi tronger than Kiiglund on land, may not fear her on the se« The Marengo, which Is an Ironclad of more than 10. dofi ton* displacement, was a finer »ht| than any the Itusalans possesaed In tfcPl She would le a glam m their fleet to-day Hut in faniparlaMi with ship* having llaneyiged armor, she Is ihaoleie and therefore has been sold for the old non and wood Dial are in her Hrlgfcato tuuug'* roadie nip. Kvetmne who spend* an hour in Salt lah «'H> eislta the haiidsout*' ihretalnM *ioue atria tore digiiiflvd by the till# of ‘Amelia • !'*!*<• t lt< * oeaati a h..*c iHemot > the tuiildiag will p* rpetuatr i* still Hung lut-lla rtiiaw Yisisr the aiiveeulh and tg 1 or»te wdr »f Hrighaar Voting la atilt v..nd*om* and temarhaMk well pe* : erred do well hi* ahe wasaiol ig« j htwnil egtate heft hi > bt b*f UgiMW | *» lohand that it has la. t*ae**d tunny I w«g in vnine and ah# ta one of in* • ail ho st of her Beg In tile i'ai Went •he ha* e%■*epi ionait* |rAaed tula* i*4 la fund of travel ha 1 Pm made ag* I rgi eat*net*# 1‘ imtaas Inarm Vita j < • • tug Is n desturt Mumrug llhe n 1 ■idee n X IK the gilli* I o' in n spa I !•«*# home a fen urn* a* wage of the | bistort* l. >iMing She I* a Oiuta of ‘ »ln Ureter t tesstnlld a*™a^«o,^ t I 'tnne n* I tel) you I And it pri* : I h aid nor| turning sol a ■■■damn at I l»b«* srgry fat * U « ahe tea I >n*mr an bin In H t*htia4*>pfyia 1 j V->rth taro.go j SAID TO BE SLATED FOR A FOREICN MISSION. He Declined » seal Ht tlie Cabinet Tattle lit Order to l.eaie the Way Clear Sketch of HU l.lfe In Hie Army and a* a Diplomat. ' OI.ONKI, F. P. GRANT, eldest son of General and ex Prealdent Ulysses H. Grant, eame Into public notice agnln recently by refus ItiK the war port folio, He waa born at Ht. Louis, Mo., on the IlOth day of May, IHfiO. The first two years of bla life were spent at the army aarrlaons at Detroit, Mich., and Hackett’a Harbor, N, Y., and when Ills father went to California, he returned with hla mother to Ht, laniis, Mo. He remained In Missouri, attending the public school, until tie, with the fam ily, removed to Galena, in April, I860. There he became a pupil In the public school, until the fall of 1861. when he Joined hla father at Cairo, III. From this on to the end of the war he was with hla father. General Grant, at varl otia times, at Ft, Henry, Corinth, on (he Vicksburg campaign, at Nashville, and at City Point, In front of Peters burg. At Vicksburg he parliclpaled In all Ihe battles that were fought, and was In the siege of Vicksburg, where he lost hla health and hud to return North, remaining there until he rejoined hla father at Nashville, Tenn.. In Febru ary, 1864, Just before General Grant waa made lieutenant-general and as sumed command of all the armies. He accompanied hla father to Washington, ami waa with General Grant when he received hla commission an lieuten ant-general from President Lincoln. After Ihe civil war, young Grant at tended school at Burlington, N. .1 . tin army during the fall e>f 1881. and went to New York and e,* tere-d into several business enterprises. In 1884-n he was with his father and aided In the preparation of the Per sonal Memoirs, rendering all the as sistance he could. In 1887 he war. nominated by the Re publican party of New York for the position of secretary of state, but wa* defeated by n plurality of about 17.o<*0, owing to a defection of the Prohibi tionists. Frederick Cook, a German tirewer, of Rochester, was elected. The result, however, of Colonel Grant’* nomination wa* to bring about har mony In the Republican party and give the electoral vote of the state of New | York In 1888 to benjamin Harrison, who appointed Colonel Grant I'nlted Slates minister to Auotrla. As ininla ler to Austria. Colonel Grant, had great success officially with that, government, and he and his family attained exrep IIoiihI social popularity, which gave him a position of great. Influence there. Among hla most important official acts. It may he mentioned that he prevailed upon the Austrlan-Hnngarlan govern ment to admit American pork to their market, and to rescind their ordinance against the American vine, and to permit the establishment of a branch ■ of the largest American Insurance rnm i pany In their territory. During his | tenure of this office as envoy to Austria, Colonel Grant had to deal with the (locations which arose constantly l>e > cause of Ihe military laws of Auslrla 1 Hungary, I'tider these laws the Aus trians were arresting naturalized Americans who had not performed ; their military duty In Austria hefor* leaving, which was contrary to the | treaty of 1871. All of Colonel Grant’s ’ arguments upon these cases resulted favorably to the Americans, and, at the same time, were not offensive to the Austrians. When Cleveland was elected President, Colonel Grant sent in hi* resignation a* United State* minister to Austria Immediately, al though he wa* Informed that If he de sired to remain at his post, he might do so. He returned to America with his family In July, 18!t3, and located In I CO?/. W. D. GRANT. til be entered the Went Point Academy, at which place he graduated in 1871. | During 1iIh furlough, after finishing at the military academy, he accepted a , position art artwiatant engineer with the i Union Pacific Railroad Company, and wart employed on a branch of that line in the Clear Creek ('anon, where he took part in the various surveys for i the Colorado Central Railroad. fn November. 1872. lie went as aide with General Sherman to ICurope, and was with the general during all of that journey, until the party reached St. Petersburg Leaving General Sherman there, he went through Kinlund, Nor* ' way. Sweden and Denmark, rejoining | General Sherman, who came air*mw from St. Petersburg to Germany, a! \ Perl In During this stay iu Kurope. as I his father, Oeueral Grant, was then ’ President of the Culled States. Preder- ' irk. the son. was received us it royal | prince in every court where he visited abroad Du his return home In July I8T3, young Grant joined his legimrtit In Texas where he commanded the m cori making preliminary surveys foi the Texas Pa* I A* Railroad and in Mir* h I a 7 ,t, was Hs.tgccd Its aerxe on the staff el Lieutenant General Philip It Sh< Milan as an aide de camp wuh ) • He lank ul lleoleuaul coloael As a' member of Lieutenant ti«n* ral sheet dan's s'aff he >oi*totuuliy link part I j actIve < tmpaign* on the frontier e*p rtally those in the Northwest ugaio* the Indian*. tin ike j*Mh of ihtiyiter lift he tna tied Mis* Ida t Ion ore a .taught, i *» Mr II tl II more of Cnbsgo f e , hlhtyeii of thi marrMge ate two in i• I tlrwttt taoi* irn the lih of June I*.’*. hi. i Pnwhift lr psrtt tnat.d ti a '■w.i » HI, * in 18“ New York an his permanent home. In May. 1K95, the reform city government of New York selected him as one of the four police commissioners of that city, which position he holds at (be present time. He is spoken of for an Import ant foreign mission. THE LATE MR. PITMAN. Ii'vrntur of Menography Was a Man of Kicaptlonal Talents ami Ability. dir Isaac Pitman, the inventor of the system of shorthand writing which bears his name, was bora at Trow bridge. Wilts, on January 4, 1113, and received bis education In that town. At the age of twelve be left school and •Altered the offhc of a cloth manufac turer. After sla years' of work as a clothier's clerk be was sent to be train ed In th< Normal College of the Prll ish ami Pcreign School Society, and after five months' training, at the t'ese of llklt, «4S appointed master of the Hriilsh s -bool, I tar ton-on-It urn her. He established the llritlsb school at Wm •en.oudei-t.dgc in laid, and removed to Hath in 1*39 Hts first treatise ns shorthand iMtitlvd "tits nog i aphis doondhand appeared In 1*37, and kn thou became tbs originator of the »p*.t mg refi i m to which and the prupaga Man iif hts system of phonetic short hand hr has devoted hts entire at tea thui since 1*13 when t*« Phonetic dm cietv was established Mt* ssod. which has produ nl the pinornt crop of pa«no> ,;i,uih-t» vi1 deposited In the public siilil is 1*47 bt the puhlleattoa uf a (Mils <tuarto p.ua* snltilod, graph), no .uaiuvbd by Isa a. Pit man tin it*-1 la ic ■ f lbs ev .ei.l «litas il|V t aws enilttsd Phimaninphy ” In kntstien it i* known a* lana pitman's i too«baud. it order to distinguish It mam al -isd piaw n*alion* of lb* ill ism who-h at* poll** bed thwrs • •* •« x*. ipb|. My* s*,,'- man <•# eg. -pthsttal ahtlity *#.am* *vpett *b*thand wHmw of whom t'haiWu i' - !.»** i la an tlmtn us* *»am.yis V. M«ai tw vawiwn 1*1-1 uw lb hall M WtMMM U- '«*** mi. >«•» !«. totMltn **11 he syovhsl *1 -■«* of study *g th* (tmtuan «d in*