The Alliance-independent. (Lincoln, Nebraska) 1892-1894, October 06, 1892, Page 17, Image 17
THE ALLIANCE-INT)FiPRNT)ENT- 17 " 1 w - 'I 1 . 1 i MASKS ON PAIR FACES. tchd Against In the Pulpit aad Pro hibited by PmrlUmeot. scording to M. Engorand, the i which wa known in Italy from :3to aos wa first introduced into . izceatthe commencement of the pljenth century, when it replaced l veil hitherto worn hy women. 6vious to this date it only served travesty, and a certain preacher, Hcaot was very indignant that b jr -an should disguise herself as a mJhj wearing a mask when playing tX cards and dominoes.' ,, la 1514, we are told, an act of par lisient prohibited the sale of this cxticle. It was square in form, and trcj attaohed to other head-gear by cirlappets, hanging down thence to the length of tho beard. When adopted by women the form changed somewhat and eventually concealed only the upper part of the I t jtce. the material being of perfumed 1 jijaather, covered with black velvet or 7 Shun. A tailor s account made out to jj ( Francois L Informs us that he paid seven livres de tours to a painter fur nishing a dozen fine masks lined with silver to his majesty. , The touret de nez was useful some times for concealing a disfigurement as when Philippe de Cleves by this v means nid his broken nose from view, - and again it served as a screen for in opportune mirth, for which reason the poet Desperrien advised his fair . readers not to forget their tourets de nez when they went in to town, for that they were very handy for laugh ing at many things without being per celved." in ioo me wearing oi a masK was only permitted to the dames de qualite. The same was generally made of black velvet lined with white satin, and covered a part of the forehead and the eyes, for which two hples were left When the lady conversed with a gen tleman. the mask was thrown half hack on to the wide border of the lace ruff surrounding her neck. It was worn," says the narrator, by day-time tp protect the face from the sun and the wind, and by night time to keep the composition for the complexion in its place." Henry III, and his mignons, we are told, profited by this fashion to amuse themselves m divers ways in the streets during the carnival, and a satirist of that epoch represents this effeminate monarch as employing the Poppsean mask every night, and wearing gloves to preserve .. the whiteness of his bands. In the seventeenth century a great variety of masks were worn. Ladies who had "coraline" lips preferred them short, as was natural; for others. V who wished to hide the lower part of Mhe face, the mask was completed by chin-piece of linen, which after-,-i'iard passed under the chin and over the ear. Z In 1682; says M. Engerand, a new mask called the mimi, from the Italian mimics, were all the rage and threatened to usurp the place of the black one; it was even the cause of violent quarrels between the ladies who held to the latter and those who preferred the latest novelty. gome years later it became the fashion to trim the upper part of the mask with a ruche of lace, to lengthen it with a beard of the same material and to even cover it more or less with lace to the borders of the eye-holes. Young ladies of this period, how ever, frequently contented them selves with covering the face eljpiy with a piece of black crape for. coquetry's sake and appear the fairer. j" ai Never, perhaps, was the usage of the mask more general than at this bch; it was always in request for e promenade, for visiting and in the house , if a gentleman arrived un expectedly. In consequence of thJsconUnual covering of the face the ladies' com plexions when not ruined by cos metics were, says the chronicler, tnarvelously fair and delicate and re tained their brilliancy often to an advanced age. Witness Ninon, who. when 80 years old. was still good looking enough to attract everybody's attention." The following discription of two exquisite engravings by fionnard for the year 1687 is an interesting illus tration of the fashionable dress of the period: "The first represented a young lady of graceful carriage and elegant appearance holding an umbrella-parasol (or en-toutras, as it would now be called) in her right hand, with the left leaning on a cane, wearing gloves, color gray pearl seamed in blaok, a veil covering half the face, a fly planted on the cheek and a mask of slate-gray color with ear -lappets hanging from the waist The second represented a lady with hair dressed a la Fontayne, the face riddled with flies and holding a brick- colored loup, or mask, in her hand It seems strange to think of the mask being as indispensable a piece of wearing apparel as the hat or bonnet is now; and to read that children ued to put on their mothers' masks some times to frighten each other vith. Seeing, however, how splendidly it preserved the complexion we could soarcely blame the ladies if one day they should endeavor to introduce this bygone and dramatic mode again. The country maiden's rosy cheeks , were not of course appreciated dur ing this fureur for lily and delicate pink complexions; on the contrary, women from the provinces who ob jected to tho uncomfortable mask were joked by their town friends for their brown skins and red cheeks. scorched and swollen with the strong country air. In the eighteenth century the velvet mask was renounced for the so-called fly mask which, as its name implies, was composed of flies only. And, according to one authority, the ladies put on such an enormous quantity of these beauty spots as to be sometimes rcarcely recognizable. Fall Force. Mr. W. J. D. Leavitt, who was for several years one of the regular players upon the great Music hall organ in Boston, contributes to the Globe of that city an account of some of his experi ences. One day, he says, after the regular noon recital, a considerable part of the small audience came upon the platform, as usual, and plied him with questions. He answered them by rote, having been asked the same things many times before, until a solemn-looking1 man with a tall hat and umbrella elbowed his way to the front. "You didn't use the full power of the organ, did you?" inquired the stranger. "Yes, sir; several times. The last piece was, nearly all of it, played with full organ." The questioner looked first at the organist and then at the audience. Then he shook his head slowly. I guess not," he said. "I under stand this organ isn't allowed to be played full force in this hall. It's too powerful." Mr. Leavitt was too polite to con tradict a stranger. "Well, sir," said he, "between you and me, confidentially, it never was played full force but once, and Dr. Oliver Wendell Holmes has recorded the fact that it killed nearlv all the fish in the harbor." 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